page 1 1 Thursday, 29th October 2009 2 (10.00 am) 3 HUGH MACPHERSON 4 Examined by MR MOYNIHAN (continued) 5 Q. Good morning, Mr MacPherson? 6 A. Good morning. 7 Q. I was just going to carry on in the order in which we 8 were proceeding yesterday, unless there's anything that 9 arose out of yesterday you wanted to raise? 10 A. I was wondering, with the indulgence of the Chairman, if 11 I could possibly refer to something that I referred to 12 earlier in my evidence regarding the 10 and 10 rule? 13 Q. Yes, please. 14 A. I came across a fingerprint handbook from when I started 15 on 2nd November 1970 and I was wondering if I could 16 possibly read just a couple of paragraphs from the last 17 page? 18 THE CHAIRMAN: Yes, certainly. 19 A. Just to make sure that my evidence I give to the Inquiry 20 is accurate. 21 THE CHAIRMAN: That is very helpful. 22 A. Thank you. As I say, it is from 2/11/70 under the 23 heading of: 24 "Identity of fingerprints. 25 "The identical nature of fingerprints is not page 2 1 established by pattern alone but by agreement in the 2 relationship of identical ridge characteristics one to 3 the other. When two prints are found to agree in the 4 sequence of their ridge characteristics then these 5 prints are said to be identical, that is, both have been 6 made by the same area of the palmar or plantar skin 7 surfaces. Mathematical precision in the position of 8 characteristics is not necessary in establishing 9 identity as varying degrees of pressure or lateral 10 movement of the skin can alter the distance between 11 them. 12 "Varying opinions are held as to the number of 13 characteristics in agreement and sequence necessary to 14 prove identity but in this country proof of identity is 15 offered only when 16 or more such points are present in 16 two prints or when at least 10 such points in two prints 17 in sequence are present in another two prints also 18 recorded in sequence." 19 I think I mentioned that earlier in my evidence. 20 What it doesn't mention is dire and crucial or the 21 strong suspicion which I also mentioned, but I was 22 wondering if this could be submitted, if you like? 23 I also have, as I say, this obviously refers to the 24 1953 guidelines but as the 1953 guidelines were 25 constantly being reviewed, so the processes and page 3 1 procedures in SCRO were constantly being reviewed and I 2 have a copy of -- I don't know if the Inquiry has a copy 3 of the 1953 guidelines as laid down. 4 MR MOYNIHAN: We do have a copy of the Home Office minutes, 5 in a particular section of file but if you your own copy 6 or an extra copy then we will take it just for the 7 avoidance of any difficulty. 8 A. I don't want to take up a lot of time but it refers to 9 something I said in my statement so I would like to ... 10 Q. Yes, we will take it because if I end up with duplicates 11 it's not a problem. If we have a gap in our knowledge 12 then it is, so if you want to hand it in then that is 13 fine. 14 Do you want to clarify the point? 15 A. Yes. In 1953 there was a Home Office meeting and: 16 "It was desirable that a common standard should be 17 observed by all forces whose officers give evidence in 18 court about fingerprint identification in order there 19 should be little risk of such evidence being challenged. 20 "In the case of a single print, this standard should 21 be a minimum of 16 points of resemblance ... 22 "After discussion at subsequent National Conferences 23 of Fingerprint Experts the following was added to the 24 new standard: 25 "Where evidence is being given, and, in addition to page 4 1 any mark(s) with at 16 points in resemblance, there are 2 also other marks from the same scene made by the same 3 person, but with less than 16 points, these can also be 4 mentioned provided each mark has at least 10 5 characteristics in agreement with the finger/palm 6 impression(s)." 7 That would be the 16 and 10 rule. I think I said in 8 evidence before about in the late '80s if you had a 9 series of checks you were entitled to put that forward 10 for prosecution if you had 10 characteristics from one 11 person on one check and 10 characteristics on a second 12 check in a series of checks. 13 That eventually evolved to be taken on by volume 14 crime and serious crime. I believe in 1997 we were 15 still in the position that it was each mark was 16 16 points. It wasn't down to the person, the same 17 person, having 16. If you had one with 16 ridge 18 characteristics in sequence and agreement, if you had 19 other marks with 10 and above you could include those in 20 your joint report. 21 It mentions about checks: 22 "As a result of debate [in] 1985 ... there were 23 three systems of multiple identifications on cheques 24 from the same chequebook. Each was believed, by its 25 users, to be compatible with the standards laid down in page 5 1 1953. In February 1997, the following decision was 2 made: 3 "'It must be acknowledged as a matter of fact, that 4 evidence of identification based on 10 characteristics 5 on one cheque and 10 characteristics on any other 6 cheque(s) from the same book had been accepted as 7 sufficient by courts in certain parts of the country for 8 eight years ... 9 "However, acceptance of the above norm did not 10 prevent any bureau from adhering to the original 11 standard." 12 That is what I'm trying to explain, that our 13 processes and procedures were in a continuous state of 14 flux, particularly in 1997 with the introduction of 15 LiveScan. We also had every few years a change of Chief 16 Inspector, we would have a change of Superintendent, a 17 change of Chief Superintendent and they would bring 18 their own ideas to the mix, if you like. 19 What I said in my statement as regarding QI2, 20 there's a part of QI2 identified as Mr Asbury's but it 21 is in black with a line through it and that would be, if 22 an independent expert came along and looked that, I 23 could be asked in court why is that in black with a line 24 through it. All it would mean was that it didn't reach 25 the national standard. I could speak to it in court but page 6 1 I would be able to say it didn't reach the national 2 standard. 3 So it was just to try and clear up -- I think I said 4 in my statement something like probably 10, I might have 5 meant probably below 16. I just want to be accurate in 6 what I have said. 7 THE CHAIRMAN: Yes, perhaps when you have finished your 8 evidence you would leave the copies and then we can be 9 quite sure that we've got exactly what you were speaking 10 to. 11 If you could hand them over now it might help with 12 the transcript if we could put them there first and then 13 you can pass them. (Handed) 14 Thank you very much. 15 MR MOYNIHAN: Thank you, Mr MacPherson. There are two other 16 points in relation to what you said. First of all, just 17 as a precaution, if I could ask -- and we will do it at 18 the break -- if Miss Carmichael could see the original 19 handbook because there is this -- we will deal with it 20 at the break -- because she will look at it to see if 21 there's anything else that may be relevant in the 22 handbook that will relate to chapters she is dealing 23 with. I am very grateful to you. 24 The second point I know we have taken the sheets 25 from you but you may be able to find it in the handbook page 7 1 that you still have with you. What I was interested in 2 was the formulation in the handbook of the 16-point 3 rule, if I call it that. I had started my questions 4 with you the day before yesterday by asking you about 5 differences and unexplained differences, et cetera. 6 This first arose when Mr Graham gave evidence when I 7 put to him a formulation of the 16-point rule, 16 points 8 in sequence and agreement and no unexplained 9 differences. He, if I recollect correctly, replied to 10 me, "What's an unexplained difference got to do with 11 it". 12 I heard you read out the 16-point rule. It was 13 simply a straightforward proposition: if there are 14 16 points in sequence and agreement, it didn't mention 15 unexplained differences. Is that correct? 16 A. That's correct. I don't know -- I can't remember where 17 that possibly come in. I'm sorry, I don't remember. 18 Q. If you just re-check the formulation. I think you said 19 at the end of the book about -- 20 A. This is just purely the back page of the book. The 21 other two pages that I've given you, I don't know the 22 provenance of them. I've just basically found them -- 23 Q. Don't worry, Mr MacPherson. It's more if you just 24 repeat for my benefit with the clarity that there is in 25 the formulation of the 16-point rule in the handbook page 8 1 that is really just what I am interested in? 2 A. Do you wish me to -- 3 Q. If you would just for my benefit, please. 4 A. "Varying opinions are held as to the number of 5 characteristics in agreement and sequence necessary to 6 prove identity but in this country proof of identity is 7 offered only when 16 or more such points are present in 8 two prints or when at least 10 such points in two prints 9 in sequence are present in another two prints also 10 recorded in sequence." 11 I think I said in my evidence it would basically be 12 like the 7 and 8, you would have ten in one and ten in 13 the other. That was the original ruling and then it 14 moved from that that it could be the same person from 15 the same scene. You could have 10 in his number 7 and 16 10 in the number 8 but if they were from the same scene 17 that was suitable to be progressed for evaluation value. 18 Q. I am grateful to you. In that case, I will leave the 19 collection and reading of the handbook to Miss 20 Carmichael. If there is nothing else in it beyond what 21 you have read -- 22 A. No. 23 Q. -- that's okay -- that is of assistance to us we will 24 hand it straight back to you. Otherwise we will speak 25 to you about taking additional copies? page 9 1 A. It was purely on the pattern recognition and 2 classification. 3 Q. We will deal with that later. I am grateful to you. 4 Therefore, unless there is anything else that you 5 wanted to talk about, what I was going to do then was to 6 resume at the point that we were yesterday, which was on 7 Y7, point number 8. We had yesterday the SCRO charting 8 up and you were about to go to your own recharting. 9 First of all, just so that I can take us back to 10 roughly where we were yesterday, if I bring up FI0167A 11 and perhaps just bring it up twice. I have brought it 12 up again twice. 13 What we are looking at is the feature most clearly 14 seen in Ms McKie's left thumbprint, a feature in about 15 the core beneath and perhaps a shade to the left of the 16 bifurcation number 9. 17 A. Yes. 18 Q. Now, we have had some conversation and you did a drawing 19 for us yesterday relative to these particular images and 20 you were asking me then to move to the charting that you 21 showed us on Tuesday. 22 Is that what you wish to do, to further explain your 23 position in relation to point number 8? 24 A. I think the drawing I did possibly explained it. 25 Q. If you give me just a second. It will about the last page 10 1 drawing from yesterday and it is FI2810.17. 2 A. Yes. 3 Q. I dare say what we should actually do is highlight the 4 Y7 part of that rather than the -- I happen to have 5 brought up now the drawing from yesterday on the 6 left-hand side, then the original numbered Y7 on the 7 right. 8 So far as point number 8 is concerned, you have 9 drawn in light blue an area. Do you want to give a 10 further description of what you drew? 11 A. That's a -- sorry, it's a ridge ending up. 12 Q. Do you intend by what you have drawn that that 13 bifurcation up ends at the point which is marked number 14 8 but does proceed down and join the curving ridge? 15 A. Yes. 16 Q. Forming what, at least to my eye, looks to be something 17 in the nature of a lake? 18 A. It's a bifurcation up, yes. So point 8 would be a ridge 19 ending. You would follow that down. It would join the 20 right-hand leg and it would be a bifurcation up. 21 Q. It is just the precise way it is drawn just now would 22 have the top edge of the line joining -- 23 A. There should be a slight gap there. 24 Q. There should be a gap? 25 A. Yes. page 11 1 Q. Okay. So there should be a slight gap so there's a 2 ridge ending at the top -- 3 A. A ridge ending up, yes. 4 Q. -- going into a bifurcation at the bottom? 5 A. At the bottom, yes. 6 Q. You were yesterday asking to look at the other images 7 from Tuesday. Do you wish to do so or ...? 8 A. Yes, okay, yes. 9 Q. The Y7 image is TC2310.03. 10 I don't know if having access to that particular 11 image assists in relation to this particular point or 12 not but if it doesn't assist we don't need to take any 13 time on it. 14 A. Would I be able to ...? 15 Q. You can have it so it's the only image on the screen, if 16 you wish. 17 A. Okay. 18 Q. If you are going to draw, perhaps that would be of 19 assistance to you. 20 A. I've marked the bifurcation up with the red dot just 21 where the cursor is (indicated) and you would follow 22 that up and, again, where the red dot is there's a ridge 23 ending, like so (indicated). 24 Again, I'm sorry, I've joined that. There should be 25 a gap. page 12 1 THE CHAIRMAN: Is it a very small gap or -- 2 A. It's a very small gap, sir, yes. 3 MR MOYNIHAN: First of all, we had better just save this 4 image. If we save that and we will have some words 5 about it. 6 MISS BAHRAMI: That's saved as FI2910.01. 7 MR MOYNIHAN: Just while we are in that area, what you have 8 drawn is a blue arrow at the bottom to draw our 9 attention to the lowest most red dot that's relevant to 10 this. You have then drawn in a mustard colour the lines 11 that, in fact, join up some of those dots in that 12 vicinity. Again, we should understand that the drawing 13 is inaccurate in that we should understand a slight gap. 14 A. Should I draw it again? 15 Q. No, no, it's okay. Well, we may in fact just do so for 16 a reason. Yes, let's do that because I also want to ask 17 you to explain for me, if I can find the mouse, the red 18 dots that are adjacent. Probably it would be better if 19 you did redraw so that we can actually see it as you 20 interpret it. 21 So if I bring up again TC2310.03. (Pause) 22 Don't worry about the arrow at the bottom -- we've 23 lost that. I wouldn't worry about the arrow at the 24 bottom because you have joined up the dots and they are, 25 in a sense, self-explanatory in any event. So that is a page 13 1 more accurate representation. 2 A. Yes. 3 MR MOYNIHAN: Let us save that before we lose it. 4 MISS BAHRAMI: That's saved as FI2910.02. 5 MR MOYNIHAN: Mr MacPherson, again I don't wish to tie us 6 all in knots but by this drawing there's another little 7 point that I have to ask you about. 8 Previously, the way the recurving ridge had been 9 drawn had, in fact, connected three of the red dots. 10 Now only one of the three, that's the one to the 11 right-hand side, forms part of the recurving ridge. 12 Point number 8 is the third one in a row and is to the 13 left and is not connected to the ridge above. 14 A. Yes. 15 Q. On this redrawing there is then the middle red dot which 16 is not, in fact, in contact now with the recurved ridge. 17 Is that as you intended, that even that middle red 18 dot is not part of the recurving ridge? 19 A. Are we talking about where the cursor is at the moment? 20 Q. No sorry, I'm together about -- I will put an arrow in. 21 I am talking about the red dot that's opposite the large 22 blue arrow. 23 A. I think that's the ridge recurving and coming down and 24 there's a small lake in that vicinity (indicated). 25 Q. Could you assist me, please, by drawing now, perhaps use page 14 1 a different colour for the ridge structure associated 2 with that red dot. (Pause) 3 A. I'm afraid that's very rough but ... do you want me to 4 try again? 5 Q. No, no. Well, first of all, when you say "that's very 6 rough", if it's not accurate then please feel free to 7 start again. (Pause) 8 Are you satisfied with that? 9 A. Yes. 10 MR MOYNIHAN: If we save that image as well, please. 11 MISS BAHRAMI: That's saved as FI2910.03. 12 MR MOYNIHAN: Just while we were on this image -- and it may 13 be this one is getting a little cluttered for this 14 purpose, in particular not assisted by my large blue 15 arrow -- but what I was going to ask you about is what 16 the dot is that's just off the left-hand side would this 17 be of the bifurcation number 9; is that correct? 