page 1 1 Wednesday, 7th October 2009 2 (10.00 am) 3 ARIE JACOB Zeelenberg (affirmed) 4 THE CHAIRMAN: If you would just give us your full names, 5 please, so that we can have that on the record. 6 THE WITNESS: Arie Jacob Zeelenberg, Jacob with a C and 7 Zeelenberg with four Es. 8 Presentation by THE WITNESS 9 THE WITNESS: I will start with a few remarks. I would like 10 you to have consideration with my language. I am not a 11 native English speaker. I don't know all the 12 sensitivity of all the words I may use and I hope you 13 have some consideration with that. 14 THE CHAIRMAN: I think your English is probably clearer than 15 some of the English we've heard in this Inquiry so I 16 wouldn't worry about that. 17 THE WITNESS: For the record all the slides are numbered. I 18 may refer to it, if I not forget it, but my wife's not 19 here so, please, tell me if I forget something. 20 The other thing is after recent events I ask myself, 21 I wondered why should I do this? Why should I be in 22 here and why should I don't leave the problems of the 23 Scottish to the Scots? I was communicating somebody in 24 an English-speaking country and I wondered why is 25 everybody in the UK profession so silent about this and page 2 1 I asked why me and I used a citation of Lincoln who 2 said: 3 "To sin by silence when they should protest makes 4 cowards of men." 5 He wrote me back -- and I can't say it any better -- 6 he wrote me back and said: 7 "But the truth is worth the pain, and as I read your 8 e-mail the quote from Lincoln was already forming in my 9 mind. We as professionals have to take ownership of the 10 knowledge and skills we are privileged and trusted to 11 process. In the McKie case it is the science we are 12 protecting from the abuse of human error and ego. 13 Without the truth of what fingerprint science can and 14 cannot achieve then we become redundant and robotic. 15 The pain and discomfort this case and Y7 has brought is 16 something that exists on both sides of the forensic 17 argument but the truth is loyal to only one value, 18 sufficient evidence both factual and logical." 19 I want to be loyal to that too. That is why I am 20 here. 21 My presentation will be pretty long. The body of it 22 will be the exercises we were asked to do and some other 23 evidence related to it. This is the overview of topics 24 and I will commit the ultimate sin of any presenter, I 25 will read out what is on the slides but I have to for page 3 1 the record. 2 THE CHAIRMAN: That is helpful, thank you. 3 THE WITNESS: The overview of topics is I will start with 4 some principles of fingerprint identification; then I 5 will address the placement of Y7; then I will go to the 6 first phase of the exercise, the analysis of Y7; then I 7 will do the scrutiny of the SCRO charting, effectively 8 phase 2; then I will address the presentation of the 9 SCRO to ACPOS in Tulliallan; then other evidence 10 regarding Y7; then I will move into the analysis of QI2, 11 phase 1; then the scrutiny of SCRO. On the request of 12 Mr Moynihan, I will skip the QD2 involvement and then 13 will have some remarks about identification/elimination 14 in general and then I will wrap up. 15 It will take I think about a day but I think it will 16 be faster than doing it interactively. I will discuss 17 point by point and you will see how it will go. 18 First, some principles of fingerprint 19 identification. Many has already said about 20 fingerprints and I think you are already pretty well 21 educated, but I will just highlight some things I think 22 are important. 23 A fingerprint is a two-dimensional image of a 24 three-dimensional surface of the skin. We can print it 25 with ink and paper, with digital scanners nowadays and page 4 1 then we do refer it as a known print or the reference 2 print if we are comparing. Then we talk about 3 fingerprints, marks, if it is a deposit of the residue 4 of the sweat or fatty surface we pick up somewhere else. 5 The fingers will only have pores that will generate 6 sweat but we may pick up fat by touching our skin and 7 other things. So the deposit will have certain elements 8 of that. 9 If it is on a surface deposited like that we call it 10 a latent because you cannot see it yet so often when we 11 talk about marks we also use the word "latent", even 12 when it is already detected and made visible. Generally 13 here we use the word mark again. 14 Now, we work from the hypothesis that fingerprints 15 are unique and permanent. I will not go into the deep 16 of that but there is good evidence that fingerprints are 17 unique. We prove it about every day. As we speak 18 billions and billions of fingerprints are compared by 19 computers and the opposite is never proven, so we can 20 take that as an empirical fact. I come back to that 21 when we speak in the domain of identifying marks because 22 that's another issue. 23 Fingerprints are permanent from before birth until 24 long after death and that is just a matter of empirical 25 proof proven by Mr Galton and all others. Only if the page 5 1 skin is damaged by scarring or also by damaged by a cut 2 or another wound and we get scarring but also the wound 3 after it's healed the scar will also become permanent. 4 What is a fingerprint that I was just talking about? 5 I will address it in three levels. It's already a bit 6 familiar to you. The First, Second and Third Level 7 Detail. 8 If we look at the First Level Detail, when we talk 9 about the overall flow of the ridges or we call them 10 also patterns, on the first on the left-hand side you 11 see the most common or very uncomplicated pattern that 12 is an arch then to the right of that you see the tented 13 arch; in the middle, up in the middle you see the right 14 slanted loop, that is the ridges come from the right, 15 recurve, go back to the right making a loop and you will 16 always see on the left side then a delta. You will not 17 see it here but on the left side there will be a delta. 18 On the left side -- left from that, right from that 19 you see the left slanted loop, same principle 20 coming from the left going back to the left and making a 21 loop on the right side there is a delta. Then we have 22 the double loop. Then we go down we have the central 23 pocket loop, also in America referred to as the central 24 pocket whorl, central pocket loop to the left and the 25 full whorls. These are full patterns, if we roll page 6 1 fingerprints but we have also parts of fingerprints that 2 show some kind of patterns like deltas, spirals and so 3 on. 4 The difference in flow of pattern excludes the same 5 origin. If the pattern is different it is end of ball 6 game. If I would have a very faint print of a hand and I 7 may see just three fingers and I can only see that it 8 may be three whorls and I know somebody to compare with 9 who has only arches I can simply exclude him. That's 10 the end of it. So first level excludes the same origin. 11 12 The Second Level Detail: we can regard a fingerprint 13 as a regular system of parallel ridges and minutiae or 14 dactyloscopic points, as we refer to it in the 15 international meeting, are those points, those events 16 where the regularity of this similar system is disturbed 17 and then we refer to ending ridges and bifurcations. 18 If I point here (indicated) we see here a 19 bifurcation where the ridges are joining or literally if 20 we call it a bifurcation we should say that the ridge is 21 splitting but we generally refer to it as an upwards 22 pointing bifurcation. 23 Here is an upward ending ridge. (Indicated) We 24 have a definition of a dactyloscopic point, that is a 25 notable event that occurs in a regular flow papillairy page 7 1 ridges that is subject of analysis. The event is a 2 natural biological disturbance to the normal parallel 3 system of the ridges, eg a ridge stops or starts and is 4 significant. What we look at is the direction upwards, 5 the location and the relation to other minutiae. 6 THE CHAIRMAN: I wonder could I just disturb you for a 7 moment. It might help the stenographer if we could get 8 the ... so that she can see the slide more clearly. 9 THE WITNESS: If we take this minutiae the position of it is 10 firmly established by all the connections to other 11 minutiae and what we do is di ridge counting. If we 12 take this minutiae here (indicated), the position of it 13 is established by the connection to other minutiae and 14 we cannot simply neglect it because if we were to say 15 this minutiae does not exist, this upcoming ridge does 16 not exist then we should have the start of the whole 17 ridge so you cannot simply rearrange the whole thing by 18 taking one minutiae out. That's impossible. They all 19 connect to each other. So uniqueness or specificity as 20 others address it as established by configuration of 21 similar minutiae type and location. 22 Similarity of a configuration is established through 23 triangulation, so connecting the minutiae to each other 24 based upon direction and ridge count between minutiae. 25 I will mention ridge count very often these days. page 8 1 Second level must be the same. That is a 2 non-discrepancy rule and I will come back to that in due 3 course. 4 Then I move to look at -- sorry, what we see here is 5 the triangulation and on the right side, on slide 8, you 6 see an image where the ridges are distorted. I did that 7 artificially on the computer but what you see is that 8 even under these conditions the corners will be 9 different but the ridge count will still be the same. 10 So if you count the ridges from here and there they will 11 still be the same. So even under adverse conditions, 12 the main aspects like direction, location and relation, 13 will stay the same. 14 There is one exclusion to that, that is if I were to 15 count ridges on the left-hand and by distortion on the 16 right side the core is moved in between the line then I 17 will have different ridge count so I have to compensate 18 for that. Typically, if we look here (indicated) the 19 ridge count will stay the same and relative direction of 20 the neighbours will also stay the same. 21 Then I will move to the Third Level Detail, also 22 referred to as ridgeology by David Ashbaugh who invented 23 the word, but it was already said yesterday that also I 24 think in 1916 Mr Locard, a Frenchman, did already write 25 about the power of the shapes of the pores and the page 9 1 ridges that could be used in the comparison of 2 fingerprints but nowadays it's referred to as 3 ridgeology. We could define that as the details of the 4 ridges such as the pores, the edges and the ridge path 5 of the individual ridge as far as it is reflected in the 6 print or the mark. 7 If we take this on the left side, this is a mark, a 8 fairly beautiful mark, detected by cyanofuming, then we 9 see a very crisp detail and if we take this individual 10 ridge (indicated), then it has kind of a river bed 11 shape. We call that a ridge path of the individual 12 ridge and you can follow that, then the shape, the 13 rhythm of it, is almost the same. 14 We can also look at those little details here like 15 this small incipient ridge (indicated) or if we take 16 this shape over here it's almost like an upside down 17 finger, index finger. 18 If we look it is not exactly the same as with the 19 inked print but you see it is on that location and it's 20 kind of similar and I could use the analogy of an 21 island. If you have a small island in the sea, the 22 shore will never be the same, the sea will take, the sea 23 will give, but we know the overall shape of the island, 24 we know the overall size and we know the exact location 25 relative to the shore and other islands so we will page 10 1 recognise it but still it will never be completely the 2 same and that's also the same with Third Level Detail. 3 Third Level Detail, therefore, is always studied in 4 conjunction with Second Level. 5 Third Level Detail can be the same and, if so, adds 6 significantly to the value of the comparison. We have 7 to keep in mind, however, that there are many, many 8 variables. There may be distortion. It is an image of 9 a three-dimensional type of skin, so it's always 10 two-dimensional so there may be variations in the 11 pressure. The detection technique may contribute to 12 what we detect and what we see. Ageing or drying out or 13 damage will also damage the Third Level Detail. So it 14 can be the same and it can contribute to the comparison, 15 but it's not always. 16 At first sight these two fingerprints look similar. 17 If you would look through your eye lashes they look a 18 little bit the same. There are some points of 19 similarity. There is this in the left side, we can see 20 the overhanging bifurcation downwards and we see 21 something similar here (indicated) and at first sight 22 this configuration of four points may look the same. 23 However, if we start looking further then this 24 point, the red point, (indicated) the upcoming end of 25 the ridge on the left side is not on the left image page 11 1 where the yellow dot is. This also counts for this 2 point, the bifurcation downwards in the right image is 3 not on the left image where the yellow point is. Then 4 we have another one that's not here. The upcoming 5 bifurcation is not on the left image and then this 6 downwards (indicated) is not there and the wider we make 7 the scope, all those bifurcations and minutiae are 8 missing. We pick up one on the right that's not on the 9 left and we pick up one on the left that is not on the 10 right and the wider we make the scope the more 11 differences we will tend to see. 12 Now, if we see this minutiae here (indicated) and 13 it's similar in direction and where it is in location 14 and what we do then is we start counting the ridges so 15 we connect the points, the minutiae, and we count the 16 ridges in between. On the left side ridge count is 8 17 and on the right side the ridge count is 7, so we know 18 now that it is a distinct discrepancy. So this is just 19 to confirm that these images are not from the same 20 fingerprint. 21 There's another thing that is to our aid, that is 22 what we call tracing. This is an ambiguous area in the 23 fingerprint. We may see an upcoming ending ridge -- I'm 24 now looking at slide number 12 -- but it may be stained 25 in that area and I don't know really what I'm looking page 12 1 at. What we can do then is trace the ridges and then 2 count the ridges on both sides and then we can count all 3 the ridges and there's two on the top side and three on 4 the downside and what we know for sure now that the 5 ridge that is in the middle is ending upwards somewhere. 6 We don't know how it ends, we don't know the exact 7 location, we don't know the type, we don't know whether 8 it's a bifurcation or an ending ridge but we know for 9 sure that there is something ending up there. So we can 10 now demonstrate that there must be an ending ridge and 11 we can demonstrate that there is a divergence of the 12 ridges. 13 This is an artificial example of how we compare 14 fingerprints. On the left side we could say this is a 15 latent and on the right side we could say this is a 16 comparison print. If we now look at the noise on the 17 left side, on the contour on the edge of the latent, we 18 can see that there is some noise over here. We could 19 take that for an ending ridge. If we would then go to 20 the comparison print on the right side, we see that 21 there is a real ending ridge coming in. What we could 22 do now is say, "Okay, you see it's in the reference 23 print so that is a real ending ridge and I counted" but 24 you were not sure when you were looking at a latent. 25 If we take then this similar type of noise over here page 13 1 (indicated) and we will also take that for an ending 2 ridge, then we know it's not in the comparison print. 3 So we have to be fair then. If in the analysis we mark 4 these both as incoming ending ridges, then there will be 5 a penalty, except if I count this one as an incoming 6 ending ridge then the other one should be real too. But 7 we cannot use the comparison or reference print as a 8 guide to the mark. 9 If we would take this ridge here (indicated) and we 10 would count it as ending to the left because we see in 11 the reference print that it is an ending ridge, that 12 would be not honest because we cannot know for sure that 13 this line is ending. Take this line over here or this 14 line over here (indicated), we cannot be sure that it is 15 ending and we cannot take the reference print as a guide 16 to the mark. 17 In our system, we have a penalty for that. If in 18 the analysis phase we mark these as genuine and we find 19 out later that it is not genuine, then we have to regard 20 it as a discrepancy. 21 On the other hand, if we have an analysis and we see 22 something like this, now the image on the right, and 23 then I would see this incoming ridge and I would argue 24 that this is real because the other ridges around it are 25 demonstrating, make way for it, then I can argue that it page 14 1 is a real, real incoming ridge. Also the other ridge 2 from the other side is kind of compensating for it and 3 my argument would be this is a real incoming ridge. On 4 this side, although the ridges don't make that much way 5 as in the lower example, still the head of the ridge is 6 so thick and the wide space in front of it is telling me 7 that it is real and it is ending and that it is ending 8 there. 9 The same might count for this ridge (indicated) 10 where the ridges are narrowing and where the end of the 11 ridge is really prominent and I can really see it. If 12 there would be Third Level Detail that would be 13 similar-ish, that would confirm my opinion. 14 (Slide 14) Let's have a look at this comparison. 15 The core maybe looked some what distorted. We have some 16 upcoming bifurcations here. If we go upwards to the 17 core we see an upcoming bifurcation to the right, then 18 one ridge we go higher, a bifurcation, another 19 bifurcation to the right, we go up again then we have an 20 ending ridge to the left, and then we have 12 minutiae 21 that are in agreement. 22 If we were to look at this location over here 23 (indicated) we would see that -- and I point to this 24 ridge here (indicated) -- that the ridges are a little 25 bit wider and the same effect we see here and we could page 15 1 also argue that next to this point on the left we see 2 that this ridge is thickening looking the same, the same 3 kind of ridge detail. 4 (Slide 15) I am sorry that I did deceive you. This 5 is not identical. I apologise if I offended you, but I 6 wanted you to go to the thought process and I use it for 7 a purpose because now you have for yourself some kind of 8 conviction that these were the same and now I have to 9 try to harder to convince you of the opposite, but I 10 will show you what is the purpose of this. 11 These were the minutiae I was looking at and if we 12 look closer now, then we see that this ridge here 13 (indicated), if we follow it downwards, it is going 14 underneath this ending ridge and this is just a short 15 ridge. It is not the same and I should not take it for 16 granted that it is on the other side. 17 These two minutiae are wider apart -- these are 18 wider apart than these two on the left and this one 19 these are between the same ridges and this one is 20 between this ridge and this one is lower (indicated). I 21 ignored already the core. I said this may be distorted 22 but it is not the same. 23 If we take the scope wider, then we will -- sorry, I 24 will do a ridge count here, if I count the ridges here 25 and I ignore it at first instance there is two ridges in page 16 1 between and here there are three (indicated). 2 If I take the scope wider and if I have more detail 3 and I have the wider image of the latent I can do that. 4 Then we see an upcoming on the yellow point here an 5 ending ridge to the left that is not over there 6 (indicated). There is another one we cannot find and 7 there is another one, ending ridge, we cannot see. So 8 if we are allowed to take the scope wider, then we can 9 control that it is not identical. 