18 A. Yes. 19 Q. So the dot that -- perhaps I will put an arrow in and I 20 will make the arrow on this occasion yellow. I will try 21 and steer clear of the ridge detail (indicated). I've 22 just drawn in in yellow to highlight the point. 23 A. Yes. 24 Q. What is the characteristic highlighted at that position? 25 A. For me the characteristic is a long island, like so page 15 1 (indicated). 2 Q. You say a "long island" and by that you mean an 3 incipient -- 4 A. It could be an incipient ridge, yes. 5 Q. So what you have drawn in is that there will be an 6 incipient ridge between the two red dots, in effect, 7 coming down the right-hand side of my red arrow -- 8 sorry, yellow arrow? 9 A. Yellow arrow, yes. 10 Q. There is an island roughly along the edge of the yellow 11 arrow. In which case, can you then finally for me draw 12 what you would regard as the left leg, I take it, of the 13 bifurcation number 9? 14 A. The left leg. (Pause) 15 That's not very good. The bifurcation coming down 16 the way should be further down but that's the left leg 17 of -- 18 Q. If you give me a second because I am interested in the 19 detail in this particular area. Thankfully I have taken 20 away only one of the legs that you have drawn for number 21 9. Take your time and show me where you see the 22 evidence of the bifurcation in the left leg of number 9. 23 It is just a straight arrow just now, is it, rather 24 than a drawing? 25 A. Like so (indicated). page 16 1 Q. So you're satisfied with that? 2 A. Yes. 3 Q. So that the interpretation now of that region, if I 4 start in effect to the right of my yellow arrow, you 5 would have the left leg descending from point number 9 6 to a point where it bifurcates? 7 A. Yes. 8 Q. Immediately to its left, we would have an island? 9 A. Yes. 10 Q. Drawn in to the side of my yellow arrow? 11 A. Yes. 12 Q. Proceeding left you then enter the area which is coming 13 to the core where point 8 is, to the upper part, just 14 opposite the tip of the blue arrow there is a small 15 enclosure? 16 A. Correct, yes. 17 Q. To the left of that and above is point number 8, a ridge 18 ending disconnected from the recurving ridge above them? 19 A. Yes. 20 MR MOYNIHAN: So if we save that picture, thank you. 21 MISS BAHRAMI: That's saved as FI2910.04. 22 MR MOYNIHAN: What I would like to do, Mr MacPherson, again 23 is as of the order of proceedings yesterday, is to give 24 you an opportunity to view and then to comment on what 25 has been made available to the Inquiry by others. So if page 17 1 I could put this image just to one side and also call up 2 an image that was drawn by Mr Wertheim, which is 3 FI2309.05. 4 What we will actually see here at the foot as 5 FI2309.05 is some notes that Mr Wertheim actually 6 prepared back in March 1997. 7 You yourself and your colleagues at SCRO did not 8 have the practice of preparing notes; is that correct? 9 A. That's correct -- detailed notes, no. There were diary 10 pages. I believe they've got diary pages now which they 11 may take notes on but not detailed notes, no. 12 Q. I think this will defeat me unless I bring up 13 Mr Wertheim's notes as the only image, in fact. 14 We have to make an allowance for the fact that 15 Mr Wertheim is, on this page, looking at production 189 16 so, therefore, we have to adapt the numbers somewhat 17 because the numbering in production 189 is not the 18 numbering we have been using. 19 He has here a page that deals with points 13 at the 20 top and 12. Those are the same for us, 13 and 12, which 21 is the incipient ridge just above point number 9 for us. 22 He then speaks of 11 and 9. 11 is the same for us. 23 9, in fact, for us is 10. So speaking of 11 and 10, 24 which is the lake above point 9. Number 10 in 189 is 25 now 17 for us and if I then come down in his notes, 8 page 18 1 is ... give me just a second while I double-check. 2 (Pause) 3 8 is 9; 7 is 8; 5 is 6; and 6 is 7. Not the most 4 delicate of drawing but we can see roughly what the 5 position is. 6 So what we have been looking at just now is what he 7 has been studying. We see the date in American notation 8 at the top of the page. It is 27th March 1997, 9 03.27.97, and this is his reading of the prints. 10 For point 8 which we have just been looking at he 11 has it at 7, he says: 12 "On very edge of print possible recurving ridge, 13 possibly with perhaps upstanding rod adjoining under 14 recurve." 15 Then he says: 16 "Not plotted above." 17 Then he sees on something else one assumes -- I 18 can't remember now which is which here -- he has in the 19 next line: 20 "With curving ridge with rod on inner recurve", and 21 then he writes, "in tolerance." 22 So it seems that he has envisaged or seen something 23 that is not dissimilar from you, a recurving ridge with 24 what he describes as a rod? 25 A. Yes. page 19 1 Q. That would be not dissimilar from you? 2 A. That's correct, yes. 3 Q. What I am also interested in is what is written above in 4 relation to point number 9 because point number 9 is 5 immediately adjacent. He writes: 6 "Possibly bifurcation with ridge ending beneath. 7 Possibly two unbroken ridges, possibly two ridges and a 8 cross-over." 9 He has now helpfully drawn in for us the three 10 possibilities he was looking at for point number 9. So 11 it's a possible bifurcation with a ridge ending beneath, 12 that would be the green one; possibly two unbroken 13 ridges, that's the red one; then the blue is possibly 14 two ridges and a cross-over beneath. 15 Do you see that? 16 A. Yes. 17 Q. The one that for me for the moment, when we are looking 18 at point number 8, that interests me is the top one 19 where there's a possibility between points 8 and 9, as 20 drawn by you, that there is a ridge ending as an 21 alternative interpretation. 22 Do you see that? 23 A. Yes. 24 Q. If I go back to what you had drawn, the last saved 25 drawing from today, what interests me about this, again page 20 1 on the question of perhaps the lack of clarity leading 2 to possibilities of alternative interpretations, you 3 have drawn in the left-most leg of number 9, the 4 bifurcation number 9? 5 A. Yes. 6 Q. You then come beneath that and there are the three dots. 7 Number 8 is the left-most one at the top? 8 A. Yes. 9 Q. There is then the middle one and then there is a dot 10 beneath it -- 11 A. Yes. 12 Q. -- that you have drawn as part of a recurving ridge 13 coming down? 14 A. Correct. 15 Q. We will look at another drawing in particular by 16 Mr Zeelenberg and one of the questions that arises is 17 whether an alternative interpretation would be that what 18 you have drawn in blue as a ridge that comes beneath 19 your green area on the left-hand side, comes above point 20 number 8 but does not touch it. You then having it 21 coming immediately down to form an enclosure. One 22 alternative interpretation would be that that ridge 23 comes down and ends at the middle dot opposite the blue 24 arrow. 25 Do you see that? page 21 1 A. Mm-hm. 2 Q. Is that a possible alternative interpretation? 3 A. It's not the way I see it. I can only mark it as I 4 believe it to be so and that is how I see it. 5 Q. I appreciate, Mr MacPherson, that that is as you see it 6 and, therefore, that is as you have drawn it. 7 One of my recurring formulations of question is 8 simply this: is it possible in your view that there is 9 an alternative interpretation of those features? Is 10 that something you can see as a possibility? 11 A. No. 12 Q. It is just impossible? 13 A. I don't see it, no. 14 Q. I appreciate you don't see it but do you at least admit 15 of the possibility that there could be an alternative 16 interpretation there? 17 A. Well, somebody has taken that as an alternative 18 interpretation but that's not my interpretation and I 19 don't see that as a possibility. 20 Q. If I look and again just bring it up on PowerPoint, 21 please, Mr Zeelenberg's PowerPoint, AZ0061, and I am 22 looking to slide 44. I may have to just proceed 23 through. 24 Now he is drawing in the bifurcation which is point 25 number 9. If I understand correctly, the inserts that page 22 1 arrived at the top, Wertheim and Kent, is that showing 2 that different images have different clarity in relation 3 to this particular point. 4 Would you accept that? 5 A. Yes. 6 Q. The bifurcation number 9 does not seem as clearly 7 defined in the Kent image, for example, as it is in the 8 comparative exercise image. Correct? 9 A. It's still there, yes. 10 Q. Good, I appreciate it's still there. What I find 11 interesting is your assistance yesterday, in particular 12 I think it may have been the day before with 13 Miss Carmichael, where you were telling us about the 14 impact that memory has, that you can memorise prints 15 that then later assist with the identification. 16 A. Yes. 17 Q. Reflecting on that, even I have come to think that point 18 number 9, I can actually see in various images, 19 irrespective of the clarity, perhaps for the reason you 20 have indicated, that I now have that embedded in my 21 memory. If I see anything that remotely looks like 22 point number 9 I can immediately see it and I can 23 immediately see it as seen in the clearest of the 24 images. 25 Is that the type of issue that you are raising? page 23 1 A. Okay, yes. 2 Q. So far as point number 9 is concerned, if we then 3 proceed to see what he is explaining, he has now brought 4 up on this presentation using Wertheim and Kent images a 5 plotting, in fact two plottings on each with, on the 6 right-hand side in yellow dots in each, the bifurcation 7 number 9, beneath that is drawn in yellow lines a ridge 8 ending. 9 Do you see that? 10 A. Yes. 11 Q. With beneath that again, a recurving ridge? 12 A. Yes. 13 Q. Do you see? 14 A. Yes. 15 Q. Do you have any comment on what he has drawn, again, as 16 his interpretation of the features? 17 A. Not really, other than to say I wouldn't agree with it. 18 Can I draw on -- no, I can't draw on this. 19 Q. If I finish this sequence then I will give you the 20 opportunity to draw so we will come back so we can draw. 21 I will just explain again when it comes up, I am not 22 sure, when it comes up on Trial Director which version 23 of slide 49 will come up but we will attempt it at any 24 rate. 25 If I proceed through this just to a page 24 1 conclusion ... we have in fact just reached the end. 2 If we bring it up on Trial Director as AZ0061, slide 3 44 ... I am afraid this is the problem. This is why we 4 use the PowerPoint. It has come up as one particular 5 sort of version on Trial Director with the words right 6 across part of the image. 7 Is that of any assistance to you in drawing or ... I 8 don't know. 9 A. Again, coming up from the bottom would be the 10 bifurcation like so (indicated) and to the right of that 11 is the small enclosure that I was talking about. That's 12 how I see it. 13 Q. That's okay. So now we have Ms McKie's print on the 14 screen -- 15 A. Yes. 16 Q. -- can you point to me on Ms McKie's print where the 17 bifurcation is, if I can put an arrow. I will insert a 18 red arrow. Can you show me on Ms McKie's print where 19 the bifurcation is you have drawn opposite the red 20 arrow? (Pause) 21 A. You have the ridge ending -- sorry, the ridge coming up 22 like so and just as you come up here there's a 23 divergence of the ridge and the ridge ending is there 24 (indicated). 25 MR MOYNIHAN: If we could save that, please. page 25 1 MISS BAHRAMI: That's saved as FI2910.05. 2 MR MOYNIHAN: This final point I think we can take moving to 3 point number 9 itself, if we can do with the same image 4 that's on the screen at present. 5 First of all, I have already taken and we have seen 6 Mr Wertheim's notes that he admits of a number of 7 possibilities in relation to the shape of number 9, one 8 of which is a bifurcation, one is simply two parallel 9 ridges and the other was a cross-over. 10 As we have seen with Mr Grigg, he initially drew 11 number 9 as two recurving ridges and then, as you say, 12 shown Mr Kent's image, he accepted it was more likely to 13 be a bifurcation. 14 A. Yes. 15 Q. So we are looking at that range of opinion. 16 So far as Mr Zeelenberg's point is concerned, if I 17 understand him correctly, what he is looking at is the 18 difference in the comparative shapes of the right-hand 19 leg of the bifurcation number 9 and, in particular, I 20 think he would accede to the suggestion or the 21 terminology you use, that in Ms McKie's print there is 22 to be seen what you have described as a hump backed 23 bridge? 24 A. Yes. 25 Q. Whereas as drawn on Y7 there is simply a smooth page 26 1 descending curve so that the hump backed bridge is 2 missing. 3 First of all, just taking it in stages, do you agree 4 with him that there is that difference in the precise 5 shape? 6 A. Would it be in order to draw again? 7 MR MOYNIHAN: Yes, you can. 8 First of all, have we saved this image? Let's save 9 this image relating to point 8. 10 MISS BAHRAMI: That's saved as FI2910.06. 11 MR MOYNIHAN: Yes, you wish to draw? 12 A. The left leg in relation to point number 9 come up like 13 so (indicated), a small enclosure and then the right 14 leg, a small enclosure, then I follow the right leg 15 down. So that would be the hump backed bridge I was 16 referring to. I think I can also put it on here 17 (indicated). 18 Q. I think we can see the hump backed bridge, the shape is 19 drawn. 20 A. A small enclosure then you follow the left leg down. 21 Q. In fact, my next question was going to have been if 22 there was a difference in shape whether that would have 23 made any difference to the overall interpretation, given 24 what you have read out from the handbook about the 25 flexibility of the skin? page 27 1 A. Of the skin, yes. 2 Q. Would a difference in shape of this precise nature make 3 a difference? 4 A. As I say, skin's flexible. You're not going to get an 5 exact replication between the two. 6 MR MOYNIHAN: So if we finish just this particular point 7 then I want to step back just to look at one of 8 Mr Zeelenberg's slides at point 8, just in a minute, to 9 complete this, but if we save this slide. 10 MISS BAHRAMI: That's saved as FI2910.07. 11 MR MOYNIHAN: What I would like to do and let us try it just 12 on Trial Director, if we could go, please, to slide 58. 13 In relation to point number 8, just to complete 14 this, what Mr Zeelenberg ultimately says in relation to 15 point number 8, he has a red arrow in the bottom left, 16 to point to what he understands to be point number 8 and 17 he says in relation to the image Y7 the blob is regarded 18 as an ending ridge in the mark. In the print it's a 19 dot. 20 I think if, I understand his evidence, what he is 21 actually seeing here is the absence of the recurving 22 ridge above the dot so it's, again, an alternative view 23 of this. 24 Have you covered this sufficiently? 25 A. I think I've shown that between point 8 and point 9 page 28 1 there's a recurving ridge, one intervening ridge between 2 point 8, the ridge ending up, and point 9 which has been 3 referred to as the hump backed bridge. 4 Q. I am grateful to you. 5 If we then move then, please, to points 10, 11, 12 6 and 13, I think we can cover these together. If I 7 return to FI0167A, and bring it up twice, 10 and 11 are 8 the lake above point number 9, 12 and 13 the incipient 9 ridge; correct? 10 A. 10 and 11 are the lake. I don't believe it's an 11 incipient ridge. I think there's a pore contained 12 within that ridge so I would say it's a normal ridge. 13 Q. So far as the detail is concerned, because it may 14 matter, can you indicate to us where the pore is? 15 A. Just there, just where the cursor is (indicated). 16 Q. So if I put an arrow in you are indicating that there 17 is -- is there just one pore? 18 A. Just one pore by the looks of it, yes. 19 Q. So there's one pore just above where I have inserted -- 20 A. Just above. There's two pores next to each other, if 21 you like, but right in the middle I would say there's a 22 pore between 12 and 13. 23 Q. Sorry, as I look just now, just my eyesight, there are 24 three sort of whiter almost circles in that area. One 25 just immediately above and to the left of the tip of my page 29 1 red arrow, one above it, and then to the left-hand side 2 just beneath what would be the line for point number 12 3 there is again another area, perhaps, of lighter colour. 