10 There was another warning sign if we look upwards in 11 the tip we see that the lines are curving like an arch 12 on the left side and on the right image they are 13 slanting to the left. So also the First Level Detail, 14 so the flow of the ridges, could have given it away that 15 it's not the same finger. This is a look-alike. This 16 is one of the close calls you may see on CLpecs website. 17 These are the warnings for fingerprint experts that we 18 don't take anything for granted. We have to check the 19 ridge count and we cannot walk around like a beachcomber 20 picking a point here and picking a point there. We 21 should take it very seriously. 22 We cannot -- and there is another thing that is a 23 paradox, that is the lower the quality of the mark the 24 larger our tolerances tend to become. The mark is so 25 good that I can know it's not identical but if it page 17 1 becomes worse, it degrades and degrades it may take away 2 the chance I see the differences and I should not allow 3 my tolerances to become bigger. 4 Now, I will read out some of the IEEGFI report. 5 This is the Interpol European Expert Group on 6 Fingerprint Identification. I refer to it in my 7 documents already. It's on the public website of 8 Interpol. Mr Mackenzie referred to this working group 9 as being a member of it. They have issued the report 10 that's endorsed by the Interpol European Working Group 11 in 2000 and I read paragraph 810 on page 26 on this 12 subject -- 25 to 26 -- and it is about tolerances and I 13 read it out. It also refers to the first report that 14 was endorsed in 2000: 15 "With identifications proven to be mistaken it 16 became clear that the involved experts have ignored the 17 differences. Evaluation of those comparisons often 18 contain a long list of excuses why the print does not 19 look like how it should disguised as a demonstration of 20 the skill and experience of the expert." 21 I always say -- end of citation -- they have a 22 rucksack full of excuses why the mark doesn't look like 23 it should look. I continue with the citation: 24 "A difference in appearance between compared 25 fingerprints or details of them that is contributed to page 18 1 normal variations with printing can be tolerated. 2 Tolerances should be applied consistently and honestly. 3 Experts should be aware of the paradox that one may be 4 inclined to accept more differences in bad prints under 5 the umbrella of distortion than one would accept in 6 better quality prints. Distortion not only limits the 7 perception of the similar but also from the dissimilar. 8 The rule, therefore, is that tolerances should not vary 9 dependent on the quality of the impression. Simply put, 10 the paradox is the worse the print the larger the 11 tolerances. Mistaken identification can often be 12 contributed to this effect. One starts to assume 13 similarity because one is unable to check it." 14 There is a tendency to just assume that we know the 15 ground rules and then explain all the differences away, 16 claiming to be an expert of distortion. This is a 17 distinct warning sign. 18 (Slide 16) I just wrap up about fingerprints. A 19 fingerprint is an image of a regular system of 20 parallel papillairy ridges. A characteristic is an 21 event that disturbs this regularity. Characteristics 22 keep their basic properties even under adverse 23 conditions. The value of a characteristic is defined by 24 its properties, the location, direction and relations, 25 and clarity and ridge detail. Uniqueness or specificity page 19 1 is established by a coherent configuration of 2 characteristics and detail. 3 Identification is the establishment by an expert of 4 sufficient coinciding, coherent, characteristics in 5 sequence -- sequence is the key word -- in combination 6 with ridge detail and absence of any dissimilar 7 characteristics. That is the non-discrepancy rule. 8 Discrepancy stops the process of identification. We 9 cannot assume or prove the ownership any more. 10 I will read out the relevant paragraph of the IIGFI 11 document too. This is paragraph 851 about 12 dissimilarities and dactyloscopic points of difference: 13 "Compared prints will never look exactly the same so 14 there will always be dissimilarities between prints from 15 the same donor. If there is only one different 16 dactyloscopic point or discrepancy between points 17 identification is excluded. The first report that was 18 from 2000 reads: 19 "'Identifications require sufficient coinciding 20 information between two prints. If features are present 21 in one print and absent in the other and there is no 22 rational explanation based on findings and facts a 23 statement of identification should not be given in 24 principle.'" 25 We have SWGFAST. You may have heard about it, the page 20 1 Scientific Working Group on Friction Ridge Analysis 2 Study of Technology, that is a body erected by the FBI 3 in 1995. It's a kind of regulatory body that tries to 4 define best practices, procedures and definitions on a 5 consensus basis. They are still around and they have 6 given standards for conclusions about individualisation 7 and I read out paragraph 114 -- or I read out all the 8 conditions. It's short enough: 9 "Conditions that shall be satisfied with an 10 identification is determined by a competent examiner and 11 applied to a common area in both impressions based on 12 quantity and quality of the friction ridge details and 13 absent any discrepancy and a reproducible conclusion." 14 (Slide 17) SWGFAST also describes or defines that 15 it is qualitative and quantitative analysis. We follow 16 the procedure or method of ACE-V, as it is called, 17 analysis of the mark, comparison, evaluation and 18 verification and the key words in that are that it has 19 to be reproducible, absent any discrepancy and I will 20 add to it that it must be demonstrable. You must be 21 able to define or point out what you see and there is 22 sufficiency rule. You can only identify it is 23 sufficient coinciding information. Sufficiency 24 generally now is, in the profession of fingerprints, is 25 arrived at in two ways: that is the numeric system and page 21 1 the non-numeric system as it is addressed. That is in 2 the non-numeric system or the holistic approach to the 3 discretion of the individual expert on a case-by-case 4 basis or with reference to an empirical standard, often 5 referred to as the numerical system. 6 (Slide 18) Now, I won't fool you again, I promise. 7 This is an example of a real identified mark. This 8 looks pretty easy but if we look into the green box, we 9 will see that the ridges have a kind of a funny flow, 10 not very regular. They make small curves, there are 11 thinning lines, they make way for each other and we see 12 kind of the same in the green box in the same area in 13 the same or similar location we can see the same events. 14 This is very strong proof that we are looking at the 15 same print. So this is coming from the same donor. 16 This is not too difficult and we could ask ourselves 17 why is the comparison of Y7 and QI2 more difficult? 18 There are two main reasons for it: it is the lesser 19 quality, they are not very good prints, but the 20 main reason is they are not identical. We are trying to 21 compare apples and pears and it is very cumbersome. 22 (Slide 19) I will now move -- you will tell me if 23 it is time for coffee, I think? 24 THE CHAIRMAN: I think we have a little time now. It is 25 usually 11.30, another hour before we break page 22 1 unfortunately for you. Any time you want to stop please 2 do. 3 THE WITNESS: We look now at the placement of Y7. Why is 4 the placement of Y7 so important? First of all, the 5 dissimilarities and the discrepancies observed are 6 attributed to double placement and/or twisting. So we 7 have to find out what's going on with this mark. The 8 other thing is if Y7 is one print from one donor placed 9 on one location then Shirley McKie is excluded by all 10 experts on both sides. So that is the importance to 11 find out how it is placed. I must add, however, that 12 the upper and lower part in separation can also be 13 excluded as coming from Shirley McKie's fingerprint but 14 it is nevertheless very important to look at the 15 placement of it. 16 (Slide 21) I refer to the minutes in Tulliallan 17 where the independent facilitator, the chief scientist, 18 Dr Bramley, who was hired by the organiser of the 19 meeting, Dr Bramley stated -- and it was after some 20 conversation -- that from conversations at lunchtime, 21 that was between Mr Rudrud and myself, Alan Dunbar and 22 Robert Mackenzie, conversations at lunchtime it would 23 appear that there is some agreement. If the scene mark 24 is considered to be a single finger impression it is 25 more likely to be that of a right thumb and not that of page 23 1 Shirley McKie. 2 Mr Dunbar stated that he accepted if it was one 3 piece it was not that of Shirley McKie. The Mackay 4 Report reads they did state or, indeed, concede that if 5 it was proved conclusively to be a single mark then it 6 could not have been made by Shirley McKie and I think 7 that is also confirmed lately with the evidence. 8 (Slide 22) If we look at the mark and look at our 9 first assessment then we can see there is a lot of 10 background noise. If we look at around the print we see 11 stains and the stains are also coming back in the print. 12 So there's a lot of background noise that doesn't make 13 the mark much better. There is obviously distortion in 14 the tip. The definition of the ridges is not too clear. 15 It's different on the bottom than on the top. You 16 cannot see them crisp and clear. There is not much 17 contrast so the clarity is not that good and there is a 18 relatively low number of minutiae or Galton points or 19 dactyloscopic points as you can call them also. 20 There is an idea that it is left slanted because we 21 expect, by the spreading of the ridges here, we expect 22 it to be a delta down here (indicated). On the right 23 side down we expect a delta. So we can then assume or 24 hypothesise that it is going to be left slanted but we 25 don't know for sure. page 24 1 It could be a whorl. It could be a loop. It could 2 be a thumb or an index finger. We don't know. The only 3 reason why we are talk about a left thumb is because 4 it's identified to a left thumb by the SCRO but if we 5 look at the first analysis we cannot know. We may look 6 at a loop to the left but you may also look at a whorl. 7 If you look in the core, you almost can see that the 8 ridges here are a little bit curving inside and these 9 are also a little bit recurring. It just could tell you 10 it also could be a small whorl, something like this 11 (indicated). 12 Another apparent thing is those incoming ridges from 13 the left stopping to the right. The three ones I just 14 made red I will repeat it, just look for yourself, those 15 incoming ridges are not very contrastful but they are 16 definitely there. 17 (Slide 23) What I did recently was I went to our 18 office and said, "Give me the last ten ten-print cards 19 that came in", and I just took them randomly and I 20 looked at all the thumbs and the forefingers and I took 21 a sample of them. There you see a left thumb and on the 22 left thumb you all see three incoming ridges from the 23 right, stopping to the left and we see some left 24 slantedness. We see one upcoming here (indicated) but 25 the tendency is incoming ridges from the right to the page 25 1 left. 2 On the right thumb, however, we see the opposite. 3 Incoming ridges from the left to the right and we see 4 none coming in from the right to the left. This gives 5 away right slantedness. You see the ridges go slight 6 right down. 7 The right forefinger, same issue, incoming ridges to 8 the left and there is one here (indicated) incoming from 9 the right but the tendency is from the left to the 10 right. 11 Left middle finger, same issue; left forefinger, 12 same tendency; left thumb, only ridges coming in from 13 the right to the left. We see here (indicated) a whorl. 14 That's a left thumb, same issue, incoming ridges and 15 left slantedness. This already gives away that what we 16 are looking at in Y7 is not a left thumb but either a 17 right thumb or a right forefinger. This is a clear 18 warning we are not looking at a right finger. 19 (Slide 24) We are asking ourselves what are we 20 looking at? Is it a double placement or a single print 21 or single or multiple fingers. I must say I was misled 22 by this finger in first instance too. The properties 23 are indeed misleading because we see colour difference 24 in the upper part and colour difference in the lower 25 part. So you might think it could be two fingers or two page 26 1 placements. 2 There's also a structure difference. You see the 3 tram rail effect here (indicated) because those ridges 4 here tend to become double, it looks like a tram rail. 5 The space in between is gone and there is an unnatural 6 flow here (indicated) in the centre. I point to the 7 centre now. It's like the ridges are bended downwards 8 and there is a very unnatural contour. It seems to be 9 cut off here (indicated). Later I found out it is 10 caused by a curve in the wood but at first sight it can 11 be misleading. It looks as if it could be two pieces 12 but on closer examination you see that it's not the 13 case. 14 If now look at the properties and the phenomena 15 relative to placing, then I can see that there is 16 obviously high pressure in the tip and that is given 17 away by the thickness of the lines, they are darker, the 18 tram rail effect as I mentioned it, the furrows, the 19 space between the ridges is smudged and smaller and 20 there is obviously slippage in the centre area and there 21 is no slippage on the contour. Nowhere around the print 22 will you see any slippage; it's just a print. 23 If we then take into account the circumstances and 24 the location then we know that the fingerprint is found 25 in isolation. There are no other fingers adjacent to page 27 1 it. It is an uncommon location. It's not something, a 2 doorway, that everybody touches or a door of a shop or 3 something as a place where everybody touches on the same 4 spot. It's an uncommon location on the hinges of the 5 door of a house where not many people lived. There's a 6 limited amount of users and donors. So the chance of an 7 undiscernible double placing is remote. 8 Also, the bent skin downwards, this is the skin is 9 bent downwards, can hardly be explained by having placed 10 this lower piece on its own. There must be a reason why 11 the skin is bent down and that should be the upper 12 portion. 13 (Slide 26) We have to keep in mind this is a very, 14 very tiny print. It's smaller than a 5 pence coin. 15 It's 18 mm and it is really very, very small. So to 16 place two things on top of that without noticing that 17 would be almost impossible. 18 (Slide 27) If we now look at the structure of a 19 finger we know this is the bony structure and this is 20 the piece that is printed. You can almost -- you can 21 try for yourself. If you push on the tip of your finger 22 you will feel that it is soft and if you push on the 23 straight side you will feel that it's more sturdy and 24 there is a transition area. If you push hard on the 25 table and you will go round you can almost feel it slip, page 28 1 you can also physically feel it. 2 (Slide 28) So we now turn the finger and I've put 3 the wall a bit slanted just for demonstration purposes 4 and the finger would go down then this has to tip over 5 on this piece of bone (indicated) (slide 30) and this is 6 the tip over or friction area and something has to 7 happen to the skin in that area if you turn it around. 8 (Slide 31) I can demonstrate if you made a small 9 movie of a finger pushed on a piece of glass and then 10 turned downwards. 11 (Slide 32) Again, we have repeated it over and over 12 again, you put the finger, push it really hard but not 13 too hard and you go downwards and then you get these 14 (slide 33) images. We did not push very, very hard but 15 what you see is the lines are becoming broader and 16 darker and the skin is bent downwards. In the middle we 17 have the normal flow of the ridges and the normal print 18 of this finger. You see the ridges are evenly spread, 19 not darker and in the middle the ridges flow very 20 normally. If we go to the left image, we see that the 21 ridges are pressed down, there is some slippage. On the 22 most right print you see already the slippage is more. 23 The ridges are more pushed together and what is also 24 very important that you see here (indicated), that the 25 skin on the left image -- I pointed the arrow -- the page 29 1 skin has kind of bulged outwards. The skin has to stay 2 somewhere with this pressure and then going down. You 3 can almost feel it, if you would do it. 4 (Slide 34) This is what we are looking at. This is 5 the mark. This is the pressure area. This is where the 6 skin is bent downwards. This is where the slippage is 7 and where the lines tend to join and this is the area 8 where the skin is bulged out and where the ridges have 9 spread. 10 If I can go back -- I have to find my arrow (slide 11 33) -- you see that the lines are small, hook almost 12 here and the lines have spread more like here 13 (indicated). So there's more space between the ridges, 14 there is an unnatural hook here and if you look here 15 it's the same effective here (slide 34) the line, the 16 ridges, the skin has kind of bulged outwards. 17 If we place the other image next to it and then we 18 take off the corner because of the groove in the wood, 19 this is pretty much what we are looking at. If you have 20 an explanation that fits all the facts in hand like a 21 glove then I think you find the right explanation. In 22 my view there can only be one conclusion: the subsequent 23 placing by same finger/single touch. 24 If I might go up there I would like to give you a 25 small demonstration. page 30 1 This is an unnatural place for a left thumb. As a 2 child you are taught to not touch the door here because 3 you lose your fingers. The other thing is if you would 4 place your thumb on this height, because it's the tip 5 that is rolled, it's an unnatural position. If you 6 would go down you would roll it more or less lower. For 7 a forefinger or an index its much more natural, much 8 more natural than a thumb and the height, it is for an 9 average person it is too high. If I would fantasise 10 about how this happened -- and I cannot help, I do this 11 when I'm at night I'm thinking of this case -- if there 12 was somebody there conscious of not touching anything, 13 "I shouldn't touch it", and he is in the doorway losing 14 his balance, "Oops, I touched it". That's what I was 15 fantasising about. You don't want to touch it but you 16 incidentally just shortly, typically you would go lower 17 with your finger, it's just very short touch. I think 18 that's what we're looking at. Everything is telling me 19 it's not a thumb. It's definitely not a left thumb, 20 more likely to be an index finger. 21 If we accept, based on this evidence, there's one 22 single placement, one single finger and we look at the 23 incoming ridges it's not a left thumb, then it's 24 definitely not a left thumb, it's definitely not Shirley 25 McKie's left thumb. That's given away already by the page 31 1 placement and by the position and by the overall 2 phenomena that we see with Y7. 3 (Slide 35) I will now move to the analysis of phase 4 1 for myself of Y7. 5 (Slide 36) This is my chart. I cannot use this 6 for this purposes because it's an overall chart and the 7 quality of the image is not good enough so I took a 8 digital image and I also consulted other images (slide 9 37) like the image from Pat Wertheim as it is featured 10 on the onin.com website and I also have an image from 11 Terry Kent, the image we received at the Tulliallan 12 meeting. 13 The first thing I did (slide 38) is -- what we are 14 looking at is the red points are locations where there 15 are minutiae. The yellow points are the points where on 16 the concurrent place or the other place they are 17 missing. So there's a red one on the right and it's not 18 on the left image it will be yellow and vice-versa. So 19 if there's a point on the left side that's not on the 20 right side it will be yellow. 21 It's also striking at first sight that there are 22 more points, yellow points, on the left side than yellow 23 points on the right side. So there are more points 24 missing from the reference print in the latent than 25 there are points from the latent missing in the page 32 1 reference print. I did already tell you that the mark 2 had a low number of Galton points and this may be, at 3 first instance, may be one of the reasons why the SCRO 4 went wrong. If you go one way and you don't recur and 5 don't look in the reference print and you also look in 6 the reference print for things in the mark but you go 7 one way and this may be a reason, one of the underlying 8 reasons, why it went wrong. It's no excuse but we know 9 if disasters happen, more often there are more clues, 10 more reasons why disasters happen but I think this is 11 one or could be one. 12 What I did was try to position the mark with 13 reference to the reference print as good as possible. 14 So I took the orientation of some points as leading. 15 These are the blue ridges. These are the points that I 16 will refer to as the stepping stone, the four or five 17 points that are similar-ish, they are not similar, they 18 are similar-ish -- it may not be a proper word but I 19 don't know of a better one. I used those blue lines, 20 the orientation of those points, to orientate the finger 21 as proper as possible and this is the height 22 (indicated). I use these points to put them on the same 23 height. 24 (Slide 39) This is the total comparison. Again, I 25 took the numbers from the charts and transferred them to page 33 1 here (indicated) and I will now work in -- those points 2 are all points that are discussed. So the numbers in 3 this chart represent points and locations that I will 4 discuss and should not be regarded as points of 5 similarity. I want to be very explicit about that 6 because it is mistaken before. 7 (Slide 40) The structure I will follow is that on 8 the top you will see the points that I discussed and 9 marked in the chart presented to the Inquiry team and 10 below I will give you the images, the same images, but 11 uncharted. So you can check for yourself what you see. 12 When I start, on the left side you will see come in 13 which point I'm going to discuss, otherwise you may get 14 lost or I may get lost, and then the same numbers, the 15 reference numbers of the SCRO, are also appearing in the 16 yellow circles. So point 3 is also point 3 of SCRO, 17 point 1 is point 15 and point 2 is point 1, but I will 18 discuss these later. 19 I am now going to discuss point 3. The structure is 20 that you will have to look -- here is point 3 in the 21 upper part and you will have to look then in the lower 22 part and you will see an overlay coming. There is the 23 overlay (indicated). I use dots so that you can still 24 see the underlying information and check what I am 25 telling you. What we see is this is the reference to page 34 1 point 3 that these are two ridges that are kind of 2 symmetrically walking together and then joining in each 3 other. If you look in the mark, they are walking 4 together and they are joining each other and then 5 there's one ridge continuing. It is a bifurcation 6 downwards but pointing upwards. 7 If we then look in the reference print, we see that 8 the left leg of it is a straight line and the right leg 9 of it is kind of bowing or curving to the left. It's 10 not symmetric. It took me to check it and I took two 11 other inked images and these are the same points and 12 then you see that here there's a real ending ridge in 13 both the other inked images. You see that upwards. 14 This is an ending ridge and this is an ending ridge 15 (indicated). So this is accidentally, if we go 16 downwards, really confirming that this is an ending 17 ridge that is kind of pushed to the left. The left line 18 is straight, the right line is curving and in the mark 19 on the other hand it is a real symmetric bifurcation. 20 So the ridge detail is already not the same. This 21 should be the first warning. 22 (Slide 41) Then I move to point 4. You know where 23 to look now. Same thing: we see two even legs forming a 24 bifurcation almost symmetric. You see here it's a 25 little bit interrupted but I think the main thing is page 35 1 symmetric -- is there something wrong? 2 THE CHAIRMAN: I am not sure what is affecting the 3 microphone. We will just check it anyhow. 4 THE WITNESS: If there is a disconnection here, then it will 5 be the left leg that is disconnected, not the right leg. 6 Then the right leg is continuing. But I think it's kind 7 of symmetric. Again, if we look at the reference print, 8 same thing: the left leg is straight and the right leg 9 is kind of or an ending ridge or a bifurcation when it 10 bends to the left line. 11 Then, again, I consult the inked prints and we see 12 again it is a real ending ridge. It was already given 13 away by good study of it that it is an ending ridge 14 instead of a bifurcation and this is a real bifurcation 15 or, if not, then the left leg is disconnected and not 16 the right leg. 17 (Slide 42) These are, so to say, differences on the 18 third level. People may name it differently, but 19 already warning signs. I will not call them 20 discrepancies. 21 Point number 5 we have to look in this area here 22 (indicated). If we look now to the reference print, it 23 is a full bifurcation symmetric, two legs of the 24 bifurcation moving upwards and continuing in one 25 straight line. If we now move to the mark, we see the page 36 1 left line is continuing and the right line is almost 2 upwards ending. It's not really connecting. It's 3 closer to the right line than to the left line. It's 4 not really a bifurcation. Again, on Third Level Detail 5 not the same and a warning sign but I will now start 6 counting the ridges between these two and then we see 7 that the ridge count between point 4 and 5 is maximum 8 one. If I would connect it to the left side to make it 9 a bifurcation then it will be one ridge count but if I 10 connect it here it will just be none but it's maximum 11 one ridge count and then if I then move to the right we 12 have a ridge count between the minutiae of minimum two. 13 This is a distinct discrepancy we cannot ignore that one 14 and even within the features in the centre of the image 15 that look similar-ish this is a distinct discrepancy 16 which you should notice at first sight. 17 (Slide 43) Point number 6 we are going to look in 18 this area upwards (indicated). Then we see here that it 19 is a full bifurcation, left leg is straight and this one 20 is connecting to it and in the mark it is an ending 21 ridge. There is a white spot next to it so the line is 22 really stopping if it is connecting it may be connecting 23 to the right side but I think it is just an ending ridge 24 and here it is a full bifurcation in the reference 25 print. page 37 1 If we start counting the ridges between point 4 and 2 6 then we see a ridge count and we want to make it fit, 3 then in the print this has to be regarded as an ending 4 ridge. It's now a bifurcation but if we want to make it 5 fit then we have to make it an ending ridge, then ridge 6 count 2.5 is one in the print but 2 if regard as an 7 ending ridge with this minimum of one and the ridge 8 count in the mark if connected to the right is one and 9 if connected to the left it is zero, so whatever way we 10 do it there's always a discrepancy. 11 If we move this -- disconnect this one it's still 12 one if we do it like this, if we move this to this one, 13 (indicated) what we should do to make a bifurcation, the 14 ridge count is zero. If we disconnect it, it is one so 15 it is always a difference, minimum of one. This again 16 is a distinct discrepancy. It is the second distinct 17 discrepancy within a small area. 18 (Slide 44) Point number 7 equals point number 9 of 19 the SCRO. This is what we could call the banana shape. 20 We can already see if you look at the mark with this 21 kind of sharp, an evenly flowing bifurcation and if we 22 go to the reference print we see if you imagine that you 23 drive your car and this is the road then you would have 24 to make a turn. It goes downwards, almost. There is an 25 open space here (indicated), nothing like in the mark, page 38 1 and it is higher up and it is much more prominent and 2 different shape than within the mark. You can check for 3 yourself. 4 If we now consult other images, those of Mr Wertheim 5 and Mr Kent, then we can see that the area is not too 6 good but if we see here (indicated) this is the relevant 7 area, then if this bifurcation exists then underneath 8 here -- I point here with the arrow -- then this line, 9 there has to be an ending ridge to this side or this 10 line is continuing here and this line is continuing here 11 (indicated), it's just a mall blur in between but what I 12 want to point out to you is if this is a bifurcation, 13 then there has to be an ending ridge to that side to 14 compensate for the bifurcation. Not that clear here 15 because that image is very, very high in contrast but 16 also with the image of Terry Kent you may see that if -- 17 and I point to the upper one here (indicated) -- if this 18 is a bifurcation then there has to be something that has 19 come back and stopped you. I will come back to that 20 later. 21 (Slide 45) Now we move to point number 8, equals 22 point number 14 of SCRO. Now I have traced the whole 23 area of that and we are looking at this area here 24 (indicated). This is an ending ridge or it looks a 25 little bit like it is bifurcating but I think it is more page 39 1 likely to be an ending ridge. If we look in the same 2 area in the mark, then we don't see any event like it 3 and to confirm that, we can trace the ridges and then 4 count them. On this side we have five ridges and 5 there's five ridges over there, there's four ridges here 6 and there's five ridges there (indicated). This is 7 confirmation that under the way one ridge has ended and 8 it's not the case in the mark. You see here (indicated) 9 the ridges are traced, there's nothing happening here 10 and that's confirmed by the ridge count 5, 5, 4, 5. So 11 there's one ending to the left. So the point 8 fails in 12 the mark and is discrepancy number 3. 13 (Slide 46) Now we move to point 9, 10 and 11 and 14 these are not marked by SCRO. You see here (indicated) 15 the point in the reference print, another point and then 16 I have traced the whole area and there is the incoming 17 line from the left in the mark ending to the right. I 18 think this is the one referred to as the Rosetta 19 characteristic. We see it over here (indicated) and in 20 the reference print we see the two other lines ending to 21 the left. The two ending lines to the left fail in the 22 mark and the ending ridge to the left in the mark fails 23 in the print. We can check that by counting the ridges. 24 If we look in the mark, we have seven ridges on the left 25 side and six on the right side confirming that there is page 40 1 one ending to the right and I think this is not denied 2 by anybody so far. On the right side we count six on 3 the right side and four on the left side so that 4 confirms that there are two stopping to the left. So 5 these are discrepancies number 4, 5 and 6. 6 (Slide 47) Points number 13 and 15 are also not 7 addressed to by SCRO. We find them in this area here 8 (indicated) with the cursor we find number 13 and number 9 15 over there. I've again traced the ridges but now I 10 have used two colours not to get confused between the 11 ridges. This is a reference point number 1. It is 12 number 15 of SCRO. I use it as a reference point. We 13 have the upwards ending ridge and if we take reference 14 point number 1 and we go down one and then follow the 15 ridge, then it ends. The opposite, if we go to the 16 reference print and take point number 1 then we go up 17 one ridge and follow it and it ends a little bit 18 further. So it's ending further away and on the other 19 side. This is a distinct discrepancy. 20 Then if we go up four, there is a distinct upwards 21 ending ridge, other ridges giving way for it and really 22 we cannot ignore it and there is nothing alike in the 23 reference print. So point 13 in relation to point 1 is 24 wrong and point 15 in the mark is missing in the 25 reference print. This discrepancy is number 7 and 8. page 41 1 (Slide 48) Point number 12 and number 14 on the 2 outskirt of the reference print, also not addressed by 3 SCRO. If we again trace the ridges in the mark and then 4 look where they should be, taking the reference print as 5 a guide, I left some reference points in there and you 6 can see that there is no ridge ending downwards and no 7 ridge ending upwards. There is nothing the like over 8 there. So both these two characteristics are missing in 9 the mark. These are discrepancies 9 and 10. 10 (Slide 49) If we now move to point 1 and 2, 16 and 11 19, they are all in the same area and the reference 12 points of SCRO are 15, 1 and 16 and missing. Then we 13 are talking what is referred to as the deviated break. 14 If I move to the reference print right down then we see 15 it is also referred to, I think, as a handshake. We use 16 the word "changeover" but the official name, I think, is 17 deviated break. 18 If we now look in the mark, you can see the upwards 19 ending ridge and that is that point over here 20 (indicated) that's point 1. I can see that there is 21 some kind of an event over there (indicated), an upwards 22 ending ridge, the same as in the reference print, and 23 point 2 there is some kind of event in the mark at the 24 same location it could be similar-ish. 25 Then if we look with the handshake at the line page 42 1 coming down in the reference print, there is nothing 2 alike in the mark. There is no line coming down and 3 ending downwards. If we go down from point 1 in the 4 reference print we will see a bifurcation, an obvious 5 bifurcation, and we see nothing alike, if we go down in 6 the mark there is no bifurcation going downwards. So 7 there's two distinct discrepancies. So we've got now 12 8 discrepancies. 9 (Slide 50) Point 17 and 18 are also not addressed 10 by SCRO. They are here (indicated). On the right side 11 there's a distinct formation. This is a very thick 12 line. It's a kind of a closed island but the presence 13 of it is confirmed by this ridge on the left side making 14 way for it. So there's really a bifurcation here and 15 the fact that there is a ridge going downwards is also 16 confirmed by the ending ridge going upwards. 17 Now we see nothing alike in the mark. We can trace 18 the ridges. We can see this upwards ending ridge (that 19 was point number 2) but all the other events simply 20 fail. There is nothing alike in the mark that is in the 21 reference print and these are points 17 and 18 and we 22 don't see them in the mark at all. We now have a total 23 14 discrepancies. 24 (Slide 51) My conclusion of my analysis is this: we 25 have a minimum of 14 discrepancies on top of many Third page 43 1 Level Detail that is not the same. The top part is not 2 even evaluated because the top part was missing in the 3 reference print. There are numerous differences in 4 ridge path and Third Level Detail. There are pattern 5 differences. The flow is inconsistent with the left 6 thumb. There are some similar-looking points in the 7 centre, what I would call the stepping stone where you 8 could go wrong but then nothing is the same. The 9 majority of minutiae are missing from print in the mark 10 rather than vice versa. There are numerous warning 11 signs that could have told you there's something wrong 12 here. It is a definitive exclusion that should be 13 recognised in early stages of comparison. 14 (Slide 52) I would like now to go to the scrutiny 15 of the SCRO charting of Y7. This is the chart from the 16 SCRO as I received it and I refer the marked points 17 (slide 55) to the digital image to be able to put them 18 in my presentation for better quality. This is the 19 reference print of the SCRO chart and the points number 20 1, 2, 3, 4, 5, 6, 9, 15 and 16 are already discussed in 21 my analysis. I will not discuss them again. But the 22 red circles are my numbers. So I will only discuss the 23 remaining points that are 7, 8, (slide 56) 10, 11, 12, 24 13, 14 and ultimately 17. This is part of the SCRO 25 chart phase 1. I have transferred the numbers to the page 44 1 digital image. 2 (Slide 57) Point number 7 I take two reference 3 points here. The reference point is number 6 and then 4 point number 7 should be an upcoming bifurcation in this 5 area (indicated). There is some grey-ish looking thing 6 here on the edge that is marked by SCRO as a bifurcation 7 upwards. I would never take that for genuine because 8 there's a lot of other noise but, okay, if we accept 9 that there is a bifurcation over there, then we have to 10 do the ridge count to point number 6 and then we see 11 that the ridge count is off. We've got a ridge count of 12 one in the reference print to number 6 and you've got a 13 ridge count of two in the mark. So even if we accept 14 that to be a similarity, then the ridge count is off. 15 This is what we would call a teased out point. You 16 take the reference print as a guide to the mark and you 17 say, "Okay, I find it over there", and then if you fail 18 to really check whether it is on the same location you 19 make two mistakes I think because the ridge count is 20 simply off. 21 (Slide 58) Point number 8 is a point relevant to 22 what I would call the banana. Here it is (indicated). 23 Now we see in the reference print there is a small dot. 24 SCRO is mentioning a ridge ending to the right and they 25 mark it over there (indicated). I already discussed page 45 1 earlier that the presence of this point over here, we 2 now call it point 9, this point over here (indicated), 3 has to be confirmed by an ending ridge to the right and 4 I think it's, therefore, that SCRO calls it an ending 5 ridge to the right whilst in the reference print it is 6 just a dot. The blob is regarded as an ending ridge in 7 the mark and in the print it really is a dot. But if we 8 start counting the ridges between point 9 and the dot, 9 then in the mark it is zero and in the reference print 10 it is one. So even if we take it for granted that it is 11 an ending ridge or a blob, then the ridge count is 12 wrong. So I call this an additional discrepancy. That 13 is number 16. 14 (Slide 59) Then we move over to point 10. If you 15 look on the left side, we can regard this is the edge of 16 the mark, the existence of the mark. I will go back and 17 let you check, if you look at the mark then we can see 18 that here (indicated) there's a consistent shift in the 19 grey scale, we could say the mark is stopping over here 20 and I have marked it with my dots. So this is about the 21 edge of where the mark is stopping. 22 This is a reference point we've used before. Then 23 this is another reference point, that is the bifurcation 24 that is marked by SCRO over there (indicated). I've 25 copied it as good as possible. I copied it from the page 46 1 chart over there and put it in there and then I measured 2 in the reference print where point number 10 should be. 3 The length of this ridge I've transferred to the mark 4 and there you see that the minutiae they have marked 5 should be over there somewhere, if we take it the same 6 length. 