4 Is that what you're referring to? 5 A. The arrow's -- where the cursor is at the moment I would 6 say that is a pore. Can I put it in? 7 Q. Yes, just draw it in please, as you would wish. 8 A. Yes, just arrow it, there (indicated). 9 THE CHAIRMAN: So it is the upper one of the two that are 10 one under the other. 11 A. Yes. 12 MR MOYNIHAN: So are you indicating though that there are 13 two pores in that area, one on top of the other? 14 A. Yes. 15 Q. So as a consequence of the presence of those two pores, 16 what you are indicating is that the feature 12 and 13 17 that I have up until now been calling an incipient you 18 would regard as an island; is that the correct term? 19 A. An island, sometimes in incipients pores appear or they 20 don't appear. 21 Q. But so far as an island is concerned ...? 22 A. It's basically two ridge endings but of varying length. 23 If there's only one pore usually it's referred to as a 24 dot. It's very, very small. 25 Q. What would your description then be of the feature page 30 1 12/13? 2 A. I would say it's an island. 3 Q. And, accordingly, two points? 4 A. Yes. 5 MR MOYNIHAN: If we save that picture then, please. 6 MISS BAHRAMI: That's saved as FI2910.08. 7 MR MOYNIHAN: What I want to do is to look at Mr Wertheim's 8 notes in relation to 10, 11, 12 and 13. Insofar as 9 Mr Wertheim's notes are concerned, if I bring them up in 10 their original form FI0118.24. This just happens to be 11 page 1. We will see again the notation 03.24.99. So 12 these are notes that he wrote or began to write on 24th 13 March 1999. 14 If I then proceed through to page 31, we will see at 15 the top that on 27th March at 4.15 in the afternoon he 16 is turning to consider the charted enlargement of the 17 state's 189, so that is production 189 and that, 18 therefore, leads me on to the next page of his notes, 19 page 32, where I'd previously written on another version 20 of this but it doesn't matter some of the conversion 21 points, some of the numbers changed. 22 What interests me is what he wrote in relation to 13 23 and 12. The numbers are unchanged. 11 and 9 we should 24 now read 11 and 10 to make it coincide with our 25 numbering here. So he is talking about what you have page 31 1 described as the island, 12 and 13, and the lake, 10 and 2 11. 3 So far as 12 and 13 is concerned, he says: 4 "It's a smudged area not noted above." 5 Then in relation to, presumably, yes, on the 6 latent -- sorry, I am seeing now immediately above on 7 the latent he sees, "a smudged area not noted above". 8 In the inked chart he sees an incipient short ridge. He 9 evaluates it, it is saying, "not dependable but within 10 tolerance". So it's perhaps a contradiction in terms 11 there about whether it is dependable or not? 12 A. Yes. 13 Q. But then so far as 10 and 11 is concerned, he sees in 14 the latent, "a smooth ridge not noted above", and in the 15 inked he sees an enclosure and it's out of tolerance. 16 So if I understand it correctly in 10 and 11 he is 17 simply seeing what he calls a smooth ridge, that is a 18 continuous ridge, compared to the enclosure in the inked 19 print and, as I say, there's this ambiguity about 12 and 20 13 as to whether it's smudged and, therefore, not 21 dependable or whether he has observed something that he 22 regards as being within tolerance. 23 Do you see that? 24 A. Yes. 25 Q. So we then see, in effect, Mr Wertheim's interpretation. page 32 1 If I can take you to what he himself then was looking 2 at -- just allow me a second. If you go to FI2309.08, 3 you see I have brought up now FI2309.08, which would be 4 Mr Wertheim's interpretation of the area that would 5 coincide with the lake and the island, 12 and 13. You 6 will see that what he has drawn is a field of continuous 7 ridges above number 9. 8 A. Yes. 9 Q. Do you have any comment on that? 10 A. Well, again, if I could be allowed to show my 11 interpretation of it, I don't agree with it. 12 Q. We will come to that just in a second and give you a 13 chance because what we will need is a clear image to 14 enable you to do that. 15 Again, in the formulation that I am running with, do 16 you yourself see that as even a possible interpretation 17 of Y7? 18 A. He mentioned about the island. Has he marked that in 19 any way on his drawing? He's just got continuous ridges 20 but he's saying it's within tolerance, was it? 21 Q. If I understand it correctly, within the yellow circle 22 he has drawn two short red lines? 23 A. Yes. 24 Q. What he is saying is, if I recollect it correctly, the 25 lower of those red lines, which would be in greater page 33 1 proximity to where the feature 12 and 13 would be if 2 they were an identity, he is saying, first of all, he 3 regards it as closer to the next ridge up rather than 4 being in contact with the ridge that is the top part of 5 the lake 10. That's the first point. 6 Secondly, he is saying if we are choosing to regard 7 that red line as an incipient, it was called an 8 incipient that time, then there are a number of other 9 characteristics in the area that would describe a 10 similar or would attach a similar description and he 11 drew in the remaining red short lines and is saying, in 12 effect, if I understand it correctly, well, if the lower 13 one, 12/13, is an incipient, there's a pattern of others 14 spread across inconsistent with Ms McKie. 15 A. Okay. 16 Q. Do you see that? 17 A. Yes. 18 Q. So that is the combination of this, dealing with 10, 11, 19 12 and 13. That is his view. 20 A. Okay. 21 Q. If I take you on, I will have a look at Mr Grigg very 22 briefly. So far as Mr Grigg is concerned -- if you 23 allow me just a moment -- if I could bring up again, 24 please, so far as Mr Grigg is concerned on this occasion 25 if I bring up FI2909.14. On the right-hand side, if I page 34 1 remember correctly, his initial view was and you may 2 remember this was his initial analysis because it has 3 the circles that we discussed yesterday -- 4 A. Yes. 5 Q. -- and it has number 9 drawn as the recurving red 6 ridges? 7 A. Yes. 8 Q. We have been through that. 9 A. Yes. 10 Q. He had indicated that between the red arrow on the left 11 and the Rosetta, he had simply seen a field of unbroken 12 ridges and, indeed, so far as what he has then drawn in 13 yellow, is he found evidence of disturbance in this area 14 making him somewhat suspicious. It was that left-most 15 yellow line that was making him think it was a possible 16 view as to how an appearance of a bifurcation could 17 appear at point number 9. So he was uncomfortable, it 18 would appear, with this particular area. So not 19 suggesting at that point anything quite clear but he did 20 himself later go on that he saw no lake because he saw 21 clear ridges in the area of 10 and 11, was his evidence. 22 A. Yes. 23 Q. Then if I take you to Mr Zeelenberg and if I bring it 24 up, maybe in just in PowerPoint just now, slide 59 -- so 25 it is AZ0061 of the PowerPoint, slide 59. If I proceed page 35 1 through slide 59, first of all, he has started as you 2 will see on the left-hand side by marking in yellow dots 3 what he regards as the outer edge of the mark. 4 He has inserted now as red dots as his point of 5 reference the point of the bifurcation number 9, yes? 6 Do you see that in the lower images I am looking at? 7 A. Yes, yes. 8 Q. So as his reference point, the lower dots, the red dots 9 are point number 9? 10 A. I would say that in the right-hand image the dots should 11 be further back, more to the right. 12 Q. But it's only by a fraction -- 13 A. Yes, just a fraction, yes. 14 Q. Since it is simply a point of reference that alteration 15 doesn't matter so much. 16 A. Okay. 17 Q. He has now drawn in a red dot above as the point of the 18 bifurcation 10 and 11. 19 Do you have any comment on where he's drawn the dot? 20 A. No, that's -- yes, that's possibly where I would have 21 put it as well, yes. 22 Q. That's on the right on the -- 23 A. Slightly to the left of where he's -- slightly to the 24 left of where he's marked it. 25 Q. On the left-hand image? page 36 1 A. On the left-hand image, yes. 2 Q. Slightly to the left may in fact not make any difference 3 here but we will just exaggerate the problem he is about 4 to describe because as we go further to the left the 5 question of crossing his yellow lines as the outer limit 6 of the mark becomes greater because what we will see is 7 he draws a line on the right-hand image between the 8 points 10 and 11. He transposes that to the left-hand 9 image and is seeing that the point would, in fact, be 10 beyond what he regards as the edge. 11 I think the small red dot, you may want to just 12 check the small red dot that he has added in now which 13 is above the red line is what he, I think, is suggesting 14 is where the SCRO charting puts point 10. 15 Do you want to check that? 16 A. I don't think that's correct, no. Just above that would 17 be point 17, I think, just above where he's indicated. 18 Q. As you will see point number 17 is, indeed, just above. 19 What he is trying to do is to replicate the SCRO because 20 the upper image is the SCRO charting, upper left is the 21 SCRO charting. He has replicated point 10 is what the 22 two lines joining the top and bottom parts of the screen 23 indicate; he has replicated point 10? 24 A. No, it should be lower than that. 25 Q. Lower? page 37 1 A. Yes. 2 Q. Because we will then go on and see what he is indicating 3 is he is indicating -- I should go back. 4 A. That definitely should be lower. He's not replicated 5 where our characteristic is. 6 Q. I think the point he was making is he regards point 7 number 10 as outwith the contour of the mark. 8 Do you see that? 9 A. Yes. 10 Q. Plainly you would disagree with that? 11 A. That's correct, yes. 12 Q. Where do you draw the contour of the mark? This is a 13 PowerPoint so we maybe just have to play with this and 14 come back and ask you that. 15 If I proceed through this, slide 60 is another 16 approach at the same thing. He is now dealing with 17 points 11, 12 and 13. You will see what he has now 18 drawn in over Y7 is something that replicates -- first 19 of all, he has a red dot, again for orientation, as the 20 bifurcation number 9. 21 A. Yes. 22 Q. And we needn't worry whether it's precisely located 23 correctly or not, it simply gives us a point of 24 reference. 25 He suggests as the interpretation of what is page 38 1 occurring above point 9 what Mr Wertheim and Mr Grigg 2 say, perhaps if I use this term, is a field of unbroken 3 ridges? 4 A. Yes. 5 Q. Ultimately ending up, as you will see, he says point 11, 6 that's the right-hand side of the lake, is not 7 present in the mark. Point 12 and 13, he says, require 8 high quality in the mark and are not seen. The points 9 are teased out. Absence of point 11 in the mark is a 10 discrepancy and it's his discrepancy number 17. 11 By a discrepancy what he is saying is not only is 12 there an absence of any evidence of point 11, he is 13 suggesting that the correct interpretation is a field of 14 unbroken ridges and, therefore, the absence of the lake 15 is a point of difference as between Y7 and Ms McKie? 16 A. Yes. 17 Q. I think that gives you an overall feel for what he is 18 saying and, indeed, ties in with Mr Wertheim and 19 Mr Grigg. 20 What I want to do is, in the light of that, to give 21 you a chance to demonstrate your own interpretation and 22 it is then a question of which image we use for this 23 purpose. 24 First of all, we need to come out of PowerPoint and 25 I think what I would myself start with is if I take down page 39 1 on the right Mr Grigg's drawing and restore again a 2 second version of FI0167A -- it's one image. Sorry 3 about that. If we start again, then with two images of 4 FI0167A. 5 Mr MacPherson, as I explained to you yesterday 6 afternoon I think as his Lordship explained also, why I 7 start here is simply to get an impression, a feel, for 8 how you would have seen it at the time and I am not so 9 absurd as to ask you to remember 12 years ago. It just 10 gives us an ability to look at the images you looked at 11 12 years ago so you can give us an interpretation by 12 reference to that. As his Lordship says, if there are 13 judgment calls being made it can be cross-checked, if 14 you wish, against other material, then we can go to the 15 other material, if you wish. 16 A. Okay. 17 Q. Can you, on the images we have here -- are they 18 sufficient for your purpose to indicate how you 19 interpret 10, 11, 12 and 13? 20 A. I would hope so. (Pause) 21 Just basically start with the reference point of the 22 hump backed bridge. We go one intervening ridge to the 23 island, which is -- that's maybe not quite exact but 24 that's the island. Just below the island the ridge 25 comes along and bifurcates to the left. page 40 1 It should be slightly further to the right but what 2 I'm trying to illustrate is this ridge comes along and 3 bifurcates there and there (indicated) and just above it 4 in the green is the small island. 5 Q. Even as it's drawn here just now, what I was 6 considering, among other things we were looking at 7 Mr Wertheim's charting, was that what he had been 8 drawing was that on Ms McKie's print the incipient, as 9 we called it with him, or island -- it matters not to 10 me -- had been in contact with the upper ridge that 11 forms the top of the lake 10 and 11, or certainly in 12 close proximity to it and some distance removed then 13 from the ridge immediately above; whereas as drawn by 14 you on the left and indeed as drawn by Mr Wertheim, the 15 appearance, to use that neutral term, was being 16 construed as that incipient or island is not in contact 17 with the bifurcation beneath point 11 and is in fact in 18 closer proximity to the ridge immediately above? 19 A. Yes. 20 Q. First of all, is that at least a view of how this 21 picture is presented that you would agree with? 22 A. Yes. 23 Q. Can you explain why it is then that the island is no 24 longer in contact with the lake and appears to be in 25 closer proximity to the ridge above? page 41 1 A. I would say it's down to pressure, yes. 2 Q. Okay. So that is a drawing then of 12 and 13 -- 3 A. Yes. 4 Q. -- and point 11? 5 A. Yes. 6 Q. Could you then take us across, please, and show us the 7 ridge path that forms the left side of the lake? 8 A. Is it possible to start again? 9 Q. By all means. We will save this image and then you can 10 start again. 11 MISS BAHRAMI: That's saved as FI2910.09. 12 MR MOYNIHAN: If you could bring up on the left-hand side a 13 copy of FI0167A, please. Again, I will leave to you, 14 Mr MacPherson, to highlight the section as you please 15 now. 16 A. (Pause) The bottom half of the ridge comes along like 17 so (indicated) and the top like so (indicated) and just 18 above it are points 12 and 13 we've referred. 19 Q. Are you happy with that? 20 A. Yes. 21 Q. If we could save that and complete the final part of 22 this. Just before we adjourn, what I will do is pick up 23 number 17 which is actually on the screen before us just 24 now and then after the break we will complete the circle 25 by looking at 14. page 42 1 MISS BAHRAMI: That's saved as FI2910.10. 2 MR MOYNIHAN: Thank you. Just as we have it on the screen 3 on the left-hand side, if we can go to whatever scale 4 you, please, just while we are in this same area plainly 5 number 17 is a feature that is in the same locality. 6 A. Yes. 7 Q. On Ms McKie, would the correct description be a 8 bifurcation? 9 A. Yes, a bifurcation, yes. 10 Q. If I understand correctly it's the left-most red dot -- 11 A. Yes. 12 Q. -- coming from the left-hand top edge in. 13 A. That's correct. 14 Q. Can you just while we are there draw us that particular 15 feature, please. 16 A. The bottom left of the bifurcation comes along like so 17 (indicated) and the top edge of the bifurcation comes 18 from the other direction. It basically comes down like 19 so (indicated) and joins there (indicated) and you would 20 have a further ridge above it just coming down like so. 21 Q. Are you reasonably comfortable with that? 22 A. Yes. 23 Q. We will save that. 24 MISS BAHRAMI: That's saved as FI2910.11. 