7 It is not marked over there. It is not marked over 8 there (indicated) because then it would be underneath 9 the stain, it is marked not there but conveniently over 10 there (indicated). So in an area on the edge of the 11 mark too short, wrong direction, wrong length and I 12 would never mark anything like that. This is a point 13 teased out. You cannot simply claim that there is some 14 event, that the ridges here are narrowing and are then 15 forming a bifurcation. You cannot see the system of 16 ridges and you cannot see the event that is taking 17 place. And even if we take it there, it is outside the 18 contour of the mark. It should be here (indicated) and 19 even there it is wrong. It is a point teased out. It's 20 simply non-existent. I will not even call it a 21 discrepancy. 22 (Slide 60) Points 11, 12 and 13. I have now traced 23 the whole area. This again is the reference point, the 24 banana shape, and this is what is marked by SCRO as 25 point number 11 and now I made an enlargement. This page 47 1 small ridge is now marked over there (indicated) as two 2 minutiae. I cannot find point 11 because if we follow 3 the ridges over here, there is no ridge ending. There 4 is no bifurcation to that side. I cannot simply see it. 5 It should be here (indicated) but it marked over there 6 somewhere. We cannot simply say that there is an ending 7 ridge. We cannot even see the ridges but then this 8 small ridge ending is marked as two minutiae, two 9 concurring minutiae. Well, the mark simply does not 10 have that quality to see this ridge, let alone the 11 detail that are the ridge endings. It is simply the 12 mark doesn't have the quality. These are points that 13 are simply teased out. In the absence of point 11 in 14 the mark I call a discrepancy. The others are simply 15 non-existent or non-provable. 16 (Slide 61) If I briefly move to the Tulliallan 17 presentation and I will come back to that later, we see 18 that points 10, 11, 12, 13 and 17 from SCRO I just 19 discussed are not marked in the Tulliallan presentation. 20 I find it very remarkable because if 45 points in 21 agreement are found but the 10, 11, 12, 13 and 17 the 22 SCRO has used for a court production are not used by 23 Mackenzie in the Tulliallan presentation. So this 24 confirms my opinion they are not there. 25 (Slide 62) I will wait for my conclusion about the page 48 1 analysis of SCRO until I have discussed the other 2 evidence relevant to Y7. So I will postpone my 3 conclusion on that. 4 THE CHAIRMAN: Would this be a convenient time then to take 5 a short break, if we take 20 minutes? We will start 6 again about 11.45. 7 (11.27 am) 8 (A short break) 9 (11.48 am) 10 THE WITNESS: We finish the principles of fingerprint 11 identification, the placement of Y7, the analysis of Y7, 12 the scrutiny of SCRO. I will postpone my conclusion 13 upon my analysis of that and now move over to other 14 evidence relative to Y7. One of that is the 15 presentation of SCRO to ACPOS and it was also presented 16 to us in Tulliallan. 17 This is the relevant booklet that was handed over to 18 us then during that presentation and that's what where I 19 got the images from. This presentation, I understand, 20 is delivered for the Board of Directors of SCRO, just to 21 convince them from the right position of SCRO and I 22 think it was also delivered for ACPOS and later on it 23 was a submission to the civil case from Shirley McKie v 24 The Executive. 25 I will not discuss all the points, just address some page 49 1 major issues. It would take much too long to go over 2 all the points but I will just discuss a few issues of 3 them. 4 These points already pointed out again in this 5 presentation in which no less than 45 points of 6 similarity are discussed. These two ending ridges to 7 the left (indicated) are not discussed within the mark 8 and I find it pretty obvious and remarkable. (Slide 64) 9 This is my earlier slide of my analysis of Y7 where I 10 showed they were nonexistent in the mark. 11 (Slide 66) I will just move to a detail of page 11 12 of the relevant booklet and show this image of marked 13 points of similarity number 7, 8 and 11, in particular. 14 Now what is marked over here is an ending ridge, an 15 ending ridge upwards and also ending ridge here 16 (indicated). This is the contour of the mark. Here is 17 where the mark is ending consistently. You cannot 18 uphold that there is any system of ridges, parallel 19 ridges, here, let go that you can mark events in that 20 system of ridges. What really is marked here are 21 grooves in the wood. We see here the wood grain in the 22 image in the photo and we see it here (indicated) and we 23 see here where the wood grain is causing (slide 67) the 24 print to be chopped off because it is lower and we see 25 here the wood grain continuing and what is done here is page 50 1 that (slide 66) these grooves are marked as points of 2 similarity. I will not use any kind of adjectives but 3 this is really very, very poor. I cannot call this good 4 practice, not bad practice. This is ... I have no words 5 for it to do with that. I will leave it at that. 6 (Slide 68) If we look at the booklet of 7 August 2000, that was given to us in 2000, and we look 8 at point number 4, then it did read "core area not clear 9 on the Internet marks" and then kind of the same 10 presentation was a submission in the civil case but then 11 there was a distinct difference on page 37. Now it was 12 reading: 13 "The core area not clear on the Internet marks and 14 due to brush mark, six ridge characteristics used in 15 court case productions have been effectively erased." 16 I found that a very strange remark, so I kind of 17 checked that and looked at page 35 and 36 in this 18 booklet (slide 69) where we see minutiae are marked and 19 they are marked straight through the brush mark. (Slide 20 70) So the statement that these minutiae were 21 effectively erased is apparently untrue. 22 (Slide 71) Page 37 is also talking about using the 23 Internet images. Page 38, I think it is already 24 conceded by Mackenzie yesterday that he used the 25 Internet images. The problem is that from 2000 onwards page 51 1 in the public domain the reproach was that everybody 2 anybody who would use these images was incompetent, 3 other words are used. I will not repeat them but this 4 allegation was, of course, unfounded and false because 5 SCRO used these images far before 2000 themselves. 6 (Slide 72) Not only that they used them to prove that 7 they were right and others were wrong. 8 Another issue in this booklet was the presumed 9 edgeoscopy features in sequence. It is already shown by 10 Mackenzie also, I think, in his evidence, that he used 11 this to demonstrate that there were ridgeology features, 12 detailed features that were the same, also proving that 13 we are looking at the mark from Shirley McKie. 14 (Slide 73) Now if we now look at the reality and 15 just take one piece of it and we take that piece 16 (indicated), can we now uphold that we will draw 17 anything like what is below (indicated). What is drawn 18 here in this area is nothing alike what is drawn below. 19 It's just fantasy. There's nothing in there what is a 20 little bit the same in there. This is not the way you 21 should practice ridgeology in any way. The level of 22 detail simply fails. You cannot use that. Even in the 23 reference print it is just blackened. I will come back 24 to that later. 25 I transferred the relevant area to the mark and the page 52 1 reference print. We take the reference point as number 2 15 that is the lower ridge of the handshake, number 1 of 3 myself and 15 -- 1 of SCRO, I think, or vice versa and 4 this is the gap we have seen in the ridgeology features. 5 I may go back. This is the gap we are talking about, 6 also referred to yesterday and this is the gap and I 7 have transferred it over there. That's the gap we are 8 talking about (indicated). 9 If we now look in the adjacent area for similar 10 points it's upward ending ridge, this downward ending 11 and this downward ending ridge and this upward ending 12 ridge (indicated), they are not there in the mark. Now 13 the Second Level Detail is not the same and then yet 14 Third Level Detail is used to prove that this is the 15 same area. This is not good practice. I will read out 16 to you what the procedures are for the holistic 17 identification process as it is mentioned by Scotland 18 Yard and this is a submission to our working group from 19 Scotland Yard. This is about the holistic process in 20 the UK. What it says is, I will just read some 21 citations: 22 "It is the configuration of these features relative 23 to one another which determines identification." 24 Then about Third Level Detail: 25 "Whether they are in the same relative position to page 53 1 each other in each impression as for Second Level 2 Detail, where there is sufficient quantity and 3 qualitative of detail present in each impression to 4 arrive to a conclusion and whether there are any areas 5 in disagreement." 6 So it must be in the same area. That's one thing. 7 If we move to what the IIGFI report says about it and I 8 read out 773: 9 "Third Level Detail comprises of all that is seen of 10 the basic properties of a ridge. The size and shape of 11 pores in the actual ridges. There is a direct link to 12 quality. Only good prints can show Third Level Detail. 13 The presence of it can be a very powerful contribution 14 to each individual point and the whole of the print but 15 it's very dependent of clarity. Quality of Third Level 16 Detail varies not only from print to print but also 17 within one print. Only a small part may show pores so 18 this type of quality is decided upon on a point by point 19 basis", and then the important thing: 20 "The location of Third Level Detail is decided in 21 relation to Second Level Detail." 22 So it cannot stand on its own, so you have to check 23 it in correlation with Second Level Detail. 24 If we now check the location of the area that is 25 used for the Third Level comparison and we use point page 54 1 number 15 and 1 as a reference and then we count the 2 distance, and you see the orientation is a little bit 3 funny, but if you then count the ridges, this area is 4 ambiguous because of the two ending ridges. I take the 5 lower count and I use the other point over here 6 (indicated) and I have a ridge count of 8 over here to 7 this bifurcation and a ridge count of 9 over there, 8 (indicated). So the position is really off. 9 Then if we look at quality, this is the quality of 10 the reference print used by Mackenzie for his exercise 11 in Third Level Detail and this is the image taken from 12 the Internet and this is the image he used and I wonder 13 where the grey scales are gone. This image is much 14 better right side, taken from the Internet. It's much 15 better than what he has used. So what happened here? 16 All the grey scales are gone, it is just not black and 17 white, it is yellow and white but every detail is lost 18 and here there is a lot of grey scales. I wonder why 19 this is done. 20 (Slide 76) This is another issue when it struck me 21 when I was looking at this image that you've kind of a 22 horseshoe-shape over here (indicated). I point to the 23 upper right corner. There's a horseshoe-shape and here 24 is a kind of tent shape and this is the image from Pat 25 Wertheim from the Internet and you will see here the page 55 1 horseshoe and the tent shape. This is the image from 2 the Inquiry in the same position. You don't see the 3 same shape. This is the image of Terry Kent. You don't 4 see the same shapes and this is from the Inquiry from a 5 print, scanned from the print. This is the negative; 6 this is the print (indicated). 7 The only image that shows this kind of detail (the 8 horseshoe and the tent) is the image from the Internet 9 from Pat Wertheim. The conclusion you can derive from 10 this is that the SCRO used this latent to deliver 11 further proof of the identification of the mark and with 12 that they authenticated it but they also condone that 13 the images of the site are obviously superior for their 14 own images. That's a bit strange. 15 Back to the overview of the presentation. What 16 struck me was that if we look on the left side we have 17 the points 38 to 45 marked in the mark but not in the 18 reference print. I find that kind of strange, to say 19 the least. So I was looking where I could find them 20 back (slide 80) and I could find them back on page 31 21 and 32 of the SCRO presentation of Tulliallan. 22 This is the image from page L of the part of it and 23 now it is rotated. The image is degraded. So it is 24 rotated a little to make it in conformity with the other 25 part of the mark and now we find these points over here page 56 1 (indicated) in the reference print on the right side. 2 So this shows that this was done on purpose, with 3 awareness, and I started to check things and then I 4 looked in the mark and I put the same points also in the 5 same reference print. These are the check points. The 6 red dot over here (indicated) in the reference print is 7 placed over here on the ending ridge and this is the 8 other control point. Then I looked at the other points 9 over here (indicated) and did place the point 43, 44 and 10 41 on the same spot and then I found out that point 26 11 is the same as 43, 27 was the same as 44, and point 28 12 was the same as 41. That's probably why it's not shown 13 in the first image. 14 I made some ridge counts just to check whether I was 15 looking at the right spot so we take the reference point 16 and we count the ridges to 43. You see here it is 17 mentioned point number 26 and here it is called point 43 18 on the right side, if you take the other reference point 19 and then we see that all those numbers are used double. 20 I put them back into the mark in the overall 21 picture. These are point 43, 44 and 42 in the circle 22 and these are the other three points in that circle 23 (indicated). The consequence of what is done here is 24 that this area over here, this piece of the fingerprint, 25 and that's the presumption of what is told is that this page 57 1 portion of the fingerprint is placed here and here 2 (indicated). This cannot be true. That is probably why 3 it is not demonstrated in this image because it would 4 immediately show that the three points were used double. 5 (Slide 83) These are the numbers of SCRO copied 6 into our presentation and we used for HMIC and later we 7 used that to discuss what was discussed in Tulliallan. 8 What I did is, in the booklet it was -- the points were 9 segmented in certain segments. So points number 1 to 10 14, points number 15 to 22, 23 to 32, 33 to 37 and 38 to 11 45. They also had different colours in the markings up 12 of the chart of Tulliallan. What I did, I took those 13 clusters, those segments, and put them into our image 14 and then cluster A is point 1 to 22 and I made a circle 15 around it; then circle or area B out of points 38 to 45; 16 then area C is point 23 to 28; area D is 29 to 32; and 17 area E is 33 to 37; and area F is not mentioned. 18 Numbers 23 to 28 and 29 to 30 are split by me 19 because Mackenzie used different colours and because the 20 colours of these clusters are out of sync. That's why I 21 did it. But if we now look at it, we can see that if we 22 compare cluster A and cluster E they are out of sync. 23 They should be in sequence also as clusters if it is 24 from the same finger. It's obvious that cluster A and B 25 are out of sync and B and C are out of sync and you can page 58 1 see now that B and C in the comparison print are 2 overlapping, demonstrating what I just said that points 3 are used double. 4 This is just to check the colours that were used and 5 the segments that were used by Mackenzie. 6 (Slide 86) I was trying to find an analogy of what 7 is going on here and let us just assume or presume that 8 we have a situation, that we have a satellite photo of a 9 certain area of the globe and we wonder what we are 10 looking at, which country it is. Now we have an aid 11 here, somebody drew some lines and it is obvious it is 12 North America but you may have a satellite photo with 13 clouds and you may not be able to see and you may have 14 this situation (slide 87) where on the left side is the 15 questioned country. You might go to a scientist or an 16 expert for help and you say, "Okay, I'm looking for this 17 country", and the expert comes back to you and says, 18 "I've found it. I have a sample database and I found 19 this piece is back, the shapes are a little bit off but 20 we call that distortion. That happens with clouds and 21 the changes of the coast area but I've found it", and if 22 we accept his conclusion then we are now in Denmark, 23 sir. (Slide 88). But this is what is done. Is this 24 ridiculous? Yes, it is ridiculous. But this is exactly 25 the proposition that is made by Mackenzie by doing what page 59 1 he was doing with these sequences. 2 Either way, these are out of sequence and it is not 3 Shirley McKie's print because sequence is the most 4 important thing, or they are in sequence and the 5 consequence of this is, of his proposition, that Shirley 6 McKie has placed her finger five times, no less than 7 five times, in this small area. 8 (Slide 90) It is this area that it is this big 9 (indicated). So if we follow this proof then we have to 10 accept that she has placed her finger five times on this 11 small area without noticing any overlap, any distortion, 12 she must have uplifted it and put it back again five 13 times and then the tip of somebody else because it's not 14 her tip. That was already conceded. This is too bad. 15 This is not even bad practice; this is malpractice. If 16 you use this image to convince somebody that you are 17 right and this is someone's fingerprint, somebody could 18 go to gaol for, this is wrong and you should tell what 19 your proposition is. You should tell somebody, "This is 20 what I'm showing you and the implication of it is that 21 she has put her finger five times in this area". You 22 don't need to be a rocket scientist to see that this is 23 impossible. You don't need even to be a fingerprint 24 expert to know that this is impossible. 25 (Slide 91) I will now have and intermezzo and look page 60 1 at other evidence relative to Y7 and then I will move 2 over to QI2. 3 I have tried to find some explanations about (slide 4 92) Y7, you could ask Y7: what, how and why? Iain 5 Evett, with his team it was already discussed and 6 Mr Williams did a survey in 1996 about the consistency 7 of marking points in marks, identified marks or 8 unidentified marks, by experts because he was 9 investigating the value of a numeric standard. He 10 received a award of a distinguished forensic scientist 11 in 2000 and he is basically, how do you call it, a 12 statistician but also scientist and he is mostly a 13 statistician. 14 He visited several times in the Netherlands. We had 15 lengthy discussions. I think he came over three or four 16 times. We were not in agreement on every point but we 17 had lengthy discussions about our profession with Alan 18 Scrafton and Bill Hennessey was present, I think 19 Mr Williams came along, but in this report he gives 20 something away he wasn't even looking at and he 21 writes -- and it was already said yesterday but for the 22 notes I will repeat it -- and he mentioned teasing the 23 points out, probably because of the 16-point standard a 24 practice has grown in the UK service which the team did 25 not find in the other countries visited. page 61 1 "A fingerprint expert will generally reach an inner 2 conviction about the correctness of an identification 3 long before he has found 16 points. His or her 4 subsequent activity will centre on establishing that 5 features which are clearly visible in the print can also 6 be seen in the poorer quality mark. The print is used 7 as a guide for scrutinising the mark. This is called, 8 in some quarters, 'teasing the points out'." 9 Continued: 10 "This contrasts sharply with the practice in 11 Holland, for example, where the expert must decide on 12 all the usable features that are present in the mark 13 before comparing it with the print. Whereas the UK 14 procedure does not necessarily entail risk, it is 15 questionable from a scientific viewpoint: to search for 16 features in an evidential item of unknown origin based 17 on features observed in one of known origin would not be 18 considered best practice in other areas of forensic 19 science. An identification based on a small number of 20 clearly demonstrable points in the mark would be 21 preferable to one based on a larger number of unclear 22 points which have only been established after reference 23 to the print of the suspect. 24 "There is a widespread view among UK fingerprint 25 experts that, because they work to a higher number of page 62 1 points than most of the rest of the world, their 2 standards are, in some sense, higher. The collaborative 3 study showed this to be a mistaken view. If standards 4 are measured by the avoidance of mistaken 5 identification, then experts in Holland and Germany are 6 more cautious than their UK colleagues -- even though 7 they declare a lower number of points for identity." 8 Here we may have a find of what was going on, a 9 cause for the mistake. What he essentially said is that 10 if you have an inner conviction of what the identity of 11 source is then you have a conviction-based system. You 12 say you think it's him and now you start putting the 13 points in using the reference print as a guide and you 14 explain every difference you see. So you assume that 15 you know the ground rules and then you explain 16 everything away. Mr Evett has said already it's not 17 necessarily wrong from a scientific point of view. I 18 think I disagree with him. I think it's wrong also from 19 a scientific point of view. 20 He wasn't looking for it. This was long before the 21 McKie case was going on and we have found kind of the 22 same issue with the Mayfield case where the FBI went 23 wrong. They also used the reference print as a guide 24 and also found Third Level Detail in coincidence but 25 were proven to be wrong afterwards. page 63 1 (Slide 95) So I'm looking for what went wrong. If 2 we look at the statement of Mr Swann, then on 26th 3 February 1999 he says in his own statement in 4 submissions to Justice Committee 1 but I think it's 5 almost the same to this Inquiry: 6 "I recall one particular chart of the disputed mark, 7 which was not too clear, and probably a second or third 8 generation copy. In my examination of that chart, I 9 identified 16 ridge characteristics, which were in 10 agreement. I was satisfied that it was a positive 11 identification." 12 Here we go. The conviction is there before ACE-V 13 because what happened to ACE-V? He didn't make an 14 analysis; he did make a real comparison because he 15 looked at a second or third generation copy of a chart 16 and he bases a conviction on that. 17 Now, normal people have a problem if they come to a 18 conviction to reverse themselves. Experts are worse. I 19 am an expert. I fear that one. When we have arrived to 20 a certain conclusion, it is very difficult to reverse 21 yourself and that is why we use ACE-V. You use your 22 analysis first. You do your analysis first and then you 23 do your comparison and then you come to a conclusion 24 instead of the other way round because you know that you 25 can go wrong. That's a human weakness. This is a give page 64 1 away I think what happened to Mr Swann. 2 He goes on then, 2nd March 1999, and he said in his 3 second visit of the second study of the print: 4 "We entered a very small room, containing exhibits. 5 The door standard was propped up against the wall. I 6 examined exhibit 102, being the door standard, a 7 fingerprint form in the name of Shirley Jane McKie, an 8 actual size photograph of the mark on exhibit 102 and 9 other exhibits connected with the case and I am able to 10 produce my sketch and notes. As a result of that 11 inspection, I confirmed that the mark was the left 12 thumbprint of Shirley McKie with at least 16 ridge 13 characteristics in agreement in both detail and 14 position." 15 Again, no analysis, small room, no adequate lighting 16 and he comes to the same conclusion. He knows now that 17 the identification or at least the mark is contested. 18 (Slide 96) In his report of 16th March he tells 19 about the encounter of the Tayside Police. He said it 20 would be in the autumn of 1999. I think that is a 21 mistake. It should have been 2000, about one and a half 22 years later, there is a knock on the door and he writes: 23 "However, at the time of making my statement to the 24 Tayside Police, I had still not resolved one issue, 25 which concerned certain characteristics at the top of page 65 1 the crime scene mark. Irrespective of that fact, the 2 position remained that there were in excess of 20 ridge 3 characteristics in sequence and agreement in the area 4 below, so as to fully satisfy me as to the 5 identification. It was after the meeting with the 6 Tayside Police that I resolved the issue of the 7 characteristics at the top of the mark and, in doing so, 8 realised the severity of distortion that had occurred 9 when the mark had been deposited on the door standard. 10 Thus, it was assessed to be a 66-degree anti-clockwise 11 movement of the tip of the thumb which resulted in ridge 12 characteristics seen at 12.00 on the crime scene mark 13 appearing at 2.00 on the rolled impression, not the 14 plain impression, of Shirley McKie's left thumb. Latent 15 print distortion is a problem that can easily deceive 16 the inexperienced expert or examiner and cause even the 17 most knowledgeable expert to take a second look." 18 Mr Swann had not even noticed that there were 19 discrepancies in the tip. He only noticed one and a 20 half years later and he explains the difference one and 21 a half year later. How can you uphold that there are no 22 discrepancies because that's one of the firm conditions 23 before you can call an identification. He didn't even 24 see them but still his conviction is leading in 25 rationalising everything he sees that is in conflict and page 66 1 he comes to extreme assertions about clockwise rotation 2 and other things. 3 (Slide 97) The same pitfall I think happened to 4 Mr Martin Leadbetter. It is his own account to 5 Justice 1. He says: 6 "In closing I wish to state that I have examined the 7 charted material produced by Peter Swann and I am in 8 agreement with his findings. I have also examined 9 similar charted material produced by Mr John Berry BEM 10 FFS and I again completely agree with the conclusions 11 reached by this examiner." 12 Again, no analysis, looking at charted material, 13 coming to an inner conviction and then agree. 14 These factors may contribute to explaining the 15 outset of the mistakes. I don't give them as an excuse. 16 It's no argument -- I'm not providing excuse for it but 17 maybe an explanation what happened: if people are 18 convinced of something they cannot move away from it and 19 certainly cannot explain the persistent denial and 20 cover-up after that. 21 (Slide 98) If we just put things in a matrix and 22 look at the early days of the identification, then we 23 look at the first one who looked at it and then we look 24 at significance, the equipment used, the reflection 25 time, the controls, the number of controls and the way page 67 1 the controls were executed, and the alerts that were 2 there and we look at the first date, then there is an 3 expert looking in an elimination mode, so looking at 4 fingerprints, "Oh, I've found five points. Oh, Shirley 5 McKie", pick up the phone and the equipment is not too 6 good yet, you just use your glasses, there's no 7 reflection time, there's no control, there are no 8 warnings yet. 9 But then we have the consultation a day later 10 because someone says, "Are you sure", so the 11 significance has risen. The equipment is still the 12 same, reflection time has gone up, the control has gone 13 up, the alert has gone up. 14 Then six days later, the 17th, now the significance 15 must have been known and the equipment must have been 16 improved, reflection time has gone up, the control has 17 gone up and if we then move down to the core productions 18 then you know what you're doing, you know what the 19 significance is. Somebody could go to gaol. 20 The warning signs are there, they are complaining 21 about equipment, so I gave them 4 stars only there, the 22 reflection time had been enough, the controls had been 23 enough, so there is no excuse any more. 24 What is the problem if an expert has come to a 25 certain conviction, the train starts running and it page 68 1 doesn't stop. There are no mechanisms in place to say, 2 "Hey, stop". Some people have called this 3 institutionalised arrogance. There may be some truth in 4 that. "We never make mistakes." We see this with 5 medical people. The Pavlov reaction is, "We make no 6 mistakes", and this has probably intertwined with some 7 culture we find within the police. The police is, from 8 old days, kind of a military organisation. They define 9 the enemy, hook in and they never give up and they fight 10 the enemy until the last days. This is kind of 11 explaining what happened. Nobody was wise enough to 12 say, "Hey, let's sit back, let's consult somebody else. 13 What's going on." The train doesn't stop. 14 (Slide 99) Let's go back to the submission of 15 Mr Swann. He is talking about the 66-degree rotation as 16 an explanation of the differences in the tip. The 17 differences in the lower part are not explained but 18 let's just address the 66-degree rotation. What we see 19 here is, again, that extreme arguments and exercises are 20 used just to rationalise the position you have taken. 21 (Slide 101) I have put my image in there because it 22 was better and I want to use and transfer the points 23 into it and I could not use the image supplied by Swann 24 in his chart, so I replaced it. The ratio may be a 25 little bit off but, for the exercise I'm doing, it's not page 69 1 significant. This is the chart of Swann and we see that 2 the reference print is placed relatively high; so I 3 corrected that for the exercise I'm going to do (Slide 4 102) because I would like to look at the 66-degree 5 rotation theory. 6 Now, I would like to say we have looked at Y7 and 7 there are no disturbances around it. That is in 8 conflict with any rotation theory. Just keep that in 9 mind. 10 (Slide 103) The written evidence from Peter Swann 11 to Justice 1 is this: 12 "On 2nd March 1999, I attended at the offices of 13 Levy & McRae. As a result of that inspection, I 14 confirmed that the mark was the left thumbprint of 15 Shirley McKie with at least 16 ridge characteristics in 16 agreement in both detail and position. The appearance 17 of the mark had all of the signs of having been made by 18 the natural thumb. The mark's position, that is to say 19 the way it lay on the exhibit, evidenced the natural 20 manner in which the thumb had made contact. The ridge 21 structure and presence of sweat pore detail all added to 22 the genuineness of the mark. There was no sign of any 23 disturbance to either the mark or the area around the 24 mark." 25 "No sign of disturbance." Yet we have to go to the page 70 1 66-degree rotation theory. 2 (Slide 104) This theory addresses the unexplained 3 discrepancies he was made aware of after the visit of 4 the Tayside Police. Now, we use the Rosetta 5 characteristics as a reference point. I have marked it 6 in the mark and I have marked it in the reference print. 7 I have copied the points that Mr Swann is using in his 8 chart and in the mark. First, we perform a ridge count 9 from the banana shape point to the Rosetta 10 characteristic. We see in the mark it's a ridge count 11 of 10 and in the reference print it's a ridge count of 12 12. 13 Now, this causes some difficulty because is it now 14 the Rosetta characteristic placed two lines further or 15 the mark diminished or is it uplifted and then rotated? 16 I don't know. Does the Rosetta characteristic belong to 17 the cluster of the minutiae below and/or belong to the 18 cluster of minutiae on the tip? I don't know. The 19 ridge count is wrong. 20 (Slide 105) If we now look at the proposition of 21 the rotation, I made an overlay of this area over there 22 and then I moved it to the mark and I used the Rosetta 23 characteristic as the point for positioning it and then 24 I rotate it 66 degrees. You can see it is obvious that 25 the lines are now crossing (slide 106). page 71 1 Then I take some reference points, the Rosetta 2 characteristic and the point over here, and we see the 3 66-degree rotation, because it should be over there, is 4 too much. It should be there (indicated). So I 5 corrected it and actually what we see is that, if we 6 have to follow this proposition, that the rotation is 7 48 degrees. In fact, it could be 47 or 49 I'm not that 8 accurate but something (slide 107) around there. This 9 would be the right orientation. Still, there would have 10 to be crossing lines in order to follow the theory. We 11 should see either way sideways slippage -- we don't 12 see -- that or we should have to see crossing lines. 13 Both are not the case. 14 (Slide 108) I have taken some images from Alice 15 Maceo. She has a Bachelor Degree in science of biology 16 of the University of Alaska. She is the head of the 17 Forensic Lab in Las Vegas. She does a lot of work on 18 distortion of fingerprints. She gives classes upon it 19 and I have followed one of her classes in the 20 Netherlands. I cannot say that I can really repeat all 21 that she had done in the class and I cannot repeat her 22 knowledge, but I am able to use some of her images. She 23 does a lot of work particularly on distortion. 24 We see on the left is one of her images from the 25 training class. On the left side, we have a standard page 72 1 image of a loop to the left. In the middle, we see a 2 twisted fingerprint on the 25 degrees rotation. On the 3 right side, we see 45 degrees of rotation. You can 4 imagine now that skin can accommodate for about 5 25 degrees of rotation but if you go further with 6 45 degrees, you now see slippage on the sides. So the 7 skin can no longer accommodate for it and then the skin 8 starts slipping and then after that it will print. 9 What I would like to do is now look what is 10 happening to the minutiae if we have this kind of 11 distortion. (Slide 109) So I corrected the position of 12 the right image, so the distorted 45-degree image, and I 13 am going to look at what happened at the minutiae. I 14 take these reference minutiae underneath and this 15 cluster of three as a reference on the upper side. I 16 draw a line between them, transfer the line to the other 17 side and we see although the rotation of the fingerprint 18 is 45 degrees, the minutiae only rotated about 19 6 degrees -- not 45, only 6. So that's what can happen 20 with distortion, the friction of the skin. 21 So I don't think we can accept the explanation 22 (slide 110) now already from the 66-degree rotation but 23 still I wasn't satisfied. I want to look at ridge 24 count. I may say the point that is marked over here 25 (indicated) on the left side in the mark as an ending page 73 1 ridge I wouldn't find it proper. I cannot say that a 2 system of ridges there continuing and I can neither say 3 or be sure that there is an ending ridge. I think that 4 the reference print again is used as a guide to the 5 mark. 6 Also the points in the reference print here, this 7 cluster of three, (indicated) I find them suspicious but 8 just let us take them for granted and start counting the 9 ridges. Now, the slippage area over here in the mark is 10 ambiguous. So if I count ridges over there, I cannot be 11 sure whether I am counting properly. First of all, if 12 we look over here (indicated), there is clearly an 13 incoming ending ridge. This ridge makes way for it, 14 curves, this one goes straight and there is an incoming 15 ridge very, very obvious and the ridge should be in that 16 area (indicated) relative to this cluster of three. 17 There is nothing alike over there. So this cluster that 18 is rotated by Swann, there is one distinct discrepancy 19 that is telling you it is not the same cluster. So with 20 this already the 66-degree theory is gone. 21 Counting the ridges towards the Rosetta 22 characteristic, it would make it 9 to the most lower 23 point of the cluster (slide 111) and to the left side it 24 would make 7 and this side it would make 9. This was in 25 the marked, the ambiguous area. I will not be too page 74 1 critical but I look for the cluster itself and these are 2 the points marked by Swann, not by me. A ridge count of 3 three over there, ridge count of three over there. Not 4 too critical. A ridge count of six over there, ridge 5 count of six over there. Ridge count of nine over 6 there, ridge count of eight over there -- one ridge 7 count wrong. (Indicated) Ridge count of six over 8 there, ridge count of five over there. Ridge count of 9 eight over there and a ridge count of just six over 10 there. 11 So the whole cluster is not the same. There's one 12 point missing, the ridge count is off and the relative 13 position to the Rosetta characteristic is off. 14 If this cluster is not in sequence with the mark of 15 Shirley McKie, then this part of the print is, again, 16 not Shirley McKie's. We did already know because of the 17 incoming ridges but the 66-degree theory is wrong. 18 (Slide 112) If the top is not from Shirley McKie, 19 then the evidence of here is in conflict with Mackenzie 20 and it excludes Shirley McKie again as the donor. 21 I move to another topic. Many allegations are 22 launched against those who opposed the Y7 identification 23 and some of those are founded on material used. I will 24 not go into all the allegations outside the fingerprint 25 domain. I will not address them. I am not interested page 75 1 in them. I will just contain myself to those in the 2 fingerprint domain and I will move first to the Internet 3 images, then I will discuss plain impressions and then 4 the method of presenting just briefly. 5 (Slide 113) The Internet images. People who use 6 the Internet images were called charlatans, incompetent, 7 even by senior police officers were criticised. What's 8 the content of that? Internet is a means to exchange 9 digital images, information. But digital images 10 nowadays are the standard in fingerprinting. 11 Ultimately, fingerprint systems -- AFR as it's called in 12 the country -- are using digital images. Nowadays, 13 fingerprints are taken with fingerprint scanners. There 14 are no ink and paper prints any more. In a lot of 15 countries they don't even use ink and paper any more. 16 We have moved to the paperless era. The FBI is still 17 accepting fingerprint cards with ink and paper. They 18 will scan them and then destroy them and only use the 19 digital images. 20 If we look at photography under lab conditions and 21 we have to detect images we need live images with 22 reflection and all these type of things, you cannot use 23 old fashioned cameras when you need a live image so the 24 pictures that are taken are all digital images. 25 The charting machine of SCRO is using digital images page 76 1 and the Inquiry is using digital images and we see all 2 the advantages of it. So digital images and equipment 3 are very useful in the accurate analyses and comparison 4 of fingerprints and will or are the standard practice 5 already. So that is not the issue. The issue is 6 integrity of the images and the authentication. The 7 integrity means are we looking at an accurate 8 representation of the mark in situ. I think that is 9 proven these days that we are looking at the real thing. 