25 MR MOYNIHAN: If I tell you the one witness I have here at page 43 1 least in my notes dealing with point number 17 is 2 Mr Wertheim. There is evidence that the McKie trial -- 3 look back at his notes if you wish -- was that he simply 4 saw no reliable evidence of the presence of a 5 characteristic in Y7 in that position. 6 A. Okay. 7 Q. In other words he is simply saying, in fact, what he 8 said to the Inquiry "if you can't see it, you can't make 9 use of it". So he was suggesting that point number 10 7(sic) just couldn't be seen and, in fact, he went on to 11 describe it as an exercise of, in effect, reverse 12 reasoning; in other words, it can be seen on Ms McKie, 13 her print, and therefore if you have memorised 14 Ms McKie's print, as we would by this stage, and we look 15 over, you might see some dot or some suggestion that you 16 would then interpret consistently with what's seen in 17 Ms McKie but there is in fact no reliable evidence to 18 begin with on Y7 for this. 19 What is your comment on that -- 20 A. Well, I would disagree with that. I think I've just 21 demonstrated that there is there. 22 MR MOYNIHAN: This might be an appropriate point to adjourn. 23 There is only one more point on Y7 to be covered. 24 THE CHAIRMAN: We will sit again at 11.55. 25 (11.35 am) page 44 1 (A short break) 2 (11.55 am) 3 MR MOYNIHAN: Mr MacPherson, point number 14 in Y7, again, 4 if I bring up two images, please, of FI0167A and, again, 5 if I just highlight it so that we know what we are 6 looking at, point number 14 is highlighted and is, in 7 effect, intermediate between points 13 -- to the right 8 of point 13 before one arrives at 15 and 16 we have 9 already discussed. 10 Now your own interpretation of point number 14 is 11 that it is what sort of feature? 12 A. A ridge ending. 13 Q. A ridge ending? 14 A. Yes. 15 Q. If I can highlight part of it ... I may not have taken 16 it into sufficient detail. Now I can see it clearly, 17 maybe I can to it better. 18 I have in the bottom centre now, do I, point number 19 9 just as a point so we can orientate ourselves as 20 normal? 21 A. Yes. 22 Q. You see point number 14 as a ridge ending? 23 A. Yes. 24 Q. The position of the three witnesses I have been 25 referring to and asking you to comment on is page 45 1 Mr Wertheim, Mr Grigg and Mr Zeelenberg. All three say 2 that their interpretation of the feature in Y7 is that 3 they say it is part of a continuous ridge. 4 So far as drawings of that are concerned, if I bring 5 up perhaps on the right-hand side bring up Mr Wertheim 6 to begin with, FI2309.09. 7 What he has drawn, as you will see on the left-hand 8 side of his image, is his tracing of continuous ridges 9 running through or a continuous ridge running through 10 point 14 with continuous ridges either side. If I would 11 understand it correctly, what he's also indicating by 12 the blue lines is that the spacing between the ridges 13 either side of point 14 remains relatively constant in 14 Y7, but in Ms McKie there is a difference in spacing 15 left to right, that difference in spacing being to 16 accommodate the additional ridge that is point 14. He 17 is suggesting a field of continuous ridges confirmed by 18 the same order of magnitude of difference between the 19 ridges. 20 If I bring up then Mr Zeelenberg and we will try it 21 on Trial Director first -- AZ0061, slide 45. Again, 22 what he has done is that he has drawn, as you will 23 see -- and we can enlarge it if you wish -- he has also 24 drawn a field of continuous ridges and confirmed that by 25 reference to the number of ridges and indeed the page 46 1 magnitude of the ridges. In relation to Ms McKie he 2 sees four ridges on the left, five on the right. 3 However, in the corresponding area in Y7 he sees five 4 ridges left and right and the fact the number of ridges 5 is the same is consistent with no ridge coming in and 6 ending at the point 14. 7 So those are the two drawings I have. Mr Grigg I 8 don't have a drawing for of ridges but his opinion was 9 the same, a field of continuous ridges. 10 Bearing that in mind, would you like to that 11 demonstrate your own preferred interpretation and it may 12 be you want just to simply take down -- maybe it is 13 simply better to take down Mr Zeelenberg and give you 14 the benefit of the SCRO chart alone so it gives you it 15 in better detail. (Pause) 16 A. If I draw in, first of all, the ridge ending itself ... 17 (Pause) 18 From point 13 up to 14 are one, two, three 19 intervening ridges. The ridge above comes along and 20 down and the ridge below comes along and down like so 21 (indicated). You would have between point 14, which is 22 the ridge ending, you would then have one, two 23 intervening ridges to point 15, the ridge ending up on 24 the ascending ridge and point 16 the descending ridge. 25 Q. So drawn do we also see the difference in the gap and page 47 1 the divergence in the light blue ridges either side of 2 the red ridge that we understand to be necessary to 3 accommodate the additional ridge in the flow? 4 A. Yes. 5 Q. So far as point number 14 is concerned, are you content 6 with that as a representation of your -- 7 A. Yes. 8 MR MOYNIHAN: If we could save that image, thank you. 9 MISS BAHRAMI: That's saved as FI2910.12. 10 MR MOYNIHAN: That is me, in fact, having gone round the 11 clock so to speak in relation to Y7. 12 A. Yes. 13 Q. I am conscious what I have done is concentrate on the 14 specific charted points, albeit I did look to some 15 extent at your charting of Tuesday. 16 A. Yes. 17 Q. Before I leave Y7, are there any points that I have not 18 asked you about that you would wish to actually comment 19 on? Please, if that is an awful question you would like 20 to park until lunchtime and think about it then please 21 feel free to do so. 22 A. Possibly, yes. 23 Q. Park it and -- 24 A. I don't believe so. I'm quite happy for my chartings to 25 speak for themselves. page 48 1 Q. Fair enough. In that case what I will do -- please, if 2 anything occurs to you over lunch then just feel free to 3 indicate. 4 With that in mind then what I was going to do was to 5 turn to QI2. 6 THE CHAIRMAN: Do you want to save this? 7 MR MOYNIHAN: Sorry, save this one. 8 THE CHAIRMAN: Just before we leave it I wonder if I could 9 ask you on Ms McKie's print 14 -- that is on the plain 10 print. 11 A. Yes. 12 THE CHAIRMAN: -- I am having some difficulty in finding any 13 gap between what you say is point 14 and the ridge 14 immediately below it. That is on the plain print. 15 Do you see an actual gap where the ridge ending is 16 between that ridge which ends and the ridge below it on 17 the plain print? 18 A. I see what you mean. The tail of the ridge looks as if 19 it's bending in towards the lower half but I would say 20 that the actual ridge comes up and stops where I've 21 marked it. 22 THE CHAIRMAN: You think it stops before it reaches the 23 ridge below it, if that's right. 24 A. Yes. 25 THE CHAIRMAN: Yes, just on maybe on the copy I have you do page 49 1 see a white dot which could be a pore or -- 2 A. The ridges do descend in that. 3 THE CHAIRMAN: Yes. I see it curving round but I just don't 4 see at the moment the gap between the two but I take 5 your eye would be better than mine at judging that. But 6 you do see an actual space? 7 A. Yes. 8 THE CHAIRMAN: Thank you. 9 MR MOYNIHAN: So if we turn then to QI2, in relation to QI2 10 the SCRO chartings are FI0166A. Just bring it up twice. 11 As far as I know, there's only one feature on this 12 that I might be tempted to actually apply a name to but 13 handshake, bananas or whatever else are left behind, let 14 alone snails and caterpillars. The one and only one yet 15 that has yet been given a descriptive title is the 16 chilli pepper which is right in the core but we will 17 start with the numbers. 18 Before I start, can we just begin with the very 19 simple approach, again, of what it was about QI2 that 20 caught your eye. 21 Before I even start that question, can you give me 22 what your initial impression was or reaction to the 23 quality of QI2? 24 A. It was a whorl, a whorl pattern but I think, as I said 25 in the exercise, on the periphery of this pattern there page 50 1 are quite a number of other impressions or marks. On 2 the right-hand side is Mr David Asbury's left thumb, 3 albeit, as I said earlier this morning, it didn't reach 4 the required standard for court. 5 Where I'm indicating is (indicated) as far as I can 6 remember -- I don't want to be held to this but as far 7 as I remember, that's the left thumb but it should 8 be ... you would have to rotate it. 9 THE CHAIRMAN: Yes. So the red arrow is roughly the area? 10 A. Roughly, but you would have to rotate the impression QI2 11 for it to be in alignment with the left thumbprint. 12 MR MOYNIHAN: What I had in mind, Mr MacPherson, is I 13 suppose a more elementary question ... oh sorry, you are 14 drawing. I interrupted you. 15 A. The impression indicated there (indicated) is the right 16 middle of Mr David Asbury and obviously at the top 17 left -- on the periphery of the mark, if that's what 18 you're asking, on the periphery of the mark there are 19 other marks superimposing themselves on the actual 20 central mark, the whorl pattern I was talking about. 21 If you're asking me specifically what caught my 22 eye -- 23 Q. Just before I do, I will actually come to ask you what 24 caught your eye, what I was wondering perhaps was a more 25 general initial question: what view you formed about the page 51 1 quality of the mark QI2. As you have said, you have 2 just explained why it would be regarded in some of the 3 paperwork as a cluster of marks? 4 A. Yes. 5 Q. You have just explained why with the red and the mustard 6 arrows. But your overall view about the quality of QI2 7 as a mark with which to work? 8 A. It wasn't a great quality mark but it was certainly 9 comparable. 10 Q. I've come to appreciate that what we distributed as the 11 comparative exercise material gives a narrow view of 12 this. In addition, what we can see coming through the 13 mark QI2, the central portion, some others have 14 suggested is a swipe or smear coming through the 15 left-hand side of the core. 16 Do you accept that? 17 A. Yes, it looks like slippage of the mark itself. That 18 would be my interpretation of it. 19 Q. Slippage of the mark itself? 20 A. Of the mark itself on placement, yes. 21 Q. What about out to the left, again roughly between the 22 areas of 14 and 16, the lines of 14 and 16? Do you see 23 any other indication of movement or smudging or 24 something of that sort? 25 A. There may be smudging, something along -- I have put in page 52 1 an arrow, if I can just take that as a sort of line 2 rather than the tip of the arrow ... 3 Q. No, it's okay just leave it as it is. It is fine. We 4 can understand it. So roughly in the position where the 5 mustard arrow is is an area of smudging? 6 A. Possibly smudging, yes. 7 Q. So these are all, in effect, the presence of other 8 marks, movement in the vicinity of QI2, Marion Ross, 9 itself, and smudging in other parts create some areas of 10 challenge, perhaps, is the phrase? 11 A. Yes. 12 Q. But you are satisfied that it was a mark that was of 13 comparable quality? 14 A. Yes. 15 Q. That assists me then to -- I will be moving on to what 16 caught your eye but before I do, just for the record, as 17 far as what we are looking at on screen, like Y7 itself, 18 just for the record, you and certainly it was Ms 19 McBride, if I remember correctly, not your other two 20 colleagues, were asked to assist us in selecting images 21 that could be used for a comparative exercise in 22 relation to QI2? 23 A. Yes. 24 Q. The images which we have, actually more the photographic 25 images which were used, were images that you and page 53 1 Ms McBride, primarily, of the SCRO witnesses selected as 2 images that were of sufficient quality that you would be 3 happy to seek to reproduce your chartings? 4 A. Yes. 5 Q. Again, as before, you were not asked to undertake an 6 entirely independent analysis of the mark QI2, you were 7 asked to undertake this artificial exercise to recreate 8 on images that were provided to you the chartings which 9 had been the basis for the court productions in the 10 original Asbury trial? 11 A. That's correct, yes. 12 Q. You were accordingly satisfied that, first of all, the 13 images that you were given, because we had gone back to 14 the original material available to SCRO in February 1997 15 that provided a basis for this exercise. 16 A. Yes. 17 Q. And that, as best you can, you have reproduced in the 18 images that we have the 16 points that were in the 19 original court production in Asbury? 20 A. Yes. 21 Q. As with Y7, Mr MacPherson, my own questions will be 22 primarily by reference to the comparative exercise, for 23 reasons of continuity, as I said earlier, to see the 24 reasoning that there was underlying the initial opinion. 25 As his Lordship had said yesterday afternoon, if it page 54 1 would benefit you from looking at other images, either 2 of QI2 or Marion Ross, please, indicate because if other 3 images assist with greater clarity or whatever in 4 resolving a particular point, then please feel free to 5 say. 6 A. Okay. 7 Q. Before I proceed then through the particular points, if 8 I then give you a chance to indicate to us what on QI2 9 it was that attracted your attention or caught your eye. 10 A. I can't really remember, I have to say. 11 Q. Again, I appreciate, as I said to you on a number of 12 occasions, it's a particularly difficult question 13 12 years ago now. 14 Perhaps, with the benefit of what you have been 15 doing most recently, can you indicate to us if there are 16 features that, for example, today catch the eye or may 17 have been the features that caught the eye back then. 18 A. Yes. Okay. (Pause) 19 I am going to mark as this ridge descends, a strong 20 bifurcation there (indicated). 21 Q. Sorry, just before you -- sorry, if you allow me just a 22 second. Before we lose the numbers, could you just 23 press return on the ... you will see in a second what I 24 am doing. 25 What you have done is drawn a ridge. I have just page 55 1 brought the numbers back up. The area you were 2 referring to as having caught the eye is the bifurcation 3 that is point number 12? 4 A. Point number 12, yes. 5 Q. I am sorry, I can then let you take control. 6 A. As it descends down it comes to a ridge ending at point 7 number 11. (Pause) 8 Also just to the right-hand side of the bifurcation 9 there's a split in the ridge. So that's possibly what 10 caught my eye 12 years ago but I couldn't say for 11 definite. But certainly, as you say, it was one of the 12 stronger characteristics. Now, you may ask why didn't I 13 to the right of the bifurcation down use those 14 characteristics in my charting but, as you say, it was 15 just to replicate, basically, what we had used back in 16 1997. 17 Q. The first point that I would like just to ask you about 18 insofar as what you have drawn just now is the features 19 12 and 11, I'll put them in ordinary numerical order, 11 20 and 12, number 12 you have drawn as a bifurcation? 21 A. Yes. 22 Q. Number 11 you have drawn as a ridge ending? 23 A. Yes. 24 Q. So far as QI2 itself is concerned, one can see the 25 absence of any connection, in effect, that would run as page 56 1 the anatomical equivalent of the red line to the right. 2 A. Yes. 3 Q. So nothing to close off that side? 4 A. Yes. 5 Q. Whereas in QI2 there is, indeed, a feature running that 6 on one view runs between the two blue lines and on one 7 view might be connected up to form the right-hand side 8 of a lake. 9 Do you see that? 10 A. Yes. 11 Q. What is your preferred interpretation there? 12 A. It's still -- my preferred interpretation would be a 13 ridge ending. It may be that that's just a slight 14 incipient ridge between the bottom ridge and the actual 15 ridge ending itself but I think it's quite strong, as 16 you can see. 17 Q. So you would say on QI2, do you, there's an absence of 18 ridge characteristic to bridge the gap between the two 19 lower ridges? 