10 There may be variations but nobody is now disputing that 11 we are looking at a picture of this mark. 12 The images of Y7 were taken by Pat Wertheim, 13 authenticated by him, accepted in the court, 14 authenticated by myself and SCRO. They are used by the 15 SCRO. There is no issue here. You can use the Internet 16 images. They are real. 17 (Slide 114) The discussion about the brush mark, 18 the brush mark has not altered the mark fundamentally, 19 no minutiae disappeared, no minutiae appeared and it is 20 really impossible to change the configuration of 21 minutiae or the sequence of minutiae in a mark by 22 damaging it. If that were the case, if that would be 23 possible this would be the end of fingerprinting. We 24 could not change fingerprints that way. 25 Now I accept that using the original material in page 77 1 court for the chain of evidence, of course, is good 2 practice but for the analysis, comparison and discussion 3 about donorship original material is not essential, in 4 particular not in order to exclude a potential donor. 5 We use digital images, digital equipment all day to 6 analyse fingerprints, to make markings up, to make 7 discussions and they are very, very beneficial. 8 I must say Mr Leadbetter, Mr Swann and Mr Berry used 9 second or third generation material even from the 10 Daily Mail so what is their approach? 11 (Slide 115) Mr John Berry in particular but others 12 criticise many of us for using plain impressions. I 13 think Mr Wertheim was called a charlatan for doing so. 14 I will not repeat any of these allegations but I will 15 read out what Mr Berry said in his statement for 16 Justice 1 and many, many followed him: 17 "Also the fingerprint of Shirley McKie was a plain 18 impression. I have no knowledge of any fingerprint 19 expert ever examining a scene mark using a plain 20 impression. The system started in 1901 and, since then, 21 rolled impressions showing 100 per cent of the detail 22 have been used. Plain impressions show only about 50 23 per cent of the detail -- I might say, grudgingly, that 24 they can show as much as 60 per cent or 70 per cent of 25 the detail. Throughout the world, millions and millions page 78 1 of computer programmes are used and every one is based 2 on the use of a rolled impression. I worked for 3 37 years in bureaux comparing hundreds of thousands of 4 marks and always used a rolled impression. Why did 5 Wertheim and his associates send a plain impression of 6 Shirley McKie's thumbprint? That was my big problem. I 7 decided at that point to take an interest in the case." 8 (Slide 116) Mackenzie used a plain impression, 9 Berry himself used a plain impression for his first 10 chart he produced in 2000. Berry used a plain 11 impression for his second chart he used for evidence in 12 2003. Mr Swann is using a plain impression from the 13 Daily Mail and, again, Mr Swann is using a plain 14 impression from the Daily Mail for the fingerprint 15 Inquiry. Mr Leadbetter is using a plain impression and 16 the Inquiry is using a plain impression. I will leave 17 the reproach there. 18 Another issue that was made about presenting: (slide 19 117) Rudrud and I made a presentation to HMIC and we 20 made a report and we wanted also laymen to understand 21 what we were doing and we wanted to discuss the mark and 22 we made a grid in order to discuss relevant areas in the 23 print. Now it's ridiculed by Mackenzie and others 24 because you never use such a thing to compare 25 fingerprints with a grid. Well, we didn't compare the page 79 1 fingerprint with the grid; we used the grid to discuss 2 it. I'll use words like I look at 2.00 or 7.00 or 3 12.00. We could do this much more accurate and if I 4 read out what we wrote in the report to HMIC: 5 "In exhibit 1 we show a print of the latent. In 6 exhibit 2 we have superimposed the grid with numbers and 7 capital letters in order to nominate the area discussed. 8 Within every square there is a clockwise nomination with 9 small letters as shown the K2." 10 As an example: 11 "At the right top and side area diagonal from F1 to 12 I6 the contour may be influenced by a clipping that 13 could be caused by a lower surface in the background, eg 14 a groove in the wood." 15 That is what it is used for; nothing else, not to 16 compare the fingerprint and these allegations I will 17 leave them where they are but as a professional I don't 18 take that reproach. 19 Another issue about Y7: Mr Swann was presenting it 20 to the Justice 1 Committee and he is now repeating it to 21 the Fingerprint Inquiry and he is giving this chart and 22 if we enlarge this, he says: 23 "Point 19 on the crime scene mark is indicating a 24 ridge, not a characteristic, which ends to the right at 25 point 20. On the donor print it refers to a small page 80 1 independent or island ridge ending to the left. 2 Point 20 also ends to the right on the crime scene mark 3 and to the left on the donor print. Points 23 and 24 4 are wrongly marked and pointing to non-existent 5 characteristics." 6 (Slide 119) Mr Swann and the SCRO and we used the 7 same basic configuration, starting with the stepping 8 stone. Now Mr Swann says that he is missing that we are 9 pointing to non-existent points. Here they are 10 (indicated). He says again: 11 "Point 19 in the crime scene mark is indicating a 12 ridge not a characteristic ... point 23 and 24 are 13 wrongly marked ..." 14 In Justice 1 he goes on: 15 "Can Mr Zeelenberg explain why point 19 on the crime 16 scene mark Y7 is indicating a continuing ridge which 17 ends further to the right at where he has marked 18 point 20 and how these can be related to points 19 and 19 20 on Shirley McKie's left thumb impression, which is a 20 totally different area of ridge structure and pointing 21 in the opposite direction. Can Mr Zeelenberg explain 22 why point 20 on the crime scene mark Y7 is marked as 23 point 23 on the left thumb impression of Shirley McKie? 24 Can Mr Zeelenberg explain why his points 23 and 24 on 25 the crime scene mark Y7 which are indicating page 81 1 non-existent characteristics and simply continuous ridge 2 structures be related to his points 23 and 24 on the 3 left thumb impression of Shirley McKie. As I have 4 referred at 2.00 point 20 on Y7 is point 23 on her left 5 thumb. Can Mr Zeelenberg explain why on both the crime 6 scene mark Y7 and Shirley McKie's left thumb, his 7 point 25 on both, is pointing not to any characteristics 8 but simply to a continuous ridge? What is the 9 significance of a continuous ridge in an identification 10 process." 11 Mr Swann: 12 "The answer is quite simple: the marks are not 13 identical. The numbers used were meant to discuss these 14 points and locations not to identify the print. This 15 was clearly stated in the report." 16 I make the citation on page 13, paragraph 10.2, 17 heading: 18 "The comparison in order to enable a discussion we 19 have numbered dactyloscopic points and other possible 20 characteristics. To make the discussion more 21 transparent and the comparison with the SCRO easier, we 22 have maintained their numbers and only added to them. 23 The charted lines and numbers are aids to the discussion 24 of certain areas and events, and are not meant to 25 indicate similar points intrinsically." page 82 1 If he would only have read our report and not only 2 looked at the charts he would have known. But the 3 importance of this (slide 122) is what we have to look 4 at. Mr Swann used the same basic configuration as SCRO 5 and these points should be in sequence but he is now 6 acknowledging in his testimony now and before that there 7 are at least four differences, differences he did not 8 report nor account for in his first report, nor his 9 submissions to Justice 1. 10 Testimony to Justice 1, Peter Swann: 11 "It is very important, however, in my opinion there 12 are no points of dissimilarity in the case of this 13 mark." 14 (Slide 123) I noticed just recently that Mr Martin 15 Leadbetter had made a submission to the Inquiry. From 16 his presentation we have a chart number 11 (slide 124) 17 and I must assume that he has charted it to prove this 18 is an identification. I cannot assume any other thing. 19 So he has marked 14 points in agreement (slide 125) and 20 I have made some of the points on the left side a little 21 bit more red so that they can easily be seen but I have 22 copied them and I have also added to the reference 23 point, let's say, the banana point. 24 If we now take his point 13 on the left side (slide 25 126) and here we have the handshake or deviated break on page 83 1 the right side and made it a little bit better to see 2 and if we do now a ridge count to point 13 on the left 3 whether you count this one, this upcoming ending ridge 4 with or not it's a maximum of six. If we count on the 5 right side, we have minimum 11. This is, number 13, is 6 an integral point of this whole cluster of similar 7 points and the ridge count to accepted point of 8 similarity close to the core is five ridges off minimum. 9 (Slide 127) If we take point 13 as a guide and we 10 go then downwards in the mark, we see an upcoming 11 bifurcation and if we then go in the reference print, 12 it's not there. 13 We then move to the mark and we have the upcoming 14 bifurcation everybody is using, even SCRO, and we look 15 to point 13, it's not there in the location where it 16 should be. If we then go up there may be an ending 17 ridge in the same location, also in the mark in the 18 reference print, I accept that, but then we look for the 19 known bifurcation upwards and it's not in the reference 20 print. This point over there (indicated), the upcoming 21 ending ridge, is not there. If you look in the area 22 between the core and the cluster we have marked, then we 23 miss this one and this one and this one and this one 24 (indicated). 25 Mr Leadbetter is pointing to a totally different page 84 1 area in the print and marking his points over there. If 2 we look at the famous handshake, point 15 of SCRO, 3 point 1 for myself (slide 130) it is located over there 4 by Mr Leadbetter. There is point 15. We mark it over 5 there (indicated). 6 So Mr Leadbetter is positioning the handshake over 7 there and everybody else marks it over there 8 (indicated). There is where we mark it. 9 (Slide 131) I have upgraded the image a little. 10 The issue is that Mr Leadbetter, in conflict with 11 everybody else, takes a cluster of points and moves them 12 four lines minimum to the side and says here has Shirley 13 McKie -- this part of Shirley McKie's finger has caused 14 this mark. Now, we have now six deposits of Shirley 15 McKie claimed by SCRO and Leadbetter and Swann, or 16 seven, that the finger of Shirley McKie has now made 17 seven deposits of this mark, in this mark. I think 18 Shirley McKie deserves a Nobel Prize of impossible 19 physics. It is impossible. 20 If we follow their assertions, it is really 21 mind-boggling. This is not possible. They are in 22 conflict with each other. Mr Leadbetter is in conflict 23 with Swann and Swann is in conflict with the SCRO and 24 Mr Leadbetter is in conflict ... nothing fits. 25 Mr Leadbetter says in his citation at chart 13, next page 85 1 to it: 2 "I have also marked the features in an area of the 3 mark which I consider the least distortion. It should 4 be noted that there is an angle of approximately 60 or 5 70 variation in orientation between the mark Y7 and the 6 inked left thumbprint of Shirley McKie." 7 The least distortion? Weren't we in agreement that 8 this was the slippage area, where the rotation should 9 have taken place? 60/70-degree variation orientation? 10 So where does Mr Leadbetter now rotate his print? Not 11 this area (slide 132). What other area or is the 12 fingerprint uplifted and then deposited again. But let 13 us look at the rotation he is claiming and let us use 14 his own points to look what is happening. If we then 15 look at the presumed rotation and we check it, then this 16 is 60 to 70 degrees we have to maybe correct a little 17 bit because his positioning is marked a little bit 18 different to everybody else, but it is no way it is 19 65 degrees. It's not even -- it may be 6 or 15 degrees 20 maximum. But this is the slippage area and I wouldn't 21 know Mr Leadbetter is now making the rotation. Is it a 22 rotation? Is it lifted up again? I don't know but I 23 see no crossing lines, I see no slippage and I don't 24 know how he comes to 60 or 70 degrees. I think it's 25 just fantasy. page 86 1 (Slide 133) One remark in between. I will stay 2 away from allegations and personal things but I know 3 Mr Leadbetter and Mr Swann are icons of fingerprinting 4 in the UK. I've always respected them. But I also know 5 a lot of honest, competent practitioners in the UK and I 6 leave it to the fingerprint world in the UK to study 7 this material and take appropriate action. This cannot 8 decide upon the image of fingerprinting in the UK. This 9 is as bad as it is. 10 (Slide 134) I was going back to my conclusions on 11 the analysis of Y7. This mistake is of an unprecedented 12 magnitude. There are 17-plus discrepancies. It is 13 highly unlikely for an expert of reasonable competence 14 not to detect the discrepancies between Y7 and the 15 reference print. It is impossible -- that's my firm 16 opinion -- it's impossible for any expert and, indeed, 17 layman, you have checked it for yourselves, you have 18 seen it for yourself, and indeed any layman not to 19 recognise these discrepancies when you are alerted when 20 someone is pointing it out to you. The evidence 21 presented to defend the identification reveals 22 inconsistencies, bad practice, and I hesitate to say it 23 but I can only call it malpractice, awareness and 24 concealment. 25 The reasons for the development of the case after page 87 1 the initial maybe possible honest mistake cannot be 2 contributed to the fingerprint nor fingerprinting and 3 have to be sought outside the domain. 4 You have to think of culture, power, psychology. I 5 don't know. I don't know what the causes are for 6 persisting the denial. There are two options within the 7 domain. If we reject an honest mistake, then it's 8 either incompetence or fraud. 9 (Slide 135) We are not talking about an 10 identification. The process of elimination comes before 11 identification and if you notify so many discrepancies 12 in the early stages then we are not talking about a 13 disputed identification, we are talking about an 14 indisputable exclusion. Asbury was excluded, Marion 15 Ross was excluded, others were excluded, nine fingers of 16 Shirley McKie were excluded very briefly, very quickly. 17 So we cannot uphold that we cannot exclude Y7. So there 18 is no dispute about an identification. It is an 19 exclusion, with 17 discrepancies: period. The SPSA as 20 it is now cannot deny that this is an exclusion. They 21 cannot remain sitting on the fence and saying it's 22 undisputed or it is disputed. It is an exclusion: 23 period. This is what the science of fingerprinting 24 requires. 25 (Slide 136) Because it was an indisputable page 88 1 elimination that was not acknowledged as a mistake it 2 deteriorated to an undefendable identification. This 3 has led to extreme assertions, misrepresentations, acts 4 varying from bad practice to malpractice, et cetera, 5 both within the fingerprint domain and outside it. I 6 have got my share of it. We have heard several things 7 yesterday. 8 The phone rang in 2000 when HMIC asked me to assist 9 in it. I did it. I didn't solicit for it. I was 10 invited. History will prove me right but that's not the 11 point. Will this Inquiry prove Scotland right and pave 12 the way for justice. 13 Another example of the extreme assertions and 14 misrepresentations is the collaborative study that was 15 used or misused by Mr Leadbetter and others. I will not 16 go into detail. I have given an account for what 17 happened with the collaborative study in my witness 18 statement to the detail, if people want to read it. It 19 is there. There's some offence to the practitioners in 20 Holland that are incompetent. If people want to read 21 it, they can read my account there but I just give one 22 example of why we were different in our opinion than 23 maybe others. First of all, it was a discussion we had 24 with Evett, it was another discussion then how are we 25 pointing the points. Our discussion was how do we page 89 1 practice fingerprints in the proper way and I think has 2 Evett has already given an account that we were doing it 3 differently but not, per se, wrongly. 4 (Slide 137) If I go to the collaborative study and 5 I take just one example that is marked B. Many people 6 have identified it. You cannot take the collaborative 7 just as competency exercise because you were just given 8 A to compare with mark A and if you could count to 9 23 then you were competent. This is just a monkey test. 10 I can give it to anybody else. If you were capable of 11 counting 24 points then you were competent. It is not a 12 competency test and not meant to be that way because 13 another issue is you don't know the grand truths because 14 these are actual cases. 15 But let me take this one as an example. You study 16 it and if you look at it you can see an ending ridge 17 coming upwards here (indicated) and ending ridge coming 18 upwards on the right side in the reference print. Then 19 we see an ending ridge to the right somewhat higher and 20 I will mark it on the reference print over there. 21 You know by now I am going to count ridges. We 22 count eight over there and seven over there. So we 23 found a discrepancy and this discrepancy is confirmed by 24 another cluster of minutiae that we find here 25 (indicated). It's a kind of a change over there with an page 90 1 intervening ridge. We see this change over and now we 2 find, in the mark, we find an ending ridge to the left 3 we're not finding in the reference print. So we find 4 two discrepancies in the mark or between the mark and 5 the comparison print. 6 If we find this we can either say the identification 7 process stops or we can say, "Okay, I have an 8 explanation. There's probably a double placement here". 9 There is some argument for that because we see here an 10 image of a contour, not a real good connection of the 11 ridges but then I would have to ignore the whole area. 12 If the whole area is not part of the whole mark, then we 13 have to ignore the whole area. So then we would 14 discount this area. That's what we did. Then if we 15 look at this incoming ridge here (indicated), you see 16 here an upcoming bifurcation, it's not there. Another 17 dissimilarity. 18 I can explain that by saying there is a double tap 19 here of another incoming mark and there's some argument 20 for that because you can see here these lines a little 21 bit different of structure than the lines here but then 22 again I would have to ignore that area. That would be 23 just sensible or reasonable. 24 If I then move to the core of the mark, then if I 25 look at the formation or the shape of the core, then I page 91 1 see kind of a more or less pointing shoulder with an 2 appendix that is going straight up and in the reference 3 print it looks different. It's more a round shoulder 4 and an appendix that is coming down but it's shorter. 5 Also, next to it is a bifurcation. It's much more 6 pointing in the mark and it is more round in the 7 reference print and the same counts for the bifurcation 8 here (indicated). It's lower and it looks different. 9 So I have no confirmation whatsoever on Third Level 10 Detail that I'm looking at the right print. It may be 11 the right print; I don't know. 12 The fact that we did not identify this one and not 13 found enough points you cannot hold it against us. We 14 have very good reasons not to do that. But if you are 15 just looking at numbers saying, "Oh, the Dutch are 16 incompetent", so be it. I accept it. 17 (Slide 139) Shooting the messenger does not change 18 the message. Who is right about Y7 and who is wrong 19 cannot be decided upon assumed or pretended competency 20 but should be decided upon by the evidence presented and 21 demonstrated. For me, the litmus test of competency is 22 Y7 and QI2. 23 THE CHAIRMAN: Would this be a convenient time to take a 24 further break and we will sit again at 1.50? 25 (1.03 pm) page 92 1 (Luncheon Adjournment) 2 (1.55 pm) 3 THE CHAIRMAN: We are going to move now to QI2. 