20 A. Yes. 21 Q. If you allow me just a second, please. (Pause) 22 Beyond these particular features -- and, again, 23 please, it may just assist if I not be so artificial as 24 to say what caught your eye 12 years ago, perhaps just 25 look at it today. page 57 1 Are there any other features that you would say, if 2 you had been looking at this, starting an initial 3 analysis of an ACE-V type, would be characteristics you 4 would expect would catch the eye and form the basis of 5 analysis? 6 A. I think what I've indicated, 11 and 12. I don't know if 7 it would be worth drawing your attention to it but as 8 you see in the right hand leg, just above the ridge 9 ending, if you follow it up there's a small break, 10 somewhere on the -- if you follow up on Miss Ross's 11 right forefinger, there's a small break. 12 There's then what could be termed a small sort of 13 island almost, which is there (indicated), and then 14 there's another small gap and the ridge follows up and 15 it comes into the bifurcation again, again a small gap, 16 you follow the ridge ending up and it comes to the 17 bifurcation. So I admit, yes, it looks as if it's 18 joined there but for me the explanation for that is that 19 it's a tailing off of the ridge, it's a small possibly 20 incipient ridge which just hasn't shown. 21 MR MOYNIHAN: If I then save that image, please. 22 MISS BAHRAMI: That's saved as FI2910.13. 23 MR MOYNIHAN: What I want to do is come back to looking at 24 the overview, FI0166A twice. I am going to just pull it 25 up again twice over so that we can see. page 58 1 Mr Zeelenberg gave an overview of QI2. He did so 2 not only in his evidence but it's present in two slides 3 but I won't bring the two slides. The two slides in his 4 presentation are 153 and 168, just for the record. 5 What he said of his overall assessment of the mark 6 QI2 was there was an absence of quality in the mark, 7 absence of quality characteristics. The detail around 8 the core might permit an exclusion of particular 9 individuals but, as I understood him, the quality was 10 not sufficiently clear to admit of an identification of 11 any individual. 12 Finally, he said this: the absence of quality and 13 the distortions that are present in the mark are such 14 that it opens avenues to what he called "guided 15 interpretation", by which I would understand him to mean 16 that the absence of clarity in the mark is such that one 17 could interpret appearances as one wishes, either to 18 confirm or refute an identification. 19 What is your comment on that as an overall 20 assessment of QI2? 21 A. Well, all I can say is I found 16 ridge characteristics 22 in sequence and agreement and I'm happy with the 23 identification. 24 Is he basically saying that the mark is insufficient 25 for comparison? page 59 1 Q. If I would understand it, he takes an intermediate 2 position and I think there's something we have learned 3 from a number of witnesses. It would be insufficient 4 for the purposes of confirming an identity of someone as 5 the donor. However, there would be enough detail to 6 exclude someone so that, for example -- and he didn't 7 give specific examples -- but let's take the feature 11 8 and 12 that you have highlighted yourself in proximity 9 to the core. 10 A. Yes. 11 Q. If a Fingerprint Examiner were to look, for example, at 12 my fingerprint, with any luck he wouldn't find that 13 feature on my fingerprint, he could exclude me as the 14 donor. But if, for example, he did find that feature in 15 my fingerprint he would not be able to exclude me but he 16 would not be able to find enough detail here to 17 ultimately confirm that it is, indeed, my fingerprint? 18 A. Okay. 19 Q. That is if I understand it correctly what he was saying. 20 Do you have any overall -- I appreciate, in a sense, 21 it's an awkward question to ask you because you have 22 found 16 points? 23 A. Exactly, yes. 24 Q. But do you have any other sort of reasoning that you 25 would say that Mr Zeelenberg is just wrong in relation page 60 1 to that assessment of QI2? 2 A. There are occasions when you have what is called a 3 fragmentary and insufficient mark but you can see from 4 the pattern type that it is a whorl and you may be 5 comparing it against someone who has arch patterns. So 6 you would be able to exclude and you wouldn't be able to 7 identify because you wouldn't have enough 8 characteristics in it. 9 The problem when you don't have enough 10 characteristics is that, if you have seen an occasion, 11 where you may have what has started off as a loop 12 pattern and it's been twisted in such a way that it 13 gives the appearance of being a whorl but because you 14 don't have enough characteristics, you can't actually 15 exclude. There's a great danger in not having enough 16 characteristics in a mark to either identify or exclude. 17 Q. The reason why I began with Mr Zeelenberg's overview of 18 this is exactly -- I am now going to go through QI2 19 looking at the points in their order starting with a 20 slightly different -- I will start at number 1 but bring 21 in numbers 16 and 10 for the obvious reason that they 22 are all in very close proximity to each other. 23 In effect, again what the thesis will be of the 24 questioning is to enable you to demonstrate to the 25 Chairman what you observe in QI2, in particular what you page 61 1 observe in QI2. 2 A. Yes. 3 Q. I will bring in from time to time Mr Zeelenberg, 4 Mr Wertheim and Mr Grigg but, again, it would be from 5 the perspective of asking you to consider whether the 6 ridge detail is either sufficiently clear to be certain 7 of your interpretation or perhaps ambiguous and 8 therefore to be, to some extent, uncertain and we will 9 look at Mr Zeelenberg, Mr Grigg and Mr Wertheim as the 10 alternatives. There will come points where what has 11 been put to you for comment is features they say are 12 unambiguous and adverse to an identification. So we 13 will be looking at it from various different 14 perspectives but the common theme of this will be to 15 give you the opportunity to indicate the basis for, 16 first of all, your observation of a particular feature 17 and then, thereafter, the interpretation relative to 18 what they are saying. 19 Do you understand? 20 A. Okay. 21 Q. What I was going to do was to begin with the features 22 which are in the core and beginning at number 1 in your 23 charting but for obvious reasons, because they are 24 relatively closely together, I am going to begin by 25 talking about 1, 16 and 10, those three characteristics, page 62 1 to some extent all characteristics on one ridge, albeit 2 one of them is shown as coming slightly off. 3 What, so far as number 1 is concerned, what would 4 your description of the number 1 as a characteristic be? 5 A. A bifurcation down. 6 Q. Number 16? 7 A. 16 would be a ridge ending. 8 Q. We have heard in other contexts a description given that 9 16 could be regarded as a spur. 10 Is that possible? 11 A. Yes, aye, yes. 12 Q. So 1 would, therefore, be the bifurcation, 16 would be a 13 very short ridge forming that bifurcation off to the 14 right coming to a very abrupt ridge ending and the 15 combination would describe it as a spur? 16 A. Yes. 17 Q. Number 10: do I take it you are construing number 10 as 18 the ridge ending? 19 A. A ridge ending, yes. 20 Q. So, in effect, the bifurcation number 1 splits into two 21 ridges? 22 A. Yes. 23 Q. The right-hand ridge ends abruptly at point 16? 24 A. Yes. 25 Q. The left ridge runs a little bit further down and ends page 63 1 at number 10? 2 A. Correct. 3 Q. So far as the corresponding feature on QI2, can you talk 4 me through, please, how it is that you construe 1, 16 5 and 10? 6 A. Okay, you would have the descending ridge like so and a 7 small, as you indicated, a spur, like so (indicated). 8 Q. So what you have drawn is a green shape on QI2. 9 A. Yes. 10 Q. As the ridge structure of 1, 10 and 16? 11 A. Yes. 12 MR MOYNIHAN: Can we save that, please? 13 MISS BAHRAMI: That's saved as FI2910.14. 14 MR MOYNIHAN: There are two points I would like to ask you 15 about in this particular area. 16 What you have drawn is a green upside down Y with 17 the right leg shorter than the left. 18 A. Yes. 19 Q. What I am going to ask you about is an area that I will 20 fill in in red, an area where, to my eye, there is a 21 black line coming down in the underlying QI2. 22 Do you see what I've just drawn in in red? 23 A. Yes. 24 Q. What is your comment on that? Is there a ridge 25 structure underlying that red line? page 64 1 A. There is a gap. Can I indicate it on the -- 2 MR MOYNIHAN: If you would allow me just a second. 3 First of all, if I could safe that image. 4 MISS BAHRAMI: That's save as FI2910.15. 5 MR MOYNIHAN: Just before you do, Mr MacPherson, what I will 6 do is take us back to the pair of images before I 7 inserted the red line. So I will take us back to 8 FI2910.14. 9 What we have now done is return to your own marking. 10 What I have done is simply followed what I, myself, had 11 seen as an underlying black mark. What I have done is 12 followed that underlying black mark from the red spot of 13 point number 16, which is the line coming in from the 14 left down to the point number 10 which is at the bottom 15 of the longer of your two green lines. 16 First of all, are you understanding that there is a 17 gap between the dot at 16 and the dot at 10, the gap in 18 the right-hand side? 19 A. Yes. Just there (indicated). 20 Q. What about beneath that red arrow? How far does the gap 21 extend? 22 A. It's just slightly above that. It's like a small tail, 23 if you like. If I could illustrate it on the right-hand 24 image ... (indicated) 25 There's a small tail on the way up. You follow that page 65 1 up and on the way down there's what has been indicated 2 as a spur. 3 Q. Perhaps, I suppose, this is simply where, as the lay 4 person, one passes over to the question to what extent 5 this is something that the lay person just would not see 6 because I was suggesting by my red line that what my eye 7 saw was that to the right-hand side no gap between the 8 bottom of the green line at point 16, no gap between 9 that and point 10 but rather a continuous black line. 10 In other words, how is it that you can construe what 11 appears to be a black line on QI2 as having a gap? 12 A. Well, that's how it appears to myself, it's a gap. 13 Q. Because if I show you the alternative interpretations, 14 the alternative interpretations by Mr Zeelenberg and 15 Mr Wertheim, I think -- we will bring them up in a 16 second -- would have that area, in fact, as a continuous 17 joined-up section. 18 Before I do, the other point I want to ask you about 19 is what Mr Wertheim colourfully described as the chilli 20 pepper. By that is meant the feature which is right in 21 the centre of the core, perhaps most readily seen on 22 Marion Ross as perhaps a feature in the nature of the 23 shape of a chilli pepper and what as I understand 24 Mr Wertheim and indeed Mr Zeelenberg were saying was in 25 Marion Ross that central feature, to be called the page 66 1 chilli pepper, extends to a point or finishes at a point 2 above point number 10. Whereas in QI2 the feature 3 extends as a black patch beneath point 10 so it runs a 4 length that is far greater in QI2 than it is in Marion 5 Ross. 6 Do you have any comment on that? 7 A. Yes. Was it Mr Wertheim referred to it as the chilli 8 pepper? 9 Q. Mr Wertheim did, yes. 10 A. Well, for me that would be (indicated) what is 11 determined as the chilli pepper, basically a ridge 12 ending down. 13 I think we did in the comparative exercise, if you 14 can just follow that -- 15 Q. Sorry, just before we move it, anywhere -- sorry, I 16 thought you were going to move from the image because we 17 would require to save it. 18 A. No, no. 19 There is an area for me which causes disturbance 20 above the core and possibly at the core itself and this 21 is one of the reasons I steered clear of this area when 22 we did our chartings originally and even in the 23 comparative exercise, obviously, we were just 24 duplicating what we did for the court productions. But 25 for me the chilli pepper that Mr Wertheim is referring page 67 1 to is not this (indicated), it is in fact what I've 2 indicated there (indicated). 3 Q. So what you have drawn is a red V-shape at the top of 4 QI2 which we understand is what you would represent as 5 an area of disturbance -- 6 A. Yes. 7 Q. -- in QI2 coming into the core? 8 A. Yes. 9 Q. The black mark which is to the left of the yellow arrow, 10 which you have put in with yellow or mustard, is what 11 you would describe as the bottom end of the recurving 12 ridge that, in fact, defines the core of QI2? 13 A. Yes. 14 Q. And is not, therefore, the representation of the chilli 15 pepper? 16 A. No, that's right. 17 Q. Does that, therefore, mean that because of that area of 18 disturbance, the red V entering, that we have lost the 19 detail in QI2 of what Mr Wertheim described as the 20 chilli pepper, that's the appendage right in the heart 21 of the core? 22 A. Yes. 23 Q. Yet despite that loss of detail you are still content 24 that in relation to the critical point at 1, 10 and 16 25 that you can observe a gap that's, in fact, in this page 68 1 particular instance, definitive because it's what helps 2 to define that characteristic in Marion Ross, 1, 10 and 3 16? 4 A. Yes. 5 MR MOYNIHAN: If we save that image just now, please. 6 MISS BAHRAMI: That's saved as FI2910.16. 7 MR MOYNIHAN: Perhaps if I start with Mr Wertheim -- this is 8 the order in which the witnesses came -- and I will 9 bring up image FI2309.15. 10 We will see that what Mr Wertheim has drawn. First 11 of all, in relation to Marion Ross, he has drawn 12 something in green. I appreciate the ridge structure 13 he's not taken down to the point beneath the chilli 14 pepper but one can perhaps see that that would in fact 15 continue on down. 16 He has otherwise so far as points 1, 10, and 16 are 17 concerned, has drawn 1, 10 and 16 on Marion Ross as you 18 would see it, a bifurcation at 1, a spur at 16 and a 19 ridge ending at 10. 20 A. Yes. 21 Q. You will see in red he has also drawn in what now very 22 definitely looks like a red chilli pepper? 23 A. Yes. 24 Q. You will see on the left-hand side his drawing, again 25 with the same recurving ridge, on this occasion he has page 69 1 it ending in QI2 at the point where it ends on Marion 2 Ross so it doesn't extend down to the bottom. 3 You will see that his drawing of the chilli pepper 4 is elongated? 5 A. Yes. 6 Q. He has within the yellow circle drawn in a green line 7 suggesting that it would be possible to, in fact, fill 8 that gap and see something of the nature of a lake or I 9 think the term came to be used an island in that area. 10 That is the alternative interpretation or one 11 alternative interpretation of QI2/Marion Ross. 12 Now, obviously, you take a different view? 13 A. That's correct, yes. 14 Q. On the proposition that I mentioned earlier on that 15 Mr Zeelenberg had advanced that such are the challenges 16 with QI2 due to lack of quality and distortion, that 17 what is to be observed is open to a variety of 18 interpretations, first of all, just a variety of 19 interpretations. 20 Do you see it is possible that another expert of 21 competence would suggest an alternative interpretation 22 such as Mr Wertheim has suggested here? 23 A. Yes. 24 Q. So far as your own personal opinion, can you indicate to 25 the Chairman what reasons you have for preferring your page 70 1 interpretation which envisages a gap when Mr Wertheim 2 has inserted the light green line and also your reasons 3 for the chilli pepper being, in effect, absent from the 4 QI2 image. What reasons would you have? 5 A. Certainly, I don't think his interpretation of the 6 chilli pepper is accurate. 7 Where I've drawn the chilli pepper can I ...? 8 Q. Yes, please. 9 A. (Indicated) That for me is what Mr Wertheim has 10 indicated as the chilli pepper to the left of point 10, 11 to the left of point 10. 12 Q. What, though, I would ask you to comment on is in Marion 13 Ross, between the bottom point of the chilli pepper and 14 the adjacent ridge that you have just coloured in or 15 outlined for us, there is a gap in Marion Ross, yes? 16 A. Yes. 17 Q. Is there such a gap to be observed in QI2? 18 A. Well, that's what I've tried to say. There's an area of 19 damage. You're going to get this with any crime scene 20 mark. It's not going to be copy book standard and you 21 can only go by what you can see and for me I couldn't 22 interpret where Mr Wertheim has marked as his small 23 chilli pepper here but I was able to interpret the spur, 24 the ridge ending down and the ridge ending next to it. 25 Q. I have asked you about the gap between the base of the page 71 1 chilli pepper and the ridge structure to its left. The 2 other feature where Mr Wertheim's lines are just now, 3 his arching or recurving green line on the left-hand 4 side, there is, at least to my eye, in Marion Ross no 5 gap between where his green line ends and where your 6 outline tracing begins. So there is a continuous ridge 7 structure in that location. Whereas on QI2 there is a 8 gap, at least to my eye, the black, heavier black, comes 9 to an end right at the point where the red line 10 intersects, there is then an area of lighter grey or 11 white before the black resumes that's suggesting -- so, 12 in other words, there is the suggestion of a gap in QI2 13 where there is none in Marion Ross. 14 Can you comment on that? 15 A. Again, it's only down to the fact that it's a chance 16 impression. It's not an area that I would have, as I've 17 already said, would've gone into. 18 Q. What perhaps it comes to is this: looking at consistency 19 on the left on QI2 -- and, forgive me, I will just use 20 it as the red shape so that we don't confuse it with 21 Mr Wertheim's chilli pepper -- to the left of the red 22 shape there is a difference in colouring, perhaps 23 suggestive of a gap, and if your interpretation of QI2 24 and Marion Ross is correct, then in that location there 25 is no gap so that we have to, in effect, draw through page 72 1 that gap and envisage a ridge feature; whereas on the 2 right-hand side of the red shape where Mr Wertheim has 3 drawn his light green line there is, underlying it, a 4 line of black coming down suggestive of a continuous 5 ridge and you in fact construe that continuous black 6 line coming down as, in fact, having a gap. 7 Do you see the point I am trying to get inelegantly, 8 that you are envisaging a gap where there is a 9 continuous line and you are construing on the other side 10 a continuous line where there is, in fact, the 11 appearance of a gap? 12 A. Again, I can only come back to the point that I wouldn't 13 go into that area to discern ... I don't know what else 14 I can say regarding that. 15 Q. So the inconsistency then may simply be this: you are 16 deriving points from one position but not from the 17 other? 18 A. Yes. 19 Q. Because of -- 20 A. Because of clarity, basically, yes. 21 MR MOYNIHAN: Sir, that would perhaps be a suitable point to 22 stop. 23 THE CHAIRMAN: We will resume again at 1.50 . 24 MISS BAHRAMI: That's saved as FI2910.17. 25 (1.00 pm) page 73 1 (Luncheon Adjournment) 2 (1.52 pm) 3 MR MOYNIHAN: If we can bring up again, please, two images 4 of QI2, that's FI0166A twice. 5 Mr MacPherson, I think we looked at Mr Wertheim so 6 far as point numbers 1, 10 and 16 are concerned. I 7 haven't noticed anything significantly different in 8 Mr Zeelenberg so I will, therefore, pass on and not 9 bring up his particular slide in relation to that. I 10 will pass on now to point number 2. 11 A. Yes. 12 Q. Point number 2, I would understand that you are 13 indicating a bifurcation? 14 A. Yes. 15 Q. There are two interesting questions to ask in relation 16 to point number 2 because there are differences of view 17 of each side. 18 First of all, to begin with, the people who 19 challenged the identification, some of them rely on the 20 fact that, as you may be aware, the ridges as they 21 descend from the bifurcation point number 2 in Marion 22 Ross, they are of different thickness; whereas it's 23 suggested in QI2 that the ridges are of equivalent 24 thickness. That difference in thickness of ridges, one, 25 QI2 compared with Marion Ross is relied on as a point of page 74 1 difference, incompatible with a match. 2 A. Yes. 3 Q. Do you wish to comment just on that? 4 A. Again, as I say, QI2 being a chance impression, if we go 5 back to points 11 and 12 you can see on the left-hand 6 side the ridges are very thick but when you go to 11 and 7 12 on Marion Ross's right forefinger they are thinner. 8 So, again, to me it's just an indication of the 9 development technique that's been used. I wouldn't see 10 that as a difference. 11 Q. The subtlety to what has been advanced by Mr Zeelenberg 12 and Mr Wertheim, for example, in relation to this was 13 the suggestion that if it were due to, for example, 14 pressure or development technique then where features 15 are in close proximity, such as the two descending legs 16 from the bifurcation number 2, then there might be an 17 expectation that the development technique or the 18 pressure would react equally on the two and not 19 differentially. 20 Is that something that you would see any force in? 21 A. Well, on the right-hand impression I hesitate to use the 22 word it was taken in ideal situations but, obviously, as 23 I described yesterday, the right forefinger was recorded 24 by placing black powder and then being lifted by means 25 of white adhesive tape and I noticed that everyone -- I page 75 1 could be wrong about this -- but most of the 2 contradicters have mentioned it's an inked impression 3 and know they wouldn't say it would change their view 4 but all I can say is there may have been a lack of 5 powder at that particular point where it's been lifted 6 from the deceased's forefinger. 7 Q. The other point that I wish to put to you just for 8 comment on the same theme of the clarity being such as 9 to be open to argument, you may be aware that some of 10 those, including Mr Mackenzie, some of those who 11 identified do not see the ridge structure at point 2 as 12 a bifurcation. 13 A. Okay. 14 Q. But rather what they see is the thinner of the two 15 ridges as it ascends in fact passes by the point where 16 the bifurcation might otherwise be formed and continues 17 on up on the inside, so runs between the ridges just to 18 the side of point number 16 and up beyond point number 1 19 and ends at a ridge ending and, to my eye, the ridge 20 ending is just above the red line that comes down to 21 identify point number 1, so that in fact if I can 22 describe it in lay terms, the feature is one of a 23 curling ridge that, in fact, continues on up inside to a 24 point further towards the top where it ends in a ridge 25 ending. page 76 1 First of all, just looking at Marion Ross, can you 2 see features that would be consistent with that 3 interpretation of Marion Ross? 4 A. Can I highlight the ...? 5 Q. Yes. 6 A. If I could draw in, what I see -- 7 Q. It's not so much -- 8 A. Well, I'd like to -- 9 Q. Okay. 10 A. If you follow the ridge down the right-hand leg like so 11 (indicated) and for me the bifurcation is there 12 (indicated). 13 THE CHAIRMAN: Slightly higher up, would it be? 14 A. Sorry, that's not very good. That's the bifurcation 15 that I would be referring to (indicated). 16 MR MOYNIHAN: Yes. 17 A. What I believe you have is an incipient ridge like so 18 (indicated) to the left-hand side of the bifurcation. 19 Unfortunately, as we've previously discussed on many 20 days sometimes one feature like an incipient ridge will 21 show in one print but not show in the mark and I believe 22 the incipient would be in that region (indicated) but it 23 just doesn't show. 24 Q. I am grateful to you. So you do not see whether it is 25 an incipient or a continuation of the left ridge as page 77 1 joining the bifurcation, you simply do not see the ridge 2 structure in that location? 3 A. No. 4 MR MOYNIHAN: I am grateful to you. 5 If we could save that image, please. 6 MISS BAHRAMI: That's saved as FI2910.18. 7 MR MOYNIHAN: What I would like to do is move on to point 8 number 3 and if I bring up FI0166A twice over again, 9 please. 10 Your description of the characteristic that is 11 feature number 3? 12 A. A bifurcation. 13 Q. There are a number of points that arise in relation to 14 point number 3 that are raised for your comment. In 15 responding to that comment I will give you the 16 opportunity to paint the feature as you see it. 17 The first comment is the area that I suggested to 18 you by overview which feature number 3 is on QI2, I 19 suggested to you was an area of smear or swipe? 20 A. Yes. 21 Q. The reason for that is that there is a series of 22 parallel lines, not quite directly straight up and down, 23 there's an element of curve to the end, the series of 24 parallel lines that plainly have the appearance of not 25 forming part of another fingerprint -- page 78 1 A. Yes. 2 Q. -- coming down and there is indeed a lighter area and 3 point number 3 appears in that area. 4 First of all, do you agree with the proposition that 5 there is an area of smearing or swipe that would seem to 6 have superimposed itself upon part of QI2? 7 A. Yes, I would. 8 Q. And that point number 3 occurs in that area? 9 A. I would say it's just below that area, yes. 10 Q. One of the points again would be, given the clarity of 11 that area, are you confident there is indeed a feature 12 to be seen in QI2? 13 A. Yes. 14 Q. And it is a bifurcation? 15 A. Yes. 16 Q. Insofar as its appearance is concerned, please just 17 enlarge QI2 as you see fit to mark in the characteristic 18 as you see it. (Pause) 19 A. See the ridge coming down on the left-hand ridge like so 20 (indicated) and the right-hand ridge like so 21 (indicated), and obviously the equivalent on the other, 22 Marion Ross's print, there's a bifurcation down. 23 MR MOYNIHAN: If we could save that particular image, 24 please. 25 MISS BAHRAMI: That's saved as FI2910.19. page 79 1 MR MOYNIHAN: What I want to do on this occasion is to look 2 at both Mr Wertheim and Mr Zeelenberg. I will begin 3 with Mr Wertheim and bring up FI2309.17. 4 If I can just enlarge Mr Wertheim's drawing so we 5 have the two interpretations side-by-side. The blue and 6 the red may in fact have been a combination of 7 Mr Wertheim and me in relation to the smear. In fact, I 8 have taken down ... if we could put what is on the ... 9 (Pause) 10 Can I bring up on the right-hand side FI2910.19. 11 What I have actually now brought up on screen are the 12 two alternative interpretations. On the right is your 13 interpretation with the bifurcation. 14 A. Yes. 15 Q. On the left Mr Wertheim, the red and blue stripes are to 16 indicate the smear coming through. The yellow is to 17 indicate the approximate location of the point number 3. 18 I understand Mr Wertheim to say that insofar as he can 19 see ridge structure, the ridge structure would be as 20 marked in green and, therefore, he would say no evidence 21 of a bifurcation in that location. 22 A. Okay. 23 Q. Do you see that? 24 A. Yes. 25 Q. Again, just looking at the matter as he has drawn it, page 80 1 are you indicating that there is evidence there of ridge 2 structure which has been omitted by Mr Wertheim? 3 A. Yes, I think you can see that the ridge comes up and 4 bends in just there. Admittedly, above that area there 5 is the slippage or smearing or whatever that you were 6 referring to. 7 MR MOYNIHAN: I might as well save those as a pair, 8 actually. 9 MISS BAHRAMI: That's saved as FI2910.20. 10 MR MOYNIHAN: Can we go then to Mr Zeelenberg's presentation 11 and bring it up to begin with in PowerPoint, AZ0061, and 12 begin at slide 146. 13 Mr Zeelenberg is going to begin with a point number 14 3. I think we will just have to be attuned to the fact 15 that though he believes his point 3 to be the same as 16 your point 3, to my eye they are not the same.? 17 A. No. 18 Q. In fact, is your point 3, if I can just locate on the 19 PowerPoint just now where the arrow is 20 (indicated) ... sorry, the arrow doesn't stay for very 21 long. 22 A. The point 3, if you go up to the bifurcation, just where 23 you were ... 24 Q. Yes, yes. Sorry, it is there (indicated). 25 A. Yes, that is right. page 81 1 Q. So the bifurcation that you in fact call number 3 is one 2 intermediate ridge to the right but at the same level as 3 what Mr Zeelenberg has marked as number 3? 4 A. Yes. 5 Q. We will be conscious of that, I think he has a later 6 slide where he has the SCRO point number 3 correctly 7 positioned but, nonetheless, what I want to ask you 8 about is Mr Zeelenberg's point of difference number 3. 9 He is going to demonstrate an interpretation of Marion 10 Ross and QI2 which would suggest that the point he has 11 marked as number 3 is a point of difference. 12 A. Okay. 13 Q. So let us look at that now just conscious that it is 14 Mr Zeelenberg's point number 3 and it is not common to 15 SCRO. 16 What he has drawn is the -- he begins with the right 17 leg of the bifurcation, number 2. Do you see that? 18 A. Yes. 19 Q. As a yellow line of dots, coming down to a point about 20 6 o'clock on the clock he has an intervening ridge 21 coming in on which he has inserted a red spot, and the 22 red spot is his point number 3, with adjacent to it, to 23 its right, again a continuous ridge running up. 24 If I understand correctly what he has indicated on 25 QI2 is that he can see the two continuous ridges but page 82 1 there is an absence of the ridge ending which he has 2 indicated as his point of difference, number 3. 3 A. Number 3, yes. 4 Q. Do you understand? 5 A. Yes. 6 Q. Do you have any comment on what he is suggesting here, 7 that there is a ridge ending in Marion Ross which is 8 absent in QI2 and, therefore, an incompatibility 9 inconsistent with a match? 10 A. Yes. I would have to -- can I ask for a clean version 11 of QI2? 12 Q. Yes, you can. A clean version that there is, if I can 13 bring up on Trial Director AZ0061, slide 144. I see 14 what has happened. When you say, sorry, a clean 15 version, do you mean a completely unmarked version or 16 are you happy ... what I will do is if I can bring up 17 then again, please, FI0166A twice. 18 First of all, so that we can locate this, your 19 point 3, as you have said, is to the right? 20 A. Yes. 21 Q. Therefore, on Marion Ross I am understanding 22 Mr Zeelenberg to be pointing to the ridge that enters 23 and stops at roughly where my cursor is just now 24 (indicated)? 25 A. Yes. page 83 1 Q. Let us just mark that with an arrow (indicated). Is 2 that correct? 3 A. That's correct, yes. 4 Q. So that arrow on the right-hand side is pointing to 5 Mr Zeelenberg's point of difference number 3. 6 Where is it that on this particular image of QI2 you 7 see that ridge entering and ending? 8 A. It is very, very faint and that was one of the reasons 9 that it wasn't chosen to illustrate the identification. 10 It's just in there (indicated), which would be 11 Mr Zeelenberg's point number 3. 12 You would then go one intervening ridge and you'd 13 come to what is SCRO's point 4. 14 Q. There does seem on this view to be quite some distance 15 between the ridge ending you have indicated as 16 Mr Zeelenberg's point of difference number 3 and where 17 you have marked the SCRO point 3 because just as they 18 are marked now the SCRO point 3 is not, in fact, far 19 removed from the yellow arrow, that they are roughly the 20 same level; correct? 21 I will show you what I mean. Mr Zeelenberg's point 22 number 3 is just opposite the point of the arrow, a 23 little below it and opposite. Your point number 3 is 24 the red dot immediately above and to the right of the 25 yellow arrow. So they are in close proximity -- page 84 1 A. Sorry, his point 3 is what you've indicated with the 2 yellow arrow? 3 Q. His point 3 is where the cursor arrow is just now 4 (indicated). 5 A. Yes. 6 Q. If you allow me just to control the mouse. His point 3 7 is where my arrow is just now. So it's immediately 8 above and to the left of the point of the yellow arrow. 9 Your point 3 is, in fact, at a similar level, give or 10 take a millimetre or two, and above the point of the 11 arrow; whereas, as drawn, there seems to be a 12 considerable distance between the ridge ending that you 13 have drawn and point number 3? 14 A. Yes, there is slight movement in the mark, yes. 15 Q. So that you put down to slight movement in the mark? 16 A. Yes. 17 THE CHAIRMAN: Is the enlargement greater? If the 18 enlargement is greater would that not make the space 19 look greater? 20 A. That's a possibility, sir, yes. 21 MR MOYNIHAN: If I can save those images, please. 22 MISS BAHRAMI: That's saved as FI2910.21. 