4 THE WITNESS: (Slide 140) The analysis of QI2, phase 1, 5 that's my analysis of the mark. This is the chart I 6 presented to the Inquiry, the same structure. I will 7 (slide 142) take the image and copy the points in there 8 to digitise it just not to have quality loss. (Slide 9 143) This is the mark in situ and on the left side 10 there is an image of the tin in colour and these 11 colours, in a way, explain some of the difficulties with 12 the print. They have tried to photograph it to take out 13 the background but you can still see this sharp V-shape 14 is still coming back in the mark. But we have to take 15 the mark as it is and if we then look at the overall 16 quality of the mark (slide 144), the overall assessment 17 is there are many fragments all over the place inside 18 QI2, and outside it. The V-shape I already mentioned 19 is, in general, I can think it's a poor quality print. 20 There's the coherence of the points in itself and 21 the segments is questionable. The determination has 22 caused that, whether it's a single print or what the 23 source of the print may be or whether multiple prints is 24 of course fairly difficult. There are stains in there. 25 We see two vertical swipes. I will point them out here. page 93 1 On the right side from the core (indicated), you can see 2 them starting here and the swipe going downwards and on 3 the left side we see kind of the same thing start a 4 little bit lower and we see a swipe over there, left, on 5 the right side of the core. 6 There's very few reliable Galton points at first 7 sight. You could use the mark to exclude but in our 8 system and I think many would not find the mark eligible 9 or suitable for identification. 10 The finger: as I said, we cannot determine what 11 finger it is coming from. 12 If we look at the overall shape, I have a habit of 13 trying to follow the line starting in the core and we 14 can see if we follow the lines here, there is a tendency 15 to rotate out so that the rotation is clockwise -- so to 16 the right -- and typically this will tell you that it is 17 most likely coming from a left hand. If it's turning to 18 the left, it's most likely to come from a right hand. 19 If we try to do the same in the latent, then here it 20 is obviously ambiguous but if we look at the larger 21 picture, if we look here (indicated) we see that the 22 lines are going down and out and below the left delta 23 and if we look here there is a tendency that we see that 24 the lines go down and out. Not 100 per cent but there 25 is some idea that this is rotating differently than the page 94 1 mark. 2 (Slide 145) Same structure as with Y7. On top we 3 have the charted fingerprints and below we have the 4 clean ones. I tried to keep them as clean as possible 5 for your own observations and we start with point 1 and 6 2 at the same numbers as SCRO. 7 You see down where I'm looking at and I'll leave 8 point 1 for what it is -- sorry, if I move back, if we 9 see here (indicated) this line on the right side is more 10 prominent than on the left side, where we see it is an 11 eyelet. I will move back to discussion of the core 12 later. But if we now look at a bifurcation in the mark, 13 left leg and right leg are kind of symmetric. You could 14 say they are almost even. But if we move to the 15 reference print and I move now downwards to be able to 16 see it better, we see that the left leg is considerably 17 thinner, I think it is half as thin as the right leg. 18 So a distinct difference in appearance of the legs of 19 the bifurcation. 20 The core I said I would discuss later in phase 2. 21 (Slide 146) If we move over to point 3, which is 22 also point 3 of SCRO, then the occasion we have to look 23 at is here (indicated) so we see here in the reference 24 print an upcoming ending ridge. If we move over to the 25 corresponding area in the mark, I have traced the page 95 1 ridges, there is no such event. It is there in the 2 reference print and it should be there in the mark and I 3 cannot see it. It is not there. If we measure from the 4 reference point 2 downwards, then we can see that it 5 should be somewhere over there, but it isn't. This is 6 the first distinct discrepancy. 7 If we now move to point 4, we see the area, it's 8 down left of the core and I'll mark the area in the 9 reference print where the overlay should appear 10 (indicated). 11 (Slide 147) What we see in the reference print is 12 the pointing bifurcation with some small lines, a little 13 bit smaller than the adjacent lines, and here in the 14 mark they are pretty fat, very prominent, a little bit 15 different outlook but we could say that the point is 16 over there and we could use it as a reference point. 17 The ridge path of the original ridges is different, 18 not really the same, but just let us just accept that it 19 is there and use the location as a reference point. 20 (Slide 148) I must say that in an earlier 21 evaluation of QI2 I used another point as a reference 22 point, more to the left, and therefore I had different 23 conclusion but I will explain that later as well. 24 We move now to point number 7 which is not discussed 25 by SCRO. We find it over there (indicated), we find page 96 1 it -- we should see it over here. This is the point we 2 just discussed (slide 148) and there is another line 3 coming in and definitely something is stopping over 4 there which we don't see in the reference print. The 5 whole area is moving upwards and thinning and there is 6 another event which I cannot see in the reference print 7 and this is a distinct discrepancy. 8 (Slide 149) Point number 6 which is the same as 9 SCRO number 13 -- I will discuss point number 5 later. 10 Point number 6 we see over here (indicated). We have to 11 look in the reference print in this area. We can now 12 see the overlay and, again, then we expect point 6 to be 13 there but if we take a ridge count then it is four in 14 the mark and three in the reference print. Even if we 15 assume that it's the same point, then the ridge count of 16 the reference print number 4 is off and I said in an 17 earlier assessment that I used another point and I 18 accept 4 is the right point to be but then -- sorry, 19 number 6 is the right point and then number 4 is off but 20 which way do you go? But in between the ridge count in 21 one is minimum four and the other one it is three so 22 there's a distinct discrepancy. 23 (Slide 150) We then move to point 5 and I must say 24 this is one of the better points in the mark. This 25 upcoming ridge here (indicated) is pretty clear. The page 97 1 line on the left side is pretty clear; the line on the 2 right side is a little bit more ambiguous but you can 3 trace it and it's absolutely without discussion that 4 there is an upwards ending ridge -- one of the better 5 points in the mark. If this event is not true, almost 6 nothing would be true. Here is the overlay. We use 6 7 and 13 of SCRO as the reference point and we should find 8 it there and it isn't. So this is, again, a distinct 9 discrepancy number 4. 10 (Slide 151) Then we move to point 8 and 9. We can 11 find them over there (indicated) in the reference print, 12 look in that area and I have no issue with point 9. It 13 could be similar and in the same location almost, so I 14 will leave it where it is but now we start looking for 15 point number 8. If we look over here and we follow that 16 ridge here and we follow the yellow ridge here 17 (indicated), there is at least one extra line stopping. 18 There could even be another one but at least one over 19 there is stopping and there is no such event in the 20 reference print which is another distinct discrepancy. 21 You may even assume, as I said, another upwards ending 22 ridge but there is at least one distinct discrepancy 23 making it number 5. 24 (Slide 152) Point number 10 and 11. These are not 25 marked by SCRO, which I find very peculiar. If we page 98 1 follow this ridge over here (indicated), then you see 2 that it bends downwards. This is one of the thicker 3 ridges and there is another line coming in, this kind of 4 a confirmation of the event of the curving ridge, this 5 line is coming in. There's little dispute about that, I 6 think. 7 From the other side, we see that it is an incoming 8 ridge. It may be a little shady but you see it coming 9 in and it has to end over there. The area around it is 10 really white and there is a lot of space between the 11 adjacent ridges so there is a ridge coming in from the 12 left. 13 If we take on the right side here -- I will use the 14 overlay -- then here is the overlay for yourself to 15 check. This is the point that could be there, 16 although -- and this is the missing one. If we look at 17 the Third Level Detail, this is a ridge that is really 18 thinning out very, very long. It almost becomes 19 incipient, you have used the word before, but I will 20 concede that it could be there but then at least point 21 number 11 is failing and is a distinct discrepancy 22 number 6. 23 (Slide 153) The conclusions of my first analysis is 24 that overall it is a poor quality, there's lots of 25 distortion and poor coherence that will say the page 99 1 configuration and sequence of points is poor. There's a 2 minimum of 6 discrepancies found in 11 locations 3 discussed and the core is not yet extensively evaluated. 4 I will do that later. The mark is fit for elimination 5 but due to defined core area and some certain points you 6 can say, "Okay, there is the core area. I must find 7 things over there so I can exclude certain donors". We 8 know that certain donors are excluded like Mr Grey and 9 all other people that are discussed are excluded as 10 possible donors. So the mark is fit for doing that. 11 There are numerous differences in ridge path and 12 Third Level Detail. I have shown them to you. There 13 may be a pattern difference. I cannot be certain 14 100 per cent but there is a kind of a warning sign. In 15 this case, I have no stepping stone. I cannot say, 16 "This is similar. I go from there". There is nothing 17 for me to say, "I start over here", and I find it 18 alarming. 19 There are numerous warning signs and it is a 20 definitive exclusion that should be recognised in the 21 early stages of the comparison. 22 (Slide 154) I will now move to the scrutiny of the 23 SCRO charting, phase 2. Again, this is the charting. 24 (slide 156) I transferred it to the digital image for a 25 better quality. Here are the points that are page 100 1 transferred. (Slide 157) This is my first chart and 2 the points over here on the charted points from SCRO. 3 As I said, I will do the core in the end but let's now 4 move to point number 3. It is marked over there. 5 (indicated) 6 Now what we see here, as I discussed before, we have 7 a vertical swipe here in the mark and this is a kind of 8 a white area with very low or virtually no definition 9 but it is definitely affected by the vertical swipe. We 10 have to look for point 3 over there and it has to be on 11 the white location. I cannot see a system of ridges, 12 let go that I can see that there is an ending ridge in 13 there. 14 It is inserted in the mark in a distorted area of 15 very poor quality. I will not count it as a discrepancy 16 because I cannot prove it's there. 17 (Slide 158) Then we look at point number 4. We see 18 the area below. We now use point 3 as a reference point 19 in the reference print and the location of it where it 20 should be in the mark as a reference and then we have to 21 look for point number 4 in that area (indicated). I 22 simply can't find it. I simply can't see it and my 23 point number 3, I call it now number X, should also be 24 in that area and I find that very strange that this one 25 is marked and the other one is not marked, whilst the page 101 1 area there is a little bit better definition but we have 2 to look for the point over there. So point 4, like 3 point 3 in the reference print, is inserted in the mark 4 in a distorted area of very poor quality and an adjacent 5 point that fails in mark, point X in the area of better 6 quality, is ignored. Ian Evett called this teasing the 7 points out and the more general term is reverse 8 engineering. The IIGFI report has some remarks about 9 that and I will read out the relevant quotation or the 10 relevant paragraph of this report, that is about 11 circular reasoning: 12 "Circular reasoning is a scientific fallacy and has 13 to be strictly avoided. A scientific method follows a 14 step-by-step procedure with the aim of an unbiased 15 objective conclusion. With circular reasoning a 16 prejudgment is more or less apparent steering the 17 process to the wished and preset outcome. In other 18 words, an assumption is the basis for a conclusion and 19 then this conclusion proves the assumption to be right. 20 This is a scientific fallacy." 21 The first report said: 22 "The pitfall is that the premature assumption of 23 donorship leads to transplantation of data from the 24 original into the blur of the latent. It is circular 25 reasoning like this print comes from the donor. Prints page 102 1 are unique, thus all the data must be the same and 2 subsequently all differences are not real. Circular 3 reasoning is often hard to detect. Examples in 4 fingerprinting are, 'If I ignored this difference it is 5 a perfect match, so the difference cannot be real and 6 must be caused by distortion". Different dactyloscopic 7 points between prints from the same source don't exist. 8 This is reverse engineering, reverse talking. 9 Generally, of course, it is true that fingerprints from 10 the same finger cannot have real differences so as a 11 factual statement for the base of fingerprint is true 12 but it's a fallacy if used during the methodical 13 forensic procedure of proof." 14 This is from the IIGFI report from Austin in 2000 15 and, I think that is what we see here, Ian Evett also 16 referred to it. 17 Point number 5 and number 6 I take together. (Slide 18 159) In the reference print it is a short ridge between 19 two lines and we see it over here. I made it green. 20 In the latent I see two yellow lines that are 21 parallel and in between I see the green which is short 22 piece of ridge and continuing over there with a gap in 23 between. The point is that, very strangely, the SCRO 24 has marked the ending ridge, the upper piece of the 25 ending ridge over there. Now, it's against the stain so page 103 1 you cannot know that the ridge is ending there. You 2 know there is a stain but you cannot be certain that the 3 ridge is ending over there. 4 The lower one is not taken to the right but 5 downwards on a continuous ridge. You could ask yourself 6 why is that done that way? This one is between the 7 lines and this one, these two, go outside the flow of 8 the ridges. I think there is a reason for it and I will 9 go (slide 160) to the next point, that's point number 9. 10 We find it over there (indicated). That's kind of the 11 broken ridge and we see it over there. Now point 9 is 12 marked in the latent on the gap between the ridges and 13 this is it in the reference print (indicated). In the 14 reference print we see the adjacent line in between the 15 short ridge and point number 9. Just to make it kind of 16 the same, if the small ridge was marked here and there, 17 then the existence of point 9 was wrong and the location 18 of point 9 would be wrong. So I think that's the reason 19 why they marked it downwards just to make it fit. 20 As I said, if point 6 was marked in the proper 21 direction, point 9 would become non-existent and if it 22 is done this way, you have virtually no ridge count. I 23 even have not counted it as a discrepancy, point 7 and 24 point 8. 25 (Slide 161) These are two upcoming ending ridges. page 104 1 This is the area where these two upcoming ridges are 2 marked and this is a blow-up of it. The dominant 3 direction of information is horizontal, like this 4 (indicated). The vertical is non-detectable. They have 5 now assumed there is a system of vertical lines that can 6 also detect ending ridges in that same area. This is 7 where they mark the points. I would like to invite you 8 to look for yourself whether you can see upcoming ending 9 ridges. (Pause) 10 Now, if you don't see them, there's nothing wrong 11 with your eyes. If the kitchen fitter tells you that 12 your kitchen is not skewed but that you have to go to 13 Specsavers, don't believe him. Don't believe a 14 fingerprint expert that he can see what you can't see. 15 If he cannot demonstrate it, it is not there. You may 16 struggle to interpret the things, to validate things and 17 to compare them but if you can't see them, they're not 18 there. A general requirement is demonstrability. You 19 should be able to demonstrate what you say you see. If 20 you cannot see it, it's not there. 21 (Slide 162) Point number 11. We use 12 as a 22 reference point. This is in the area where there's a 23 vertical swipe downwards here (indicated) and the ridge 24 should be there. I cannot confirm it. It's on the edge 25 of where the information stops to be reliable or even page 105 1 visible. This is what I would see as a line. As well I 2 can say here it stops where I can see, still it is 3 marked, I wouldn't do it. This is where it should be. 4 This is again a point that is teased out using the 5 reference print as a guide to the mark. 6 (Slide 163) Point number 12 is discussed in my 7 analysis as phase 1 as number 4 and I will use it as a 8 reference point for the rest of the points on the left 9 side of the mark. 10 I have got some support, I think. 11 THE CHAIRMAN: There is a concert next door, I'm afraid. 12 THE WITNESS: (Slide 164) Point number 13. I've made the 13 overlay over there. There's a definite point in the 14 reference print. I use this as a reference. It should 15 be there. I can't see it. If you just said that if the 16 other point over here, which is much more prominent, 17 it's not used by SCRO and a non-existent point or at 18 least a very ambiguous point in the mark is charted as 19 similarity and I think this is bad practice. You cannot 20 ignore this one and mark one over here just because you 21 need it just because this is the reference print. If we 22 compare it with this information, if we look at the 23 upcoming ridge here, and we see that in this area 24 point 7 and 8 were marked and point number 3 was marked 25 and this point is ignored, I find it very suspicious to page 106 1 say the least. 2 (Slide 165) Point number 14. It's an upcoming 3 ending ridge. It could be there but it's ambiguous in 4 the reference print. It could also be on the other line 5 because there's a small crease over there. It could be 6 there. I have no issue with it. 7 However, if we locate its position against point 13 8 and we start counting the ridges, if we go down in the 9 reference print and the count to point 13 is about 1, 2 10 and down here there is 1, 2, 3, 4-something. So even 11 then the location of point 14 in reference to the other 12 points is off. Whatever choice you make about where you 13 locate the points here, the ridge count never fits. 14 (Slide 166) Point 15 is marked in an area next to 15 the swipe, the downward swipe. If we would look in that 16 area, then here you see the swipe and look in the same 17 area we could also mark other points of ridges that stop 18 in that area or cannot be seen further in that area 19 because there is a swipe. If you look at the blue dots, 20 you could suppose and say okay, there's all ending 21 ridges but because the swipe area is over there. All 22 these are not marked as points of similarity but this 23 one conveniently is because it is in the reference 24 print. 25 This is a distorted area of low quality. Point 15 page 107 1 is assigned to a questionable event of arbitrary origin, 2 similar events are ignored. This is inconsistent 3 assessment of information based upon what is desired and 4 what is not. This is bad practice. 5 (Slide 167) If we now move to the core area point 6 number 1, 10 and 16 -- and this is the last one -- if 7 you look at what the shapes are in the core, then you 8 can see over here -- I will move back -- there's an 9 elongated kind of a thick ridge. This may be not part 10 of it but it is typically long. I see it as this -- 11 this is not a presumed ridgeology, just my assessment of 12 what I see -- and it is as long as this here and in the 13 reference print it's kind of a small comma, triangular. 