23 MR MOYNIHAN: If I could also go back to the PowerPoint, 24 please, AZ0061 and on this occasion slide 157. 25 On this occasion, Mr MacPherson, just satisfy page 85 1 yourself, I think Mr Zeelenberg is indeed talking about 2 the SCRO point number 3. We will just bring it up to 3 make sure that that is correct. 4 Is that correct? He is now talking about the SCRO 5 point number 3? 6 A. Yes. 7 Q. The point that we were just talking about before, his 8 point of difference number 3, is the red dot immediately 9 below the point number 3 marked and to the left? 10 A. Is it not the ridge above? 11 Q. No, the point we were just talking about, about the 12 ridge ending that intervenes -- oh, sorry, it may be, 13 yes -- 14 A. No, that's our point 4. What he's indicating there is 15 point 4. 16 Q. I take your point. 17 Let us look at what he is telling us about the SCRO 18 point 3. What he is simply saying is point 3 is 19 inserted in a mark in a distorted area of very poor 20 quality, distorted through a vertical swipe. Just go 21 back. So he is simply highlighting an area in the red 22 circle in the bottom left and saying that the detail is 23 absent. 24 You are satisfied, are you, the detail that you have 25 described is present? page 86 1 A. Yes. I can't mark this, can I not? 2 Q. No, you can't. If you are happy with the drawing you 3 did earlier, so be it. 4 A. Yes. 5 Q. If we can move on then to point number 4, SCRO point 6 number 4. Just for convenience, I will stay with 7 Mr Zeelenberg's slide. We will see in relation to SCRO 8 point 4, first of all, has he correctly plotted point 9 number 4? 10 A. Yes. 11 Q. So then we look to see what he is telling us is his view 12 of point number 4. (Pause) 13 I have taken us through what he has indicated. 14 First of all, in charting point number 4, SCRO point 15 number 4, he has reinserted as mystery point X, his 16 point 3, his difference number 3 that we have discussed 17 before, and he is, if I understand it correctly, 18 suggesting that your point number 4 is not, in fact, to 19 be seen in the ridge structure in QI2. So he says: 20 "Point number 4, like point number 3 in the 21 reference print, is inserted in the mark in a distorted 22 area of very poor quality. An adjacent point that fails 23 in the mark in an area of better quality is ignored." 24 So he would seem to be making two points here: 25 firstly, he cannot see point 4 in the ridge structure; page 87 1 and, secondly, insofar as there is clarity in the image, 2 he sees greater clarity in the area where he has 3 inserted point X, that is his point of difference 3, and 4 yet that has not been picked up. So he is, I think, 5 suggesting inconsistency in charting. 6 That is the question. Perhaps if we can go back 7 then to the QI2 image with this in mind and enable you 8 to explain your position. Perhaps we could just use the 9 same images that we have already on screen and just work 10 from there because plainly the point that is his point X 11 is helpfully illustrated by your mustard line just above 12 the red line. 13 Is that correct? 14 A. That's correct. 15 Q. Then you have marked already as the light blue line the 16 point number 4? 17 A. Yes. 18 Q. Now, on this occasion the interpretation of the point 19 number 4 is what? 20 A. A ridge ending. 21 Q. Are you content that that is simply the ridge ending 22 that you have drawn? 23 A. Yes. 24 Q. I am grateful. Just again to be consistent, we are 25 obviously looking at the image FI2910.21, the last saved page 88 1 image for that particular passage, so by convenience it 2 includes point 4. 3 If I can then take you on to points 5 and 6 -- 4 A. Yes. 5 Q. -- it is missing on the screen but it is helpful just in 6 this detail: point 5 I would understand to be the red 7 line I am pointing to just now (indicated), this is 8 point number 5. Is that correct? 9 A. I am sorry where are you, Mr Moynihan? 10 Q. If you look at the pen on the screen, the red line 11 coming in is taking us to point number 5? 12 A. Yes, that would be correct. 13 Q. I will just write in 5 so that we have it. And beneath 14 it point number 6? 15 A. That's correct, yes. 16 Q. In fact, if I understand it correctly -- and I will use 17 my lay terms and you will correct me if I'm wrong -- 18 point number 5 is a bifurcation, point number 6, again, 19 is that a spur or not? 20 A. Well, it's a ridge ending -- a bifurcation and a ridge 21 ending. Yes, it could be termed as a spur, yes. 22 Q. If I understand it correctly, what has been suggested in 23 relation to the points 5 and 6 is that the detail in QI2 24 is not sufficient to permit of the conclusion that 5 and 25 6 are present. Apart from anything else, what would be page 89 1 suggested is that point 5 is where the pen tip is just 2 now (indicated). It's actually a part of the marking 3 that's actually quite difficult to see because it's 4 immediately adjacent to an area of black marking. 5 A. Yes. 6 Q. If I can just mark, again I will do it staying above it, 7 point number 5, in fact, is the dot just below where I 8 put in the number 5? 9 A. That's correct, yes. 10 Q. Number 6 is immediately beneath it? 11 A. That's correct. 12 Q. What is there about QI2 that admits of sufficient 13 clarity to say emerging out of that black area -- and 14 the black area is roughly where I've drawn the number 15 5 -- that there is sufficient clarity to draw in the 16 bifurcation which is point number 5 leading to the ridge 17 ending or spur as I call it, number 6? 18 What we may do -- it is probably not helping you 19 that I've got the number 5 there. If we could save this 20 image. 21 MISS BAHRAMI: That's saved as FI2910.22. 22 MR MOYNIHAN: If we could go back then to the preceding 23 saved one, FI2910.21, what I am doing, Mr MacPherson, is 24 building up a picture now as we go round. So I think we 25 can follow, without me inserting misleading points, what page 90 1 5 and 6 are. What I am asking you is if you can explain 2 how it is that through the area of black you can discern 3 with sufficient clarity features that are consistent 4 with Marion Ross, points 5 and 6. 5 A. My belief is, yes, there certainly is a black area 6 coming in but you can follow this ridge down 7 (indicated). That's the left-hand side of it and you 8 follow the ridge down. That's the right-hand side of 9 it. Yes, there is interference but I believe that the 10 interference is just to the right-hand side of that 11 bifurcation. 12 If I could illustrate, just beside point 6 again 13 another couple of characteristics that weren't used that 14 I could maybe illustrate by an arrow. (Indicated) 15 Just to the right of point 6 there is a ridge ending 16 up and a ridge ending down. It's like a broken ridge, 17 if you like, just there (indicated). That 18 corresponds -- if I could highlight this ... just there 19 you have basically a split ridge, a ridge ending up and 20 a ridge ending down adjacent to point 6. 21 MR MOYNIHAN: We will try and capture what is on screen just 22 now. 23 MISS BAHRAMI: That's saved as FI2910.23. 24 MR MOYNIHAN: What I don't know is whether we have lost the 25 detail you have drawn just before this. If we can go page 91 1 back then, please, to what was on screen -- I don't 2 think we have ... no, we haven't lost it just now. 3 Again, just building up the picture, I will go 4 slightly out of order. I will skip 7 and 8 just now. 5 What I want to look at is point number 9. 6 Point number 9, if I understand it correctly, SCRO 7 point number 9, is the point that my cursor is on just 8 now (indicated). In other words, it's the point where 9 the red line runs from the bottom of the picture 10 straight up through the tip of the red arrow and ends 11 just above the blue marking for points 5 and 6. Is that 12 correct? 13 A. Point 9 is just to the left of 5 and 6, yes. 14 Q. So it is where the cursor is just now? 15 A. Yes. 16 Q. What I want to do is to take down what we have on screen 17 just now and come back. I am thinking that I am taking 18 down FI2910.22 and I am going to bring up 19 Mr Zeelenberg's presentation again, AZ0061, slide 160, 20 in PowerPoint. 21 What he begins with on slide 160 are the points 5 22 and 6 we've just discussed; correct? 23 A. Yes, yes. 24 Q. Then as we proceed through he is going to discuss now 25 point 9. Has he correctly positioned point 9? page 92 1 A. Yes. 2 Q. What he is doing is drawing in ridge structure insofar 3 as he can see it. If I understand it correctly, his 4 problem is that he cannot see 5 and 6 falling where SCRO 5 see it and also number 9 in that area. In effect, he 6 seems to be saying you can have two of those but not the 7 three. That was a very detailed point. 8 Do you observe what he is doing? 9 A. I observe what he's doing but I can see point 9 is a 10 ridge ending up. 11 Q. So what he is interpreting you tell us is ...? 12 A. He seems to have interpreted it as a continuous ridge 13 straight up to my point number 5 but I think even 14 looking at it you can see there's a kink in the ridge. 15 The ridge comes up and kinks to the left. 16 Similarly, the ridge comes up on Marion Ross's print 17 and kinks to the left. So if anything that's a 18 supporting feature rather than a negative feature. 19 Q. I think also though what the point is -- and this is 20 where the question would be you can have two but not 21 three -- the lower of these dots, the red dots, on the 22 right-hand side is your point 6, which you construe as a 23 ridge ending, a spur? 24 A. Yes. 25 Q. His interpretation of the ridge structure evident in QI2 page 93 1 going from left to right would be point number 6 would 2 be part of a continuing ridge going from where it is 3 left and, of course, we enter the black area that is 4 difficult to see what happens beyond that. 5 A. Yes. 6 Q. Whereas you have point number 6 as simply a ridge 7 ending. So he would not see it as a ridge ending at 8 all. 9 A. Yes. 10 Q. It is one of these points where I think his overall 11 thesis is the clarity in QI2 is just not there to make a 12 definitive observation on this. 13 Do you see any force in that thesis? 14 A. No. 15 Q. That is point number 9. 16 If I then take you to points 7 and 8, in relation to 17 Mr Zeelenberg we will just continue with his slides and 18 we will go on now to slide 161. So I think if I just 19 finish 160 you will see if point 6 was marked in the 20 proper direction point 9 would become non-existent. So, 21 as I said to you, that's the proposition but we have 22 commented on that. 23 Slide 161 -- I'm going now to look at 7 and 8 -- has 24 Mr Zeelenberg correctly marked SCRO point 7 and 8 both 25 in QI2 and in Marion Ross? page 94 1 A. Yes. 2 Q. As I proceed through the slides, he says: 3 "The dominant direction of the grey scale 4 information is horizontal! To claim that a regular 5 system of vertical lines is present AND that ridges can 6 be seen as ending [he said] is beyond good practice." 7 Perhaps, since he is talking about grey scale being 8 horizontal, he is presumably assuming that what he can 9 see is, as I am showing just now -- I cannot mark this 10 because it is PowerPoint -- he is saying grey going from 11 left to right in a horizontal position and, therefore, 12 reluctant to draw ridges vertically consistent with the 13 interpretation. 14 So if I take it back, because it otherwise obscures 15 the detail, he is questioning 7 and 8 in the positions 16 marked because he says the detail in the red circle on 17 the left is simply insufficient to reach any firm 18 conclusion. 19 You obviously take a different view? 20 A. Yes. 21 Q. Well then let us return to your slide and perhaps if we 22 go back again, building up a picture, to FI2910.22. In 23 fact, we'll try 23. Sorry, I have not been keeping 24 track. (Pause) 25 I think what I feared has actually happened, and page 95 1 that we may have lost, in that point where you were off 2 to show number 9, we may have lost the markings for 3 points 5 and 6. 4 Sir, I see the time. We were going to have a break 5 at some stage so what I suggest is that we will 6 reinstate points 5 and 6 in this because I just wanted 7 to build up one cumulative picture as we proceed. So we 8 will reinstate points 5 and 6 and then we will come and 9 discuss 7 and 8 with apologies to Mr MacPherson? 10 THE CHAIRMAN: Yes. We will stop now for ten minutes and I 11 intend to rise shortly before 4.00. So shall we say 12 2.55. 13 (2.46 pm) 14 (A short break) 15 (3.00 pm) 16 MR MOYNIHAN: I am grateful to you, Mr MacPherson. In the 17 interval, while the rest of us have been having a bit of 18 peace, you have actually redrawn for me the detail of 5 19 and 6 that was otherwise lost. 20 A. Yes. 21 MR MOYNIHAN: So if we can save, please, what we have for 5 22 and 6. 23 MISS BAHRAMI: That's save as FI2910.24. 24 MR MOYNIHAN: We will just carry on from there. 5 and 6 are 25 on the screen. 7 and 8 is what I was asking you about page 96 1 and I put to you Mr Zeelenberg's view. 2 If I could now ask you just to use what is available 3 on the screen, unless you wish to use something else, to 4 demonstrate for us how you see the ridges that are 5 consistent with points 7 and 8. 6 A. If I could just use as a reference point, I think I 7 marked it in earlier, just in this area here 8 (indicated), there's a break in the ridge. 9 To the right of that there's a ridge ending up which 10 is number 7 and again to the right of -- one intervening 11 ridge and to the right of that, it's not very well-drawn 12 but there's a ridge ending up. Admittedly, there is an 13 area of superimposition in this area and you have to be 14 very careful when marking points in that area but I 15 believe you can see 7 and 8 and they correspond next to 16 the broken ridge of Marion Ross's 7 and 8. 17 Q. Before we lose it you did draw your pen across to show 18 an area of superimposition. If I can then ask you, if I 19 use yellow, can you mark for me, please, the area of 20 superimposition or maybe just highlight it instead of a 21 line. If we use a tool -- sorry, if I just use the 22 mouse just now ... perhaps with Miss Allen's assistance 23 you may be able to highlight the area that is one of 24 superimposition. 25 A. That's the area, yes. page 97 1 MR MOYNIHAN: Can we save that image, please. 2 MISS BAHRAMI: That's saved as FI2910.25. 3 MR MOYNIHAN: We have already covered 9, 10 was part of what 4 we began with as 1, 10 and 16 so that takes me back now 5 to 11 and 12 where we began. 6 If I could bring up again, please, the image 7 FI2910.13. This is what we started out, when asking you 8 what area attracted your attention, at least today in 9 relation to QI2, and you drew for me the bifurcation 10 which, if memory serves me correctly, coincides with 11 point 12 and a ridge ending is point 11, yes? 12 A. Yes. 13 Q. I had asked you about the ridge feature in Marion Ross 14 which occurs between the two open ended lines 15 immediately beneath point number 11? 16 A. Yes. 17 Q. That was absent in QI2 but your view was that that could 18 just be one of those things that occurs with a piece of 19 incipient ridge? 20 A. Exactly like I think I mentioned to the left of point 2. 21 Q. What I would like to show you is the work that's been 22 done by your colleague, Mr Mackenzie, in relation to 23 QI2. I have two booklets that I can give you. The one 24 that will be brought up on screen is CO2005H. Keep what 25 is on screen just now for a reason and also bring up a page 98 1 copy of CO2005H. (Pause) If you just proceed through 2 CO2005H just now. If we just proceed through ... and 3 again. Stop there just now. 4 If you look at page number 3 in Mr Mackenzie's 5 booklet and if I can explain to you this is a charting 6 that Mr Mackenzie did for Mr Gilchrist who was then the 7 Procurator Fiscal, now Sheriff Gilchrist. It is a 8 charting of QI2 and the area that I am interested in, in 9 Mr Mackenzie's charting, are his points 27 and 29. I am 10 having difficulty doing this in sufficient detail so it 11 can be seen. 12 His 27, does that coincide with the bottom end of 13 this feature (indicated), in effect, opposite your 14 point 11? 15 A. Yes. 16 Q. His point 29 coincides with your point 12? 17 A. Yes. 18 Q. So your 11 and 12, in approximate location, coincide 19 with his 27 and 29? 