14 It is different. 15 If I then move to what I see in the latent and I go 16 back or I see here is a kind of an eyelet -- in English 17 we call it an eyelet, it is called that way in the 18 IIGFI, in German they call it an auge. That is also to 19 say an eye. In Spanish they call it a circle. Somebody 20 commented that the word "eyelet" is never used. I just 21 ask attention that there are many other languages than 22 English that also use fingerprints. So we call it an 23 eyelet and we see it like this. The left leg is 24 considerably thinner than the right one. 25 Go back again, an eyelet, this one is thin, this one page 108 1 is prominent and cannot be ignored and the line is 2 continuing. This is how I see it. In the reference 3 print what we see is it is a thick line on the left, on 4 the contrary, and a small hook downwards that is 5 supposed to flow downwards in the latent. 6 Again, moving back this is the very thick line that 7 is interrupted because if we look at the Porelon pads 8 but this is the thick line on the left and this one is a 9 hook downwards that is supposed to run through, which 10 isn't. 11 Then we move upwards and if we look in the reference 12 print we see this line which is pretty prominent and we 13 see it here forming a kind of an island or shape or 14 eyelet or whatever you call it and then moving onwards 15 much more thinner. We see nothing alike in the latent 16 in the mark. It is just a line that is evenly spread 17 and also the other ridges are not demonstrating that 18 there is some kind of event like that. If we look at 19 the mark, the reference print, we see there's a lot more 20 room for it. There's even also incipient ridges a lot 21 of space to allow for this island to happen if you could 22 say it like that. So definitely the whole area looks 23 different and I see that there is definitely a 24 discrepancy over there. 25 (Slide 168) That concludes my analysis of QI2 and page 109 1 the scrutiny of the SCRO markings. 2 My conclusions are this: the mark is of such poor 3 quality that the suitability for identification is 4 questionable beforehand. The mistaken identification is 5 of a considerable magnitude. You cannot miss it. There 6 are about three points that are similar by type and 7 location only. There are at least six discrepancies. 8 All other points are either debatable or considered 9 non-existent of 16 discussed in total. It is highly 10 unlikely for an expert of reasonable competence not to 11 notice the discrepancies between QI2 and the reference 12 print. It is impossible for any expert and, indeed, 13 layman not to recognise these discrepancies when alerted 14 to them. 15 The absence of quantity and the distortions open 16 avenue's for guided interpretation, however there is no 17 stepping stone that can explain an honest mistake at the 18 outset. The evidence presented to defend the 19 identification reveals inconsistencies, awareness by 20 avoided discrepancies and bad practice and if bad 21 practice is executed obviously with awareness it becomes 22 malpractice. 23 (Slide 169) On the request of Mr Moynihan, I was 24 going to skip the QD2 involvement so I will go very 25 quick ... page 110 1 (Slide 176) The next ones a few remarks and then I 2 will wrap up about identification and elimination. 3 (Slide 177) I will show you a computer screen of 4 our old AFIS systems, presently replaced, but we see on 5 the left side a mark. This is a mark that is searched 6 in our computer. It works this way, that we take a 7 cluster of reliable minutiae in the latent, we mark them 8 up and then these clusters in sequence is compared to 9 the database. The AFIS or AFR system will bring back 10 fingerprints with similar clusters, similar 11 relationships. You could say that what we are looking 12 at on that basis are the kind of lookalikes, the most 13 similar prints, and the system will generate a candidate 14 list of most likely persons and the best lookalike or 15 the best one will be on top. This is typical for any 16 system. 17 This is a random latent search and I asked them to 18 film how they go through the candidate list. These are 19 the candidates, here you see the list and I ask your 20 patience for looking at it for a short while. 21 (Slide 178) Here is the latent. This is the movie. 22 You see the hand of the latent expert on the left side 23 and he is clicking. This is an exclusion, an exclusion, 24 an exclusion, another exclusion, another exclusion. Now 25 he enlarges it because he just wants to see -- he's not page 111 1 looking at the forest, he is now looking at some trees 2 so he goes into the minute detail in order to be able to 3 exclude this possible donor. 4 You see, they are all loops to the left of a certain 5 size. Again, he is enlarging it just to make sure what 6 he's looking at. Now he is done. He has excluded all 7 of them. 8 (Slide 179) He has excluded 30 candidates in two 9 minutes. I don't think he did time it but it was 2 10 minutes. That is 4 seconds per exclusion. That is how 11 fast it can go. These are prints that are selected by 12 similarity of configuration. If somebody says that it 13 takes him 90 seconds to exclude it, you may excuse him 14 of being slow. That's just all I wanted to show to you. 15 (Slide 180) This is how it works. The process of 16 identification starts with elimination. You take a 17 cluster in your head and you go over a ten-print sheet 18 and you say no, no, no, no, no because you look for 19 differences. The process if you go to -- and only if 20 your exclusion fails you start making comparison. If I 21 make a search in AFIS and if I see a similar one and say 22 "Hey, this one could be the one" and I hook on to some 23 cluster of points, then the process of comparison will 24 start and then we will use ACE-V. 25 The process of ACE-V, yes, that may take hours. page 112 1 When we have a difficult print and it is a questioned 2 one, it will be executed by three independent experts. 3 They will make annotations, they will write things down, 4 they will make markings-up and then we will have 5 discussion amongst them in the lab and that can indeed 6 take hours. But this is not a matter of a disputed 7 identification but of indisputable exclusions. To me, 8 the discussion about standards in relation to Y7 and QI2 9 is futile because there is no standard that changes a 10 non-identical print into an identification. 11 (Slide 181) If this mistake is not acknowledged by 12 the profession in Scotland, then my worry is that there 13 will never be mistakes that you can prove in the future. 14 These are two really bad ones and they are acknowledged 15 by the profession. Then I stop. The most worrying 16 aspect is that the wrong lessons are learnt. There are 17 people here in Scotland that have learned nothing from 18 it. This will inevitably have long-term negative 19 effects on fingerprints as an instrument in fact-finding 20 and assisting justice and the truth. To me, this 21 fingerprint should be debated in the fingerprint 22 profession in Scotland. Only the science should rule 23 the science, nothing else. No police officer in charge, 24 no management: the science should rule the science. 25 That's why I'm here. We should discuss this print. We page 113 1 cannot avoid it. We should learn lessons from how the 2 FBI handled the Mayfield case. They had an in-depth 3 investigation, they acknowledged the mistake, they 4 learned from it, they changed their procedures and that 5 is how it should be done and that's why I'm here. 6 Thanks for your attention. 7 THE CHAIRMAN: Thank you. 8 Examined by MR MOYNIHAN 9 Q. Mr Zeelenberg, I want to go back to some more elementary 10 questions and to ask you to comment, please, and then 11 give some assistance. If you don't understand anything 12 that I say, please just indicate because it will be my 13 fault without question. 14 First of all, if I start at the most elementary 15 level, would I be correct in understanding that the 16 conclusion reached by a Fingerprint Examiner in relation 17 to an individual fingerprint is to be properly regarded 18 as a matter of personal opinion, albeit informed by 19 skill -- personal opinion rather than an object of fact? 20 A. Yes, that's true. We call it an informed opinion but it 21 also depends of course on the level of information we 22 are looking at. If I might explain, if we have a 23 ten-print search and we look at ten fingers and we 24 compare them and if we then say that this is the donor 25 of this fingerprint, it cannot be disputed. I could say page 114 1 my mother-in-law could do it because it's an 2 overwhelming amount of information that you cannot 3 ignore it. Whether this makes it scientific I don't 4 know, but it makes it certain. 5 The point with fingerprint identification with marks 6 is the question is not is it reliable -- the basic 7 question is how much is enough to come to this 8 conclusion but it is an informed opinion about the 9 origin or the attribution of source who has deposited 10 the fingerprint. Yes, that's true. 11 Q. If I just follow your answer on, you mentioned that with 12 the SWIGFAST paper, there was a question of the print 13 requiring or the details requiring to be demonstrable. 14 I think you have covered that already in what you have 15 said today at page 101 of the transcript. 16 What I also wanted to discuss with you was the 17 question of permanence. 18 A. Yes. 19 Q. The features, barring a scar on the finger, the 20 characteristics that form the fingerprint are understood 21 to be constant through life, yes? 22 A. Yes. 23 Q. SWIGFAST speaks of not just demonstrability but also 24 that the characteristics must be reproducible. What 25 does that actually mean? page 115 1 A. Here's a misunderstanding. The specific word 2 "demonstrability" is what I added in. I think I did try 3 to say that. But of course it is a general requirement 4 if you go to the further procedures, yes, you must be 5 able to demonstrate it. 6 Reproducibility is more looking at the fact that if 7 you repeat the whole process, the outcome should be the 8 same and that's more faces towards ACE-V and 9 verification. So if it is verified, then it's also 10 reproducible. 11 Q. I am grateful to you because that assists. 12 Reproducibility has got nothing to do with the 13 individual characteristics? 14 A. No. 15 Q. It rather is the conclusion of the officers? 16 A. Yes. 17 Q. I will come to that later. Forget reproducibility, 18 though, and carry on with the particular theme that I 19 wanted to ask you about. On any one human finger, the 20 features are constant over time barring injury. 21 However, does the discipline of fingerprinting have to 22 allow for the fact that when a comparison has been made, 23 what the officer is looking at is in fact an 24 illustration or an impression -- if that's the correct 25 word -- an impression of the fingerprint? By page 116 1 "impression", what I mean is it is not literally a 2 constant image of what's on the finger but rather can be 3 the subject of very subtle and indeed wide-ranging 4 variations? 5 A. That is definitely true. It's kind of confusing. When 6 you talk the science of fingerprints and when we say 7 that its uniqueness in permanence, in effect we're 8 talking about the finger itself. You are right in 9 saying that when we looked at fingerprints we are 10 looking at one type of representation of it. That's 11 true and these representations may vary even between -- 12 we have seen it already -- rolled impressions and plain 13 impressions. I showed you two inked impressions in 14 which there were ending ridges and in the one other one 15 it was a bifurcation seemingly. So there is always some 16 time of variation. 17 But what does not change is the sequence of the 18 events if you take them together. If you look at the 19 clusters and you look at the relationships and the 20 in-between ridge counts, that will always be the same. 21 Q. I happen to have an example which I have used earlier 22 that I think makes this point for me. If I could bring 23 up for you, please, an image that was used on the first 24 day of this particular chapter of evidence, FI2209.01 25 and 02. I have brought up two images of two inked page 117 1 impressions of Shirley McKie. 2 A. Yes. 3 Q. Do you recognise the areas that I have highlighted with 4 the red circles? 5 A. Yes, I do, yes. 6 Q. At least for me, because I think in terms of SCRO 7 numbering, these are the areas that SCRO number as 4. 8 A. Yes. 9 Q. The lower of the two related bifurcations, the lower one 10 being 4 leading up to the higher one 5. 11 A. Yes. 12 Q. On the right is an inked plain impression with a detail 13 and on the left is a rolled impression. I understand 14 these to be the same corresponding areas. 15 A. Yes. 16 Q. Do you accept that? 17 A. Yes. 18 Q. To some extent, you have already covered this in your 19 own evidence, but when you look at the inked plain 20 impression on the right, what would your own preferred 21 interpretation be of the characteristic that is in the 22 red circle? 23 A. Without looking at the left one, I would prefer to say 24 or to assume that it is an ending ridge but I must add 25 you are never certain. But if I look at the ridges page 118 1 adjacent to it, they seem to follow their course 2 straight and the other one is kind of more stopping, the 3 lines above it are not really moving towards each other 4 that much. My best guess would be that it is an ending 5 ridge, but we are never certain. 6 Q. Accordingly, if the image on the right is construed as 7 an ending ridge, you would therefore, I think I would 8 understand, see the rolled impression in entirely the 9 same way, as an ending ridge? 10 A. Yes, probably. I must say that the deposit on the right 11 side there seems to be a lot of inking just on that 12 spot. There may be some extra pressure. So this can 13 make an ending ridge to appear connecting -- this can 14 also happen by dirt or by ink -- appear to be 15 connecting, but actually it could also be in the finger 16 that it is connected but just a little bit lower. So 17 not printing in that effect. 18 There are also people that are able to see that if 19 you roll from left to right or from right to left that 20 sometimes the ending ridge is moved to the other side 21 and if you do it the other way round, it moves to the 22 opposite side. I'm not that able but there's people 23 that seem to be able to look at it that way. 24 Q. If I understand correctly, you were reading from for us 25 I think it's the SWIGFAST document which speaks in terms page 119 1 of an "event"? 2 A. Yes. 3 Q. An "event" could be a collective term that would cover a 4 variety of characteristics? 5 A. Exactly. I think that we have done the same in the 6 Interpol Working Group. I was an advocate of that 7 because we have been talking way too long about 8 bifurcation, ending ridges, deviated breaks, do we call 9 it a short ridge, do we call it whatever. I'm advocate 10 of saying it is an event. A disturbance of the regular 11 is an event and all the others are formations of one or 12 two or three events. 13 Q. What I wanted to ask you to comment on, because this is 14 just there as an illustration of a point, I might 15 myself, as a completely lay person, simply choose to 16 avoid this challenge and debate about whether this 17 feature is a ridge ending or a bifurcation, avoid it by 18 simply calling it an event? 19 A. True. 20 Q. I could then have all experts on the range of opinion 21 just agree there is an event there. Are there occasions 22 when it is necessary for the expert to actually commit 23 himself to the precise nature of the event in that 24 location? 25 A. Basically for checking the sequence that is not so much page 120 1 of importance. As long as if I say this is not an 2 ending ridge but a bifurcation on that side, if I'm 3 checking the relationships I must keep in mind that I 4 first said it has to be on this side and that I not 5 change it when I am counting on the other side. So then 6 I have to be consistent in that. 7 However, if we are studying and analysing latents, 8 it is beneficial to look at a detail as I already showed 9 you saying, "Listen, this is a real bifurcation I'm 10 quite certain of it, the event looks like this and I 11 would like to see it back in the reference print as I 12 determined it". That gives confidence. 13 Those small things that was also talked about, the 14 hawk-eye, the Rosetta characteristic that makes a 15 strange bend downwards. I would see that, I would note 16 that in my analysis and I will find it very nice if I 17 look in the reference print, "Hey, this gives 18 confirmation. This really looks like what I'm looking 19 for" and if it's not, it should be kind of a warning 20 sign, you cannot ignore everything. But the basic 21 thing, yes, you are right the basic fabric is the 22 locations of the Second Level Detail. 23 Q. If I can move from what we have just been talking about 24 just now to another example, I will take you to the SCRO 25 charting of Y7 to follow this particular point if you page 121 1 allow me just a moment. 2 THE CHAIRMAN: Would it be helpful if we took the short 3 break now? 4 MR MOYNIHAN: We can, sir. 5 THE CHAIRMAN: I think it might be while you are finding it. 6 We will resume at 3.00. 7 (2.50 pm) 8 (A short break) 9 (3.00 pm) 10 MR MOYNIHAN: I was trying to take a temperature in the 11 room. I have been trying to check if I don't ask some 12 questions this afternoon if I still have a realistic 13 expectation of finishing Mr Zeelenberg tomorrow 14 afternoon so that I don't detain him any longer. I have 15 a rough impression that that is perhaps achievable. I 16 am conscious that Mr Zeelenberg has had a very powerful 17 stint and it would also probably assist me if we just 18 simply -- 19 THE CHAIRMAN: It's a lot to absorb and a lot for you to 20 demonstrate in a day. I am obviously very anxious, as I 21 am sure you are, that we finish you tomorrow. But if I 22 have reasonable assurance that tomorrow will allow 23 Mr Zeelenberg to be free, then I am quite content to 24 stop today at this point. 25 Mr Holmes, it is likely that you will take longer page 122 1 than Mr Smith. 2 MR SMITH: Sir, I can say at this stage I have no questions 3 for Mr Zeelenberg. It may be that some of the questions 4 raised by Mr Holmes we will -- 5 THE CHAIRMAN: What about Miss Grahame? Are you 6 anticipating time? 7 MISS GRAHAME: We had intimated a line of cross to my 8 learned friend Mr Moynihan last week and I understand he 9 is adopting that as part of his examination. So I 10 wouldn't anticipate having any questions. 11 THE CHAIRMAN: Certainly between Mr Holmes and Mr Moynihan 12 then as to whether they both can be reasonably certain 13 that any questions will not take longer than tomorrow. 14 It is a bit unfair to ask you at this stage. 15 MR HOLMES: Given the discussions that I have had with 16 Mr Moynihan already, subject to anything my clients 17 might raise with me flowing from Mr Zeelenberg's 18 presentation this morning, I think we are reasonably 19 confident we can finish tomorrow. 20 THE CHAIRMAN: It is important that the way that the Inquiry 21 is proceeding is that those that you represent will have 22 an opportunity to give their response and that is 23 really, I think, the best way of working and that is the 24 way we will be. The fact that there isn't long 25 cross-examination should not be interpreted in any way page 123 1 that any of the Core Participants accept the evidence. 2 I understand that but I think it is important that it 3 should be more widely understood that perhaps silence 4 should not be taken as acceptance. 5 On that point then, we will rise. Thank you very 6 much for the time you have given us today and we will 7 sit again at 10.00 tomorrow morning. 8 (3.05 pm) 9 (Adjourned until 10.00 am the following morning) 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25