20 A. Yes. 21 Q. If we can then proceed in the top to the digital page 7, 22 for you it is page 6, in the book form. So digital 23 page 7 in the top. 24 We will see a legend -- 25 A. Sorry, page 7? page 99 1 Q. Page 6. It's okay the digital version is one page out 2 always. 3 You will see the description that Mr Mackenzie gives 4 of the characteristics 27 and 29 are that they are each 5 a bifurcation. 6 A. That's correct, yes. 7 Q. If we go back, please, to, for you page 5, for us 8 page 6, do you see that what he has drawn is a red line 9 on the inner part of the ridge detail between 27 and 29? 10 A. Yes. 11 Q. What he has drawn utilises the ridge feature that you 12 are calling an incipient to, in fact, in reality, close 13 off a lake? 14 A. I think the way Mr Mackenzie has marked it, it looks 15 like a ridge ending. 16 Q. What he tells us though is, by his legend, he tells us 17 it's a bifurcation? 18 A. Okay. Well, I see it as a ridge ending. 19 Q. If he's construing 27 as being a bifurcation, then what 20 he is construing is that in the area of 27 and 29 we 21 have two bifurcations in association that would form a 22 lake? 23 A. Yes. 24 Q. That is not your interpretation? 25 A. That's not my interpretation, no. I have to say I've page 100 1 don't believe I've ever seen this. 2 Q. There may well be reasons that you would not have seen 3 it. That went into the Crown Office so you may not have 4 seen it. 5 Again, what we have now top and bottom are two 6 alternative interpretations of this area. Again, one of 7 the themes I have running -- these are two alternative 8 interpretations of this area that, in fact, happen to be 9 by two individuals who are of the same conclusion, as 10 Mr Mackenzie agrees with the identification; is that 11 correct? 12 A. That's correct, yes. 13 Q. If I were to insist to you that what you see in QI2 14 ought properly be construed -- sorry, let us say what is 15 seen in Marion Ross with the incipient ridge, if I were 16 to insist to you that that is an essential part of the 17 ridge structure, an essential part of a bifurcation 18 forming a lake, we would perhaps encounter a fundamental 19 difference between what is present in Marion Ross and 20 what you understand to be present in QI2 because you see 21 two ridges descending from point 12 as divergent ridges, 22 not meeting and not forming a lake. 23 A. I believe it's a ridge ending, yes. 24 Q. But the difference would be, if I insisted, let us say 25 if I were insistent -- I am not, this is just an page 101 1 argument -- if I were insistent that the correct 2 understanding of Marion Ross were that there's a lake in 3 that position ... 4 A. Well, again I can only reiterate what I said before. 5 Possibly due to the superglue or whatever that's been 6 used, the incipient ridge hasn't been shown on the 7 left-hand image, mark QI2, but on the right-hand side it 8 has been shown because it's been taken under ideal 9 conditions. 10 All I can say is point 27 on Mr Mackenzie's chart 11 would appear to be, at the bottom end of it where his 12 arrow is, it looks to me like a ridge ending. 13 Q. Perhaps I will only try this one more time, 14 Mr MacPherson. It just a proposition I am trying to 15 run. 16 There is in each of Marion Ross and QI2 an event. 17 As fingerprint examiners would say, there's an event in 18 this location. If I construe that event differently in 19 each of the two, so I say in Marion Ross that event is a 20 lake and in QI2 it's an open-ended bifurcation where the 21 two ridges at point 11 do not meet and continue to 22 diverge, would I, by reason of that difference of 23 interpretation, in fact, have set up a mismatch between 24 Marion Ross and QI2? 25 A. I don't believe so. I think we've been talking for days page 102 1 about appearances and differences, explainable 2 differences, and I think I've tried to explain it. I 3 don't see what else I can say. 4 Q. So, in other words, the difference you would say is that 5 the piece in Marion Ross necessary to close off the lake 6 is absent from QI2 because incipients are not always 7 reproduced? 8 A. Absolutely, yes. 9 Q. Whereas your colleague, Mr Mackenzie, might argue that 10 the piece is, in fact, present and to be discerned in 11 QI2? 12 A. He may well do, yes -- or he does do, sorry. 13 Q. Sorry? 14 A. He does do, yes. 15 Q. He obviously does? 16 A. He does, yes. 17 Q. You see that then enables us to look at perhaps some of 18 the others. Let us take if we return to Mr Zeelenberg, 19 AZ0061, and on this occasion go to slide 162. Perhaps I 20 will just click through to slide 162. 21 Mr Zeelenberg is looking at point 12 as you have 22 drawn, point 11 in fact he has taken on the lower rather 23 than the upper leg, yes? 24 A. Sorry, can you just repeat that, sorry? 25 Q. I apologise. Point 12 he is taking correctly page 103 1 positioned? 2 A. Maybe slightly lower but, yes, that would be about 3 right, yes. 4 Q. Point 11 he has put on the lower leg? 5 A. Yes. 6 Q. Is that where you would position it? 7 A. No. 8 Q. You are on the upper leg? 9 A. No, I think you can -- I'm in the upper leg. You can 10 actually see the bottom leg that you're referring to 11 where he has placed the dot actually starts to kink up 12 slightly and my point, my ridge ending, would be just 13 above where the dot is. 14 Q. That's fine. So we've got to understand Mr Zeelenberg 15 is slightly out with the lower of the two dots. 16 In fact, for some reason in the upper picture he has 17 in fact put the dot in the correct position, that is in 18 the upper ridge? 19 A. Yes, that's correct, in the upper picture, yes. 20 Q. We will see what he has drawn. In fact, if I just work 21 back a few slides, we will see what he has drawn. First 22 of all, if I understand him correctly the area of, 23 perhaps, purple dots coming top to bottom, demarks an 24 area of disturbance? 25 A. Yes. page 104 1 Q. You are reasonably happy, an area of disturbance 2 somewhere in this vicinity? 3 A. Maybe not stretching up as far but, yes, I believe there 4 is, yes. 5 Q. Then he has drawn, you will see, what he discerns as the 6 ridge structure in this vicinity and it would seem that, 7 in fact, he has drawn the ridge structure of point 11 8 closer to your interpretation of an open ridge 9 structure? 10 A. Yes. 11 Q. Rather than a lake? 12 A. Yes. 13 Q. So what he is, in fact, saying is that he does not see 14 point 11 and perhaps that may simply be that he was 15 inferring that point number 11 was a bifurcation and he 16 hasn't seen it and he would be correct, if that is the 17 interpretation? 18 A. Yes. He's quite right. To the right of point 11 there 19 is disturbance, yes; I would agree with that. 20 Q. If we look at point number 12 for Mr Zeelenberg, what I 21 have to do is to jump back to slide 148. This is 22 looking at his areas of difference. His point number 4 23 is what you have drawn as SCRO point 12, yes? 24 A. Yes, it would be slightly higher than where he has 25 indicated. page 105 1 Q. Slightly higher but nonetheless in the -- 2 A. Yes, the correct area, yes. 3 Q. -- correct location. 4 What we will in fact see as we click through is that 5 what he is indicating is his interpretation of QI2 is 6 that where on Marion Ross there is the bifurcation 7 number 12 -- 8 A. Yes. 9 Q. -- leading simply to a ridge that carries on up to, one 10 assumes, an ending at a point just beyond the green 11 dots, on QI2 he is in fact seeing a ridge enter from 12 above point 11, run up and in fact form a second 13 bifurcation above point 12 that's absent from Marion 14 Ross? 15 A. Well, I think I marked earlier on, when I marked 11 and 16 12, I marked to the right of 11 and 12 what I perceived 17 was a split ridge and possibly I think that's what he's 18 indicating there as he runs up for a second bifurcation 19 above characteristic 12. 20 Q. If we look then back at your FI2910.13, and I will just 21 highlight -- perhaps if we just have the -- sorry, is 22 that sufficient just for your purposes? 23 A. Yes. 24 Q. Your interpretation of that would be that there is an 25 incoming ridge which ends and above it a descending page 106 1 ridge which overlaps but the two do not coincide? 2 A. It's maybe -- I've maybe not marked that as well as I 3 could have but, yes, in general, yes, that's what I 4 mean. 5 Q. In that case if I finish with 11 and 12 at that, I am 6 now going to move to point number 13. So if I go back 7 to FI0166A twice over, please, point number 13 is to the 8 left and below point number 12? 9 A. Yes. 10 Q. In relation to point number 13, what I have asked some 11 other witnesses about in relation to point number 13 is 12 the feature that is immediately to the left of point 13 number 13, which I have been describing as the hook, 14 which has no counterpart in Marion Ross? 15 A. Yes. 16 Q. Do you see where I am terming the hook with no 17 counterpart in the print of Marion Ross? 18 A. Yes. 19 Q. No expert on either side of the argument has made 20 anything of what I've called the hook? 21 A. Yes. 22 Q. Can you tell me why the hook has got no significance at 23 all? 24 A. For me I think we discussed earlier about the 25 superimposition of possibly Mr Asbury right middle and page 107 1 for me that's an area, a no-a area, a red flag area or 2 whatever you want to call it but I wouldn't place any 3 reliance on it. 4 Q. Because it answers the particular point about the hook, 5 I will put it in a more general way. Could you assist 6 me, please, by marking for me the area that is the no-go 7 area, the area of superimposition in this locality. 8 A. On the outside of characteristic 13 there's a genuine 9 ridge going down that way (indicated). 10 Q. Sorry, I didn't understand, when you said -- 11 A. Yes, there's a ridge on the outside of characteristic 12 13. 13 Q. So what you have drawn in in yellow is a genuine ridge? 14 A. Is a genuine ridge on the outside of characteristic 13 15 but the area ... (Pause) 16 It's roughly like so (indicated). I believe there's 17 interference in this area here that I've indicated, so 18 Basically I wouldn't go into that area. 19 I think you can see a line just above there and then 20 you've got it looks like possibly a whorl again but I 21 wouldn't like to say for definite. It could be a loop 22 but it gives the appearance of being a whorl. In that 23 general direction, to the left of point 13, I would say 24 there's too much interference. 25 Q. Just so we can capture that, if I can perhaps make some page 108 1 marks, the line that you are referring to have I just 2 inserted it in the yellow across? Was that the line you 3 were referring to? 4 A. Well, I wouldn't go as far as across as you have done. 5 Q. In that case what I will do is take it away and let you 6 draw in the lines. 7 If you then just mark in the line that ... 8 A. Something like so (indicated). 9 Q. Then you were indicating that there's, I think you said 10 a loop pattern. Can you just mark for me, not the whole 11 pattern, just the outer boundaries of the loop pattern? 12 What I am trying to see is where, as we approach QI2, 13 that interference ends. 14 A. There quite possibly could be a whorl pattern in there 15 but I wouldn't like to say for definite. It could be a 16 loop to the right or ... 17 MR MOYNIHAN: I think we had better save that. 18 THE CHAIRMAN: That means really that 13 is on the margin. 19 A. It's on the margin, sir, yes. Would I be able to 20 draw -- 21 MISS BAHRAMI: That's saved as FI2910.26. 22 MR MOYNIHAN: Mr MacPherson -- 23 A. Is it possible to get a clean image of QI2? 24 Q. Yes. In fact, just before we leave this -- and I will 25 let you draw just in a second -- the one point that I page 109 1 was going ask you about, and it helps with the areas of 2 disturbance mentioned in answer to his Lordship's 3 question about this being right on the margin, would 4 there be some suspicion of ambiguity in this area since 5 it is simply so close to that area of disturbance? 6 A. I feel you can see there's broken ridges in that area, 7 the area that you're talking about, the hook and 8 possibly lower than that. It's just too broken up to, 9 basically, try and decipher. 10 Q. But if I can mark something to show you where I am 11 thinking about, for example, even if it is an area of 12 clear detail, you have marked as, is it a ridge ending, 13 point number 13? 14 A. Yes. 15 Q. You have marked on what is in the middle of an area of 16 black line, obviously with a grey gap -- so if I put it 17 as one piece -- why is it wrong to regard that as one 18 piece and not see the tip of the green as a ridge 19 ending, in other words, where the black ends and we're 20 going to grey? 21 A. If I could illustrate, but before I move away from this, 22 can I -- 23 MR MOYNIHAN: It is okay. What we will do is save that 24 image and then we will get back to what you want, which 25 is a clear image. We will save this one and go back to page 110 1 a clear image. 2 MISS BAHRAMI: That's saved as FI2910.27. 3 MR MOYNIHAN: What I will do is on the left-hand side of the 4 screen I will bring up again, please, FI0166A and I will 5 enlarge it and that will give you, Mr MacPherson, the 6 benefit of a clean image with point number 13. Sorry, I 7 have been interrupting you for a while. There is a 8 point you wish to make. 9 A. Simply the fact that above point 13 there is a small 10 island which corresponds to the small island like so. 11 Q. I suppose what I am asking is that is choosing, in 12 relation to QI2 on the left, it's choosing to attach 13 weight to the fact that there is a space evident between 14 the black almost circle that's point 13 and the black 15 shape above? 16 A. Yes. 17 Q. While not attaching weight to the fact that there is 18 similarly a space between the bottom end of the black 19 shape that's point number 13 and any other corresponding 20 piece of black marking. 21 Do you follow me? 22 A. You mean below point 13? 23 Q. What I am suggesting to you is immediately above -- if I 24 take the mouse -- immediately above point number 13, 25 there is a change in colour from black, to grey, to page 111 1 black and you attach significance to that as a ridge 2 ending, a defining characteristic? 3 A. Yes. 4 Q. Whereas beneath the shape, because point number 13 is 5 really against a black, almost a circle, beneath the 6 black circle there is similarly a gap between it and the 7 next black shape which I am roughly pointing to just 8 now -- 9 A. Yes. 10 Q. -- and I can mark with an arrow. 11 What I am asking you to explain, in effect, is why 12 recognise and, indeed, attach matching significance to 13 one gap, a small gap, in ridge detail while in fact 14 being prepared to literally overwrite and see a 15 continuing ridge in another gap? 16 A. If I could -- I mean, what you could argue is that where 17 I'm indicating at the moment ... (indicated) there's, if 18 you like, a small dot and it could be argued that just 19 below point 13 there's a small dot and you could argue 20 that there's a gap between the small dot and the ridge 21 coming up. You can argue that the ridge coming up stops 22 there (indicated) and there's a small dot. 23 Also to the right of point 13, if you come down that 24 ridge, now back in '97 we wouldn't be able to use, 25 basically, this but what there appears to be is a pore page 112 1 shape like so (indicated) and, similarly, that appears 2 on QI2 and below that there is a ridge like so 3 (indicated) and again below that there is a ridge like 4 so (indicated). 5 So, yes, I've given weight to what I see as a small 6 island above point 13 but I've also have these 7 supportive features to the right of 13 and below 13. 8 MR MOYNIHAN: If we save those ... 9 MISS BAHRAMI: That's saved as FI2910.28. 10 MR MOYNIHAN: Sir, the next points are points 14 and 15 and 11 I know those those involve ridge counts and likes. I am 12 not going to finish Mr MacPherson today because I also 13 have the point towards the top of QI2 to deal with and 14 it may, in fact, be kinder to all concerned if we leave 15 14 and 15 to Tuesday morning. It is not going to make a 16 difference to the overall timing. 17 THE CHAIRMAN: No, I think among other things, Mr MacPherson 18 has had a very long spell so I think that is the fairer 19 thing to do. 20 We will resume then on Tuesday at 10.00. 21 MR MOYNIHAN: I am obliged, sir. Thank you. 22 (3.40 pm) 23 (Adjourned until 10.00 am on Tuesday